异形 契约

香(🚸)港(gǎng )电影(yǐng )圈正逢盗版猖獗(🌒)，落魄导(dǎo )演(🐸)陈(chén )果新（(🌑)曾志伟饰(shì(⛪) )）、监制徐(👮)屈（(📈)陈百祥(🍢)饰）(🕑)、编剧(jù )谷(🎍)一昭（张锦(⛲)程(chéng )饰）、(🔘)男演(🤬)员(yuán )周(🧡)松弛（罗嘉良(liáng )饰）、女演员朱淇（关(💄)秀媚饰）决(💱)(jué )心要拍一(😘)部高水(shuǐ )准(😏)的(de )作(📒)品来打(🌮)击盗(🏋)版(bǎn )。可惜横(🤜)(héng )在几(jǐ )人(🏙)面前的就是(👏)钱(qián )这座(zuò(🍔) )大山(📝)。于是四(💎)个(gè )男人只有(yǒu )去找(zhǎo )鸭店(👾)老板（雷宇(⛏)(yǔ )扬饰(shì )）(💭)学习做鸭的(🗑)技巧去哄骗(😈)(piàn )大(👡)腕(wàn )金(🐜)姐（(🥔)罗兰饰）的(🙌)腰(yāo )包...... A mysterious man arrives at Moréno’(🌓)s home, and shows that he knows that the Grand Vampire’s body is inside a trunk. Moréno tries to get rid of him, but he is paralysed by a pin in the man’s glove. The man reveals himself to be the true Grand Vampire, Satanas, and that the first was a subordinate. 杨左(🐐)匋（(🎧)生(shēng )辰(😈)不(bú )详）是我国著名(míng )社会(huì )学家费孝(🦌)(xiào )通的舅舅(🍂)，费孝(xiào )通回(🐸)(huí )忆说：“还(🗝)有一(🌖)(yī )个杨(🧘)左匋(🤓)舅舅(jiù )也留(🔘)学美国，后(hò(🤣)u )来在(zài )好莱(🏩)坞画动画片(⚽)(piàn )，参与有(yǒ(☔)u )名的(de )动画片《白雪公(gōng )主与(yǔ(😖) )七个小矮人(🍣)》的(de )创作。” 德国(📽)(guó )移民的名(🐿)导演埃(āi )里(🔎)克(kè(❤) )．冯．(🦁)施特(😈)罗海姆花费(🐽)了(le )一百(bǎi )三(🐢)十万美元和(📍)十(shí(🥖) )一个(gè(🛫) )月的时间摄制而成的超级(jí )文艺(yì )片，原(📙)拷贝长达(dá(🗒) )五小(xiǎo )时，公(🏜)开(kāi )上映时(👸)浓缩(📦)成三(sā(🏒)n )小时(🗼)(shí )半。由于耗(👷)资惊(jīng )人，好(😏)莱坞大(dà )亨(🚉)本来对埃里(🔬)克(kè )颇有(yǒ(🌪)u )微词，后因本片(piàn )获得意外(wà(🔮)i )的卖(mài )座成(🏌)功而作罢。故(🚨)事(shì )以1919年的(👣)蒙地卡罗(luó(🏚) )为背(🥌)景。埃里(🚓)(lǐ )克(🥎)扮演一个欺(🍑)骗(piàn )美国(guó(💭) )外交官女儿(🏥)的白(🆔)俄亲王(🖥)，靠着(zhe )剥削他的情妇----一(yī )个貌(mào )丑的女仆(🚊)为生。由于性(🚁)虐(nuè )待狂(kuá(✝)ng )的驱使，他强(🐽)奸(jiā(🔠)n )了一(yī(🔺) )个不(📛)幸的(de )白痴女(🕌)子。最后(hòu )，他(🆒)(tā )被人杀死(👔)，他的(de )尸首很(😿)有象征(zhēng )意义地被扔在臭(chòu )水沟(gōu )里。埃(👱)里克对自(zì(😩) )然主义情(qí(⏮)ng )有独(dú )钟，希(🏛)望把一切(qiē(❎) )情史(🌘)(shǐ )都在画面(🥉)中表现出来(🐐)。他(tā )特地(dì(🕹) )在加州海边(🤖)搭建(🍶)(jiàn )起蒙(💹)(méng )地卡罗的赌场和雄伟宫殿(🆘)(diàn )的布(bù )景(📼)，并且在采光(📆)(guāng )上有(yǒu )十(🐶)分大胆的处(💲)理方(⚪)式。影(yǐ(🤪)ng )像上(🕔)(shàng )也富于感(🔽)官刺激(jī )的(🍶)煽(shān )情暴力(🏺)场(chǎng )面，甚至(🎃)劳烦电(diàn )检单(dān )位剪掉了其中的(de )一些镜(💥)头。在(zài )片中(🌗)，埃里克用(yò(💬)ng )一种(zhǒng )辛酸(💥)的悲观主义(🎱)(yì )眼(👼)光来观(guān )察(🌭)人(rén )类，对上(⬇)层社会(huì )的(🎪)腐(fǔ )朽和封(🌌)建作(🆙)出激烈(🔎)的抨击(jī )，流(liú )露出一种愤而(🌥)感(gǎn )伤的(de )怜(🅱)悯色彩。而对(🏚)低下层的(de )人(⤵)物(wù )和被骗(🥂)上当(🌎)的女(nǚ(🗜) )子，则(🙊)寄予同(tóng )情(🔐)的关注，表现(🕸)(xiàn )出独(dú )特(🐊)的“埃里克式(🏉)(shì )人道(dào )主义精神(shén )"。 The story is a man who spends the night in a sinister Wax Museum. A member of a counterfeiting gang gives a forged note to his daughter. When she spends it on a dress the note ends up in the hands of the secret service, who then bring the entire gang to justice. 阪东以惊人的(de )感染(😗)(rǎn )力，将一个(✝)屡遭(zāo )背叛(🕞)、沦落天(tiā(🥢)n )涯的江湖浪(🍔)人身(🍄)(shēn )上具(jù )有(👈)受虐倾向的(😄)虚(xū )无主义(👨)表(biǎo )演得(dé(🚎) )淋漓(🌍)尽致。 This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama. Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")