Paramount Pictures shelved this Italian action film (which is heavy on the drama) that features John Saxon in a suporting role as a cop bend on arresting a blind mafia boss Lee J. Cobb. The film too busy focus on the bank robbers and a newspaper guy Renzo Palmer instead of Saxon's plot which is a misfire to all Saxon fans. The photography and the location is wonderful, but the plot is very extremely slow. Not recommended for someone looking for action films.
郷ひろみの映画(🎈)(huà )初主(🎣)演作(zuò(🙇) )。遠藤周(zhōu )作の同名(😹)(míng )の青(🥂)春小(xiǎ(👪)o )説を映画(huà )化。『愛(🏙)と誠』(🧦)以来、(✂)青春映画を撮り続(😀)けてき(🍠)た山根(🛸)成之監(jiān )督がメガ(🔹)ホンを(🎭)取(qǔ )り(🛅)、脚本(běn )をジェー(⏪)ムス・(🖌)三(sān )木(👧)が手がけた。郷(xiāng )ひ(🌤)ろみが(🐋)主題歌「さらば夏(xià )の光(⛄)」を歌(🎳)っている。共演(yǎn )は(🎬)、女友(➡)(yǒu )達の(🔛)ハンバーガー・シ(🧡)ョップ(🎎)店員役(🏦)(yì )に秋吉久(jiǔ )美子(🗼)が、大(🥕)学浪人(➖)(rén )の親友役(yì )に川(🗃)口厚(hò(🔀)u )がキャ(🚆)スティンされた。地(🏓)方出身(🍶)の貧し(💥)い青年が愛し始め(🏍)た女友(😠)達を親(🤹)友に譲(ràng )ったこと(➗)から、(🛵)明(míng )る(🈵)く生きながらも愛(⛵)に苦し(🎤)み、人生(shēng )の厳しさを知(🦕)ってい(🌞)く姿が描かれる。
Duras's first work of short fiction, Des journées entières dans les arbres (Whole Days in the Trees and Other Stories), was published in 1954. Consisting of four stories, Des journées entiè(🍮)res dans les arbres touches on several themes that Duras explored more fully in her later work—particularly the developing sexuality of young women—but in form and structure is more similar to her earlier works, which tend to be realistic and conventionally structured.
philippe garrel最(🔊)(zuì )默默无闻(wén )的作(🥪)品之(zhī(🗝) )一，nico主演(😥)(yǎn )。
A man accidentally runs down a young girl and has a curse placed on him by the girl's father, an occultist. He goes to a spiritualist for help in fighting the curse.
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...