潮与虎 动漫

TV第54话(✋)再编(biā(💺)n )集(jí )版。 西班(🎱)牙(yá )早期的(🛥)科幻电(💘)(diàn )影之一，讲(jiǎng )UFO的，同(tóng )时(⛅)带点(diǎ(🔉)n )当时西班牙(yá )THRILL片的神秘(🎸)元素(sù(⏫) )。4/5 A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond. 暴走"シ(👕)リーズ第3作(🍟)目で(🕎)“暴走(zǒ(🕯)u )族"と呼(🍱)(hū )ばれ世の(🤥)中(zhōng )に反感(😄)を持つ(💻)少年たちとブルジョワ(😍)の少年(🖍)たちとの対立を描く。真(🌇)夏の焼(🎨)けつく太陽の下(xià )を暴(㊙)走する(🐘)バイク(🗳)の群れ―。暴(🎊)走族(zú )グル(💂)ープの(🏏)一(yī )郎らは(👂)、金持(chí )ち(🔌)の男女(🔇)グループで女王(wáng )とし(🥕)て君臨(🔄)(lín )する夢(mèng )子にヨット(🔒)の舵取(🚙)(qǔ )り役(👃)として庸(yō(🕑)ng )われ(⚡)る。やが(🏻)て一郎(♋)の金(jīn )持ち(💎)グループに(🏛)対する(⤴)怒(nù )りは頂点に達(dá )し(🍓)、葉山(🔬)沖の離れ島で決(jué )闘す(🔰)ること(🐂)に。すべてが遊びなのさ(🎪) ギラつ(🧘)く波間(🖱)に命を捨て(💬)ることさえ(😻)!ナナハ(🔄)ン暴走・グ(🛋)ループ抗争(😱)(zhēng )・シ(🎁)ンナー陶(táo )酔・激情SEX・(📤)ヨット(🏵)帆走の狂騒の果て―太(⏪)陽(yáng )も(🐭)死んだ(🕛)。 《恶梦(mèng )》(彩色(🐬)故事片(piàn ))。 The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. Hannelore Reitzler elopes with her boyfriend to the Hotel Liebesnest but he leaves her during the night after failing to take her virginity. Not wanting to return home, Hannelore takes a job as a chambermaid at the hotel, which involves giving sexual favors to the guests at an extra charge. Meanwhile, a female cat burglar sneaks into Liebesnest every night and whenever she gets caught, she offers her body to her captors to keep them quiet. This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 萧(🍠)依云（(⭐)林(lín )凤娇 饰(🎡)）自(zì )幼生(🤪)活(huó )在(💊)父母(mǔ )的疼爱之中(zhōng )，长(🌇)大之后(🕷)又(yòu )嫁给了深爱的(de )男人(🈲)高浩天(💐)(tiān )（秦(🤬)汉 饰），生活十分(🛐)幸(xìng )福(💋)美满。在(🐙)做(zuò )家教的(🌷)过程中(zhōng )，萧(✳)依云结(🈵)(jié )识了名为俞碧(bì )菡的(🗣)女孩。俞(🥩)碧菡的人生(shēng )和萧依云(🚴)截然(rá(🎠)n )相反，过着(zhe )寄人篱下的日(🤐)(rì )子，常(🈯)年遭(zā(🕙)o )受继母(mǔ )的(🌻)虐待(dài )。