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Fia and her mother, a piano-teacher, live in the country villa with bad-tempered housekeeper Malin. One day a boy called Hampus comes to the village together with his uncle, a shoemaker.
Valerie, a beautiful young girl, watches over her cousin's place while he is away for six months. Not one to take advantage of her new "digs", she spends her first night there reading, playing records and. calling her girlfriend Sophie over for some hot lesbian sex! Later that night, members of a crazed sex cult break in and mistakenly kidnap Sophie. It seems Valerie's cousin, a member of this cult, has some incriminating photos and the leader wants to ruin his life. Realizing the mistake, the cult leader sends over a sultry French maid to seduce and kidnap Valerie (only AFTER some steamy sex, of course). Once the kidnapping plot is uncovered, Valerie and Sophie's horny friend Fred head over to the cult's mansion stronghold to put a stop to all this madness!
While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.
影(yǐ(👃)ng )片(pià(🐿)n )描(miá(🦊)o )述日本占领韩国(🎷)时期,身(🦍)怀绝技的抗日志(zhì )士(📺)(shì )李(lǐ )峻九率领一群(🅰)武功高强的徒众进行(🤼)复国运(😧)动。茅瑛是韩国长(🐀)大的(🎃)中国(😢)女子,和师兄黄仁(💇)植也加(💲)入其中
黑田藩藩主齐(🅱)隆侯(😧)将宠爱的妃子生(🌇)的女儿(😭)滨千代公(gōng )主(😦)假扮男(🤐)孩,秘密继承储君(🔶)之位(➖)。菩提寺(sì )住(zhù )持(chí )慈(🌛)(cí )善(shà(🍌)n )和(hé )黑(hēi )锹(qiāo )忍(🕍)(rěn )者(🤘)(zhě )得(💦)(dé )知(zhī )此(cǐ )事(shì(👫) ),写(xiě )作(🍈)(zuò )秘(mì )函(hán )送(sòng )往江(🌻)户。拜一刀(若山富三(⬛)郎 饰)受黑田(tián )藩(fā(📟)n )所(suǒ )托(🏿),追赶主持抢夺秘(🦃)函。
影(👕)片描(🌝)述日本占领韩国(☔)时期,身(🔒)怀绝技的抗日志士李(📢)峻九(🗣)率领一群武功高(😣)强的徒(🤼)众进行复国运(🏹)动。茅瑛(💭)是韩国长大的中(🈂)国女(🗓)子(zǐ ),和师兄黄仁植也(🚫)加入其(✔)中