剧情(qíng )主要发生(😭)在(🗯)一(yī )列从美(měi )国(🈯)西(xī(🕵) )海岸开到芝加(🏑)哥(gē )火车上，年轻出(🐯)版商(shāng )乔治克(kè(🚇) )威与(🕝)艺术品鉴(🥘)赏(shǎ(🍲)ng )家薜(bì )礼纳(nà )的秘(🤧)书一见如故(gù )，两(🍖)人(ré(👓)n )正在温存之际(📭)，车窗(chuāng )外却(què )抛下(💾)薜礼纳的尸(shī )体(🏼)，乔(qiá(🏆)o )治因而卷入凶(🚗)(xiōng )徒(🕘)的追(zhuī )杀之中(🔌)。而潜伏在火(huǒ )车(🔤)上(shàng )的联邦密探史(🚿)威(wē(👉)i )知道薜(bì )教授(🔖)被杀的真相(xiàng )，亦(🛷)(yì(🛳) )遭势(shì )力庞大的(🍓)罗杰(💭)杀(shā )害。雪(🚠)(xuě )球(🍫)越滚越大，最后失(shī(🎟) )控的(de )火车头竟然(🌼)撞进(✋)(jìn )火车站(📔)之中(💸)。导演阿(ā )瑟·希(xī(👺) )勒拍出了紧凑俐(⛓)(lì )落(👧)的(de )气氛(fēn )，高潮(🛴)一波未平(píng )一波又(😪)(yòu )起，压轴的火车(😏)大灾(🌰)(zāi )难在(zài )二十(🥁)年前(💒)更是令(lìng )人看(🤤)得(dé )目定口呆的(🥥)精(jīng )彩特技(jì )场面(🐣)。
In 1926, famous evangelist Aimee Semple McPherson disappeared for six weeks. When she surfaced, she claimed that she had been kidnapped and held prisoner in Mexico. Others claimed that she was off carrying on an affair with a married man. This movie dramatizes the court hearing held to determine exactly what happened.
本片(✌)出自德国(guó )新(Ⓜ)浪(làng )潮电影代表(🐧)人(💣)物(wù )之一，《铁皮鼓(🥈)》导演(🦉)沃尔(ěr )克(🎨)·施(🤙)隆多夫之手，是一部(🌅)(bù )向法国著名导(💳)(dǎo )演(☝)让·梅尔(🤗)维尔(🖇)致敬的经典(diǎn )作品(🥕)。影片描写第一(yī(🍳) )次世(🖨)界(jiè )大战期间(🤶)，高贵(guì )的索(suǒ )菲女(🔔)(nǚ )伯爵爱上了一(🌰)位(wè(🖇)i )普通士(shì )兵，但(🕴)动荡(🍮)的时代，因为(wé(🎊)i )这段恋情却给两(🚩)(liǎng )人带来了可怕的(⬇)灾难(♿)(nán )，影片(piàn )悲伤(👸)而凄凉，是(shì )导演(👩)(yǎ(🐦)n )沃尔(ěr )克·施隆(🍉)多夫(😨)除(chú )《铁皮(🧕)(pí )鼓(🍢)》以外，最被人认(rèn )同(🍈)的(de )大师作品……(🕢)
队(duì(🔚) )长是传(chuá(🖕)n )统人(💅)士，思想(xiǎng )保守，阴差(👟)阳错却被派遣往(🎃)(wǎng )一(🐳)个男女自由交(📡)往的(de )军营中(zhōng )，为整(🐭)率歪风，他决(jué )定(😐)实(shí(🦄) )施一系列规矩(🏾)，但旗(🦓)下(xià )士兵阳奉(⭕)阴违……
Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lé(🚻)pidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…
Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society.
在一次(cì(🏆) )世界(📳)大战期间，有两(🎂)(liǎng )名西方(fāng )冒险(🦋)家(🏒)来到南非(fēi )，他(tā(🎐) )们想(✒)(xiǎng )通过猎(📳)取象(🕊)牙，来谋取(qǔ )巨大的(👄)利润．在他们(men )进(🐌)行(há(😟)ng )这种肮脏的交(😿)易(yì )的过程(chéng )中，与(🤩)当地的(de )德国军(jun1 )队(🤽)有一(〽)连串的冲突，以(🍉)至到了水火不容的(😋)(de )地步，最后二人合(⏪)力炸(⏪)(zhà )毁了(le )德国(guó(🆎) )的战(♐)舰作为报复(fù(🤳) )。