1 又见(jiàn )新闻(🔽)大叔(shū )
1 又(yò(🚧)u )见新闻大叔(🐇)
On the way to the sea, reunion Inyoung meets the murderer fellow. When Yun-young is unable to join his friends because of the 48,000 won lost at the ticket office, Chang Yun goes to Seoul. Chang-yoon meets Young-suk, a young woman who lost her lover early in search of Inyoung. Choi seeks to go to the sea with Chang-yoon in a green car that has lost the same number of passengers, but Chang-yoon flees saying that she should find her. And Dong - su went out to give her forty - eight thousand won, met a police officer, escaped and arrived at a park where Seon - yeong was waiting for her to be shot, but Seon - yeong was arrested while she did not know her and she knew that there was a police car Changyun goes to the sea to jump.
美丽优雅的玛雅(yǎ )·雷丁斯(sī )卡(kǎ )娅（(🧤)索菲雅·斯(⬅)凯亚 Sofya Skya 饰），俨(🤱)然一个(gè )得(🈁)(dé )到上苍眷顾的女性，她曾是(shì )俄罗斯当(🍕)(dāng )红(hóng )的芭(😐)蕾舞演员，聚(🍼)光灯的荣(ró(🥤)ng )耀延展到(dào )生(shēng )活中，其(qí )丈夫是在俄国(🏽)经营(yíng )炼油(😹)厂的(de )美(měi )国(🗒)人迈(mài )克(kè )尔·梅森（克里斯汀·史莱(lái )特 Christian Slater 饰），为(🥈)(wéi )人温柔和(📖)善，他们的女(🚗)儿妮(nī )娜（Marianna Khalifman 饰）美(měi )丽可爱，继承了父母(🔩)的所有(yǒu )优(🚲)点。但(dàn )是(shì(🖐) )世界就是这(⛅)样，永远没有完(wán )美的人和(hé )事(shì )。迈克尔(💴)的风光引来(🍾)忌恨，他最终(🌰)倒(dǎo )在(zài )黑(💤)帮的枪口之下。在此之后(hòu )，厄运如(rú )影(yǐ(🤨)ng )随形跟(gēn )踪(💻)(zōng )这对从天(🛸)上跌落低(dī(✳) )下的母女(nǚ )。玛雅遭(zāo )受(shòu )藏毒指控，锒铛(🏎)入狱；避难(⏸)(nán )美国的妮(🔶)(nī )娜(nà )不久后也遭到绑架，下落不(bú )明。
有(🚓)一(yī )天(tiān ),在(🐬)小镇上的一(🥕)个农民看到(🔙)了(le )农场发生(shēng )的(de )奇怪的现象,他有一种不(✖)祥的(de )预感,后(🍎)来(lái )接(jiē )二(🍅)连三的事件(👬)让他怀疑是僵(jiāng )尸怪物的(de )出(chū )现,他想要(🍌)靠自己的能(🕠)力去拯(zhěng )救(🚁)小镇,同(tóng )时(🚐)(shí )希望自(zì )己(jǐ )不要变成怪物,这一(yī )切(🐏)都可以(yǐ )成(⛱)功吗?
京(jīng )都(🌲)(dōu )七条新地、夕霧楼の女郎お雪（緑魔(⤵)(mó )子(zǐ )）は(❇)、なじみ客(🧝)（小杉勇二(🔫)(èr )）と心中(zhōng )を図り、自分の首をザッ(✍)クリと切っ(👖)た。ところが(🤑)、男は土壇(🖐)場で怖(bù )気づき逃(táo )げ出してしまう。お(🍀)雪は男を追(⬜)うものの高(🚥)瀬川(chuān )の橋(🏁)で力尽きるが、そこで通(tōng )りがかりの(➡)男（高橋長(😠)英）の顔を(🐉)見て何かを叫(jiào )びこと切れたのだった(♟)。
Ok, folks, this is my last Ishii upload. Totsugeki! Hakata gurentai is his first feature and last 8mm film. Haven't watched it yet myself, but from the looks of it, this is very much reminescent of eighties and nineties v-cinema, sort of like early Miike (only made in 1978). There is considerably more dialogue than in his earlier films, but it doesn't seem too complicated plotwise.
When a secret government aircraft crash lands on a remote hillside, two pilots Ben Boone and Coen Smith, find themselves alive but struggling to stay that way against a deranged cult, drug dealers and the living dead.