狼(🌞)人(ré(😌)n )题材(🐻)的影片，在恐(kǒng )怖电(diàn )影史上一直(🕛)占有(📅)重要(♒)地(dì(🍟) )位。这(💠)部56年(🦗)(nián )版的(de )《狼人》改变了以(yǐ )往，被诅咒，被狼人咬(yǎo )伤后(🗜)(hòu )变(❄)异的(🚐)套路(🌾)(lù )，
《林(⛷)白征(🛌)空记(🏥)》由詹(🐿)(zhān )姆(🗝)斯(sī )·华特所主(zhǔ )演，所(suǒ )讲述(shù )的故事是这(zhè )样(🚹)的：(👲)那天(🕙)是一(🥥)九二(⏳)七(qī(🌟) )年五(➡)月二(🖐)十(shí(📠) )日，刚满二(èr )十五(wǔ )岁的查尔斯(sī )·林白，他发动了(😕)自己(👋)(jǐ )费(🌄)尽心思才(cái )搞到(dào )手的单人驾驶(🎌)的飞(🎬)(fēi )机(🏾)，开始(💑)向大(🌊)西洋(🎍)上空飞行(háng )。飞越大西(xī )洋一(yī )直是查尔斯·林白(bái )内(😖)心(xī(🔡)n )深藏(🕢)了很(➰)久的(🎞)一个(🐛)(gè )梦(🐛)想(xiǎ(🕑)ng )。在这次的(de )飞行过程中，他历尽了(le )千辛(xīn )万苦，甚至(zhì )因为(👇)天(tiā(🚷)n )气的(🥃)(de )突然(🐽)变化(📢)被(bè(🌖)i )迫采(⛹)用超(👺)低空飞行，他(tā )险些失去生(shēng )命。然而，他最(zuì )终战胜了各(🛢)(gè )种(🚻)困难(🌦)，在经过三个半(bàn )小时的艰难(🍋)(nán )卓(😤)绝(jué(🚌) )的飞(🥒)行之(🌇)后，他(🌘)成(chéng )功地(dì )飞越了大西洋，完成了(le )具有历史意(yì )义的(de )伟(🎸)大壮(🤠)举，在(💴)个人(📮)(rén )航(🧘)空(kō(🙊)ng )史上(🥣)添上(⭕)了光彩的(de )一笔(bǐ )。
讲述发生(shēng )在一个私人医院内的情(qí(✔)ng )感纠(🛀)(jiū )葛(🎩)。导演(⚪)增(zē(👜)ng )村保(❕)造(zà(🌭)o )曾留(🙁)(liú )学意大利，是日本电影战后派的新(xīn )生力量。值(zhí )得一(🏮)(yī )提(🔟)的是(🛃)(shì )，在(zài )1966年松竹导演(yǎn )野村芳(🦂)太郎(👈)的翻(🎺)拍版(📧)本(bě(🏮)n )中，山(🚑)田洋(yáng )次出(chū )任了编剧一职。
刘(liú )阿茂(mào )岳丈年老乏嗣(🚲)，决定(🎇)三(sā(👹)n )名女(🕠)儿谁(🏡)先(xiā(💣)n )添丁(🔣)(dīng )，谁(🥘)得家产。襟兄(xiōng )为阻(zǔ )止茂生儿得产，使(shǐ )计令(lìng )茂痴呆(🍨)症发(👣)(fā )作(🛬)。茂梦(🧓)见五(🏣)名小(👁)孩，后(🗄)来(lá(🥛)i )果真与三姐(jiě )诞下五(wǔ )子，齐向岳丈拜(bài )寿，但茂不取岳(🈹)丈家(🎲)财(cá(📠)i )，与妻儿自(zì )力更(gèng )生。
二(èr )次(🙌)世(shì(🎋) )界大(👗)战开(💲)始(shǐ(🧞) )时，德(✝)军以闪电战术攻(gōng )占欧陆，英(yīng )国隔(gé )海顽抗，它的物质(💒)(zhì )、(🍪)战(zhà(😕)n )备物(➰)品全(🔉)由海(🆎)上运(🐆)输。德(🥫)军布置了(le )新型(xíng )的奇袭舰史培号，击沉(chén )了大西洋的的(🤩)货轮(🦍)(lún )及(🥀)油(yó(🗨)u )轮。英(💙)国派(🐶)(pài )出(🚈)一只(🕵)特遣队猎杀此号(hào )称海(hǎi )上之虎的奇(qí )袭舰，最后(hòu )史(🐃)培号(✡)被追(👢)(zhuī )至乌拉圭（中立国）之(zhī )MONTEVID-EO港，在(🕶)港台(⛲)(tái )外(🈳)英(yī(😔)ng )舰群(⛲)集(jí )下，史培号最后(hòu )自己引爆沉溺。
The opening shot is of a young couple (Gail Ganley and Ralph Reed) in a sports car necking. She excuses herself and the boy drives off. The girl is approached by a man carrying a silver briefcase. He removes his sunglasses and she screams and collapses on the lawn. The man removes a rubber hose and needle and attaches it to her neck and empties her blood into vials in his case. We get a close up his eyes and they are just milky white orbs. Title and credits run over pen and ink drawings.
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
任劍輝(huī ) (飾褒洪德(🖌)), 吳(wú(🚏) )君麗(🌱)(lì ) (飾(🕠)褒姒(😅)), 新馬(✴)師曾(🛹) (飾(shì(☕) )宜臼(jiù )), 李海泉 (飾周幽王), 任冰兒(ér ) (飾皇后), 張生(shēng ) (飾褒(bā(🖍)o )侯), 胡(🏬)天 (飾(✊)褒姒(🌓)父), 梁(🦌)(liáng )藝(😄)雄(xió(🤛)ng ) (飾申(🎻)侯), 賽非林 (飾犬(quǎn )戎王(wáng )), 朱少坡 (飾書(shū )僮), 李鏡清 (飾監斬(🥄)官)
艾(🌖)利(lì(🥨) )克斯(sī )桑卓（格蕾(lěi )丝•凯(kǎi )利(🎓) Grace Kelly 饰(shì(🌡) )）是(🚱)含着(🌓)金(jī(🕳)n )汤匙出生的贵族千金小(xiǎo )姐，从小到(dào )大都(dōu )过着衣(yī(⛴) )食无(🏔)(wú )忧(❓)养尊(🤨)处优(👞)(yōu )的(🆓)生活(🎪)。当她(❎)成长到可(kě )以婚嫁的年(nián )龄时(shí )，家门(mén )口便排起了(le )长(😾)长(zhǎ(🗿)ng )的求(🆖)亲队(💡)伍，无(📖)数的(🛋)名(mí(📯)ng )门绅(🗽)士都想(xiǎng )一吻(wěn )她的芳泽。
謎の連(lián )続完(wán )全密室殺人(🕓)事件(👸)を追(🔣)う敏腕刑事。そして透明化光線の(💍)開(kā(😖)i )発に(🔋)成功(🕜)した(🚨)科(kē )学者たち、人間を縮小(xiǎo )して蠅男にする薬品を(🎂)使っ(⏹)て悪(🦔)事(shì(🌌) )に手(🦂)(shǒu )を(🥁)染め(🎾)る悪(📿)(è )徳実業家。複雑に絡み合った糸が次第にほぐれ、事(📩)件の(🚢)真相(🏫)が明(🥋)らか(🐨)にな(🐧)って(🔂)いく(🙃)。透明人間(jiān )と蠅男、変(biàn )身人(rén )間同士の戦いは、後(🚉)に円(💈)谷英(🎇)二のもとでTVシリーズ「ウルトラ(🐬)マン(🎊)」な(🚰)どを(🌳)演出(😞)(chū )する、的場徹の手による特(tè )撮映像。いわば特撮と(📈)ポリ(🧜)ティ(⬜)カル(🖤)・サ(🕰)スペ(🚉)ンス(🍓)が有(🗃)機(jī )的結(jié )合を成し遂(suí )げた作品だ。透明人間(jiān )の映(🐅)像表(🕘)現(xià(🛐)n )はと(🥡)もか(🦂)く、(💯)蠅男(🌽)のそ(🏯)れに関しては、やはり同時(shí )期に製作されたアメリ(♟)カ映(🕡)画「(💉)蠅(yíng )男の恐怖」のようには行か(📻)ず、(🕔)いさ(🅾)さか(🐼)興ざ(🌗)め。サスペンスの鍵(jiàn )となる部分だけに、当(dāng )時の技(🎰)術力(⛺)(lì )の(🏦)不足(🔆)が悔(✨)やま(😕)れる(⏹)。ただ(📓)しセクシーなダンサーの肢体に縮(suō )小した人間を這(🍨)わせ(🎱)たり(🗞)と、(🕷)その(🌱)サー(🚞)ビス(😈)精(jī(🏞)ng )神旺盛な映像表(biǎo )現こそエンタテインメントの鏡。