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理查王临死前放罗(🧣)宾(🤴)汉和小约翰自由，两人再次(😀)回(🛄)到老家(jiā )英(yīng )格(gé )兰(lán )的(de )舍(🚁)(shě )伍德森林。罗宾汉昔日的情(🤾)人(🗾)玛丽(lì )安(ān )对罗宾的归来(😐)并(🚑)没有感到吃惊，因为她已经皈(⬇)依上帝，没有任何世(shì )俗(sú )烦(🍸)(fá(🚧)n )扰(rǎo )了(le )。罗(luó )宾(bīn )汉(hàn )救下(🌩)了(🛑)被诺丁汉州长追捕的玛丽(🧓)安(🗯)，并集合了当地的村民对州长(🍺)的(🏯)(de )暴(bào )虐(nuè )发(fā )起(qǐ )了(le )反(fǎ(📠)n )抗(😑)(kàng )，最后罗宾汉战胜了他的(🎳)老(🌉)敌人-诺丁汉州长，但自己也身(🆘)负重伤，玛(mǎ )丽(lì )安(ān )和(hé )小(🏥)(xiǎ(🙋)o )约翰搀扶着罗宾汉来到修(😣)道(🔜)院上药(yào )，结果发现罗宾汉中(📄)了剧毒。罗宾汉知道自己快要(🤓)不(🏢)行了，他拿出弓(gōng )和(hé )箭(jià(🐒)n )说(🔎)(shuō )道(dào )：“当(dāng )箭(jiàn )落地的(📳)时(🕐)候，把我葬到那里。”随即，箭射向(🍸)远(🥪)方，越飞越高……玛(mǎ )丽(lì(🏆) )安(🍝)(ān )也(yě )吞(tūn )下(xià )了(le )毒(dú )药(📌)，追(🐂)随着罗宾。 Tapasya - meaning penance is the story of Indu, eldest child of Prof Chandrakant Sinha takes on the responsibility of rearing her younger siblings, Vinod, Madhu and the youngest sister. Indu is the breadwinner of the family and acts as both father and mother to the children. The family doctor, young Sagar Verma who treated Chandrakant through his terminal illness falls in love with Indu, which is reciprocated. Being the only son of his widowed mother brings expectations Sagar's wife is expected to take on the responsibility of managing the affairs of their palatial home, giving up her siblings and her parental home. This is not possible for Indu, who is willing to sacrifice her own love and happiness at the altar of responsibility to her brother and sisters. It is only when the children are settled in their own homes that Indu can think for herself. Sagar in the meantime has handed over his clinic to a locum and left without any forwarding address or informing anyone of his return date. Now that Indu is free, where is Sagar? Has he also given up on Indu as her siblings have and left her alone in her twilight years? Does Indu have any happiness in store for her, or is her life a penance (Tapasya) at the altar of responsibility. Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops. 取材自莎士比亚的(🗼)喜剧《威尼斯商人》，以舞台(tái )剧(🐍)(jù(🎤) )的(de )形(xíng )式(shì )拍摄，辛辣的讽(🔑)刺(🐳)、巧妙的布控无(wú )处(chù )不在(📂)，同时充分地利用夸张表演的(🌻)技(💧)巧，传承莎翁的人本精神，表(🛥)(biǎ(〰)o )达(dá )了(le )创(chuàng )作(zuò )主(zhǔ )题(tí(🏟) )思(🐁)(sī )想(xiǎng )。 本片出自德国新浪潮(🔊)电(🔏)影代表人物之一，《铁皮鼓》导(🏾)演(⭐)沃尔克(kè )·施(shī )隆(lóng )多(duō(🥖) )夫(🏎)(fū )之(zhī )手(shǒu )，是一部向法国著(🥐)名导演让·梅尔维尔致敬的(🧣)经(🥓)典作品。影片描写第(dì )一(yī(🌄) )次(🚼)(cì )世(shì )界(jiè )大战期间，高贵的(👎)索菲女伯爵爱上(shàng )了(le )一位普(🍷)通(🐣)士兵，但动荡的时代，因为这(🥕)段(⚡)恋情却给两人带来了可怕(🖕)(pà(🛐) )的(de )灾(zāi )难(nán )，影(yǐng )片(piàn )悲(bēi )伤(🚁)(shā(🍱)ng )而凄凉，是导演沃尔克·施(🕒)隆(⏲)多夫除《铁皮鼓》以外，最被人(📨)认(💪)同(tóng )的(de )大(dà )师(shī )作(zuò )品(pǐn )…(🥪)… 人(rén )影もまばらな別荘地(🗽)の(🤐)スナックを訪れた数人の(🤶)男(🏔)と女が巻き起こす、性(xìng )と(🦏)暴力の嵐を描く日活バイオ(🏹)レ(👼)ンス・ポルノ。R18+指定作品。佐(📶)治(🕚)乾と斎藤信幸による脚本を(🗨)、沢田幸弘が監(jiān )督(dū )した(💉)。夏(🐩)(xià )も過(guò )ぎ、避暑客もほ(⏹)と(🧛)んどひきあげて人影もまば(😢)らな別荘地のはずれに、別(♒)(bié )荘(zhuāng )の管(guǎn )理(lǐ )事(shì )務所(🆎)を(🈸)兼ねている一軒のスナッ(💠)ク(🐵)・黒い湖があった。そこの主(🏬)人(rén )・黒(hēi )木(mù )は、3年前こ(⏭)こ(🛬)のバーテンだったが、妻(🆔)(qī(😱) )の京子に男と逃げられ、そ(🍙)のあと自分でこの店を買い(🛃)取(🕗)って、じっと京(jīng )子(zǐ )の(🐚)帰(👦)(guī )るのを待っていた。激しい(💳)雨が降る日だった。黒木は、(⏺)客のいない店(diàn )内(nèi )でタバ(🌜)コ(💃)を喫(kài )いながら、思いに(🎇)沈(🏖)んでいた。その時、一陣の風(🌂)が店内に舞い込んできたと(🔫)思(🤠)うと、ズブ濡れの女が入(📳)口(🚠)に立っていた。黒木は、一瞬(⏹)凍りつくような表情で唖然(🛢)と(🚘)して女を見つめていた・(🛐)・(🚠)・。 一对刚结婚的夫妇被德古(〰)拉绑架，丈夫被司机带走，阴茎(⛎)被切除，把(bǎ )这(zhè )个(gè )器(qì )官(✍)(guā(📴)n )交(jiāo )给(gěi )一(yī )个巫婆。新娘(🍡)的(🌧)父母雇了一名侦探来寻找她(🍢)们。德古拉强奸了被绑(bǎng )架(jià(📝) )的(🚋)(de )新(xīn )娘(niáng )，然后出去兜风，发(🐕)现(🤘)了卡罗尔。他(tā )认为她就是他(🚔)要找的人。他让司机给她一枚(⏯)戒(👇)指，然后用戒指把她(tā )带(dà(😻)i )到(⚓)(dào )自(zì )己(jǐ )的(de )巢(cháo )穴(xué )，后来(🖊)他改变了对卡罗尔的看法，来(🤼)到被绑着的侦探面前，宣告他(🖌)永(🐲)(yǒng )恒(héng )的(de )爱(ài )。 趙(zhào )老(lǎo )先(🔑)(xiā(📣)n )生(shēng )是位已失明的雕刻家，一(☕)生一直是在雕刻中渡過。雖然(📝)，他(🦎)每天所(suǒ )刻(kè )的(de )不(bú )過(guò(💍) )是(🍘)一塊木頭，卻好似成為一種心(🐒)靈上(shàng )的寄托，一心一意要刻(🤡)好(🕺)這一座關公雕像。經過四年(🕊)的(🔤)時間，他一(yī )直(zhí )不(bú )持(chí )續(🌀)(xù )雕(diāo )刻(kè )關(guān )公(gōng )神像的(✋)工作，並且認為神像完成之時(😮)，將(💄)會產生無比神奇的力量。 製(🐟)(zhì(🏔) )作(zuò )＝東(dōng )映(yìng )（京(jīng )都(dō(🎌)u )撮影所） Ryu, a low life thug, along with his mother, steals a shipment of drugs. Now with