奇怪(🚊)(guà(🖥)i )的激(jī )情(📁)和个性碰(pèng )撞在(🚄)突尼斯(sī )假(🏈)日(rì )度假(🔏)酒(🔈)店。穿上魔(mó )术舞台，一个明(🥙)(míng )明白白的(🎗)人(rén )，遇到财富却反而更加(🌤)(jiā )险恶的Edouard。在(🔪)(zài )他们(men )去旅(😹)馆的路(lù )上，vestar声(shē(😫)ng )称他看到(🛣)了(📋)一个(gè )女(🍓)人在沙漠(mò )中被(🧗)杀的景象(🎊)。Edouard，一(📎)个(gè )游手(🚲)好闲的(de )富人(🎹)(rén )，决(🌚)定利用(yòng )他(🅰)的影响力(🚉)(lì(🎅) )使预(yù )言(🍒)成真(zhēn )。到了旅馆(🆘)(guǎn )也很伤(🧔)心(🕞)，回家(jiā )看(🎑)望死去的母亲，和(🔗)妻(qī )子西尔(🎇)维娅(yà )一(🔛)起(👕)烦躁不(bú )安。待在旅馆里的(💖)是Martine，一个从前(🤨)的Sabri的女(nǚ )朋友，她想(xiǎng )再次(📕)点燃旧的激(🍡)情。当(dāng )西尔(📯)维娅找(zhǎo )到他(tā(🐪) )们时婚姻(🦃)就(🥛)(jiù )变得紧(🆔)(jǐn )张起来了
philippe garrel最默(🤜)默(mò )无闻(🌻)的(🌃)作品(pǐn )之(🗼)一，nico主演。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
纪(jì(💻) )录片(🧣)关(guān )于西班(😣)牙新(xīn )歌(🚎)运(📜)(yùn )动的历(🏂)史.
一(yī )对刚结婚(🕸)的(de )夫妇(fù(🗳) )被(🍋)德古(gǔ )拉(🤼)绑架，丈(zhàng )夫被司(⛩)机带走，阴茎(🥣)被切除，把(🌷)这(🤩)(zhè )个器(qì )官交给一个(gè )巫(🏷)婆。新娘(niáng )的(🈂)父(fù )母雇了一名侦探来(lá(💢)i )寻找她们。德(🐘)古(gǔ )拉强奸(🛵)了被(bèi )绑架的新(🏻)娘，然后出(🙋)去(🙅)(qù )兜风，发(💙)现(xiàn )了卡(kǎ )罗尔(🚘)。他认(rèn )为(🍍)她(😣)就(jiù )是他(🧦)要找的人。他(💓)让司(🎱)机给(gěi )她一(🔥)枚戒指，然(🖥)(rá(🍣)n )后用戒(jiè(🧝) )指把她带到(dào )自(🐻)己(jǐ )的巢(🌑)穴(🖲)，后(hòu )来他(🈂)改变了(le )对卡(kǎ )罗(🌗)尔的(de )看法，来(👟)到(dào )被绑(✖)着(🈹)的侦探面(miàn )前，宣告他永恒(🚏)的(de )爱。
보르네(🗞)오에서 3년간 벌목을 한 신덕(🗼)팔은 여비를(🧐) 아끼기 위해(🏧) 배편과 3등열차로(🤘) 서울에 온(🕕)다(😾). 동생 덕숙(⏩)을 찾지만 동생은(🐝) 어떤 남자(🧠)와(👙) 거액의 돈(🍠)을 가지고 달(💙)아나(⚽) 버렸다. 그는(📆) 동생을 찾(♍)아(💐)다니다가(🕞) 우연히 소매치기(🍽) 상숙을 만(👋)나(🌸) 그녀를 선(➡)도하려고 노력한(🎆)다. 역시 날치(🏳)기인 만수(📩)를(🚸) 붙잡은 덕팔은 그의 아내가(🧣) 동생 덕순이(⛎)임을 알게 된다. 이후 리어카(🏍)를 끌고 함께(🚉) 과일장사를(🐥) 한다. 이때 중년 실(🍒)업가인 강(💇)사(😬)장이 덕팔(😆)에게 투자하고 그(🏦)는 소망인(🥞) 평(🦀)양냉면집(💳)을 개업하게(🆎) 된다(🗞).
テストドラ(💭)イバーの(🀄)速(🥌)水は、テ(🏋)スト中に事故を(🧠)起こし会(💆)社(⤴)をクビに(🚜)なってしまう。数(🚨)(shù )日後、速(🎥)水(shuǐ )は友(📔)人(💩)の女性ドライバーの岩崎(👀)美(měi )代子(zǐ(✖) )を誘い、大(dà )阪の宝石店(⏱)(diàn )を襲(xí )い(🎩)数千万円相(🚟)当の宝石強奪に(🌖)成功(gōng )、(🍿)警(👟)察の追(zhuī(👕) )手をくらますた(➖)めに別(bié(🎋) )々(💮)に逃亡し(🥍)た。速水は宝(😃)石(shí(🥪) )を持って府(🚴)営バスに(🎤)乗(💟)(chéng )り込み(✋)、逃(táo )走は完全(😜)に成功(gō(🎮)ng )し(🏞)たかのよ(🛫)うに思(sī )われた(😏)……。ところ(🤗)が、その(➕)バ(👤)スに、銀行強盗に失敗し(⛴)て警察に(⚓)追(🥛)われている谷村(cūn )と桐(tó(👬)ng )野が乗り込(🤐)(rù )み、バス(🌰)を占拠(jù )してし(🔡)まったの(🚠)だ(⏫)。愕然とす(♉)る速(sù )水、バス(📈)の運転手(💗)(shǒ(📒)u )で心筋梗(🐇)塞を患(huàn )う(♌)官本(🚎)、そして乗(😘)客たち－(🔠)－(🤢)駆け出し(👎)女優の立花(huā )か(🍭)おる、主(🏘)(zhǔ(📠) )婦の戸田(🆗)政江、ホステス(✂)の小林ハル(👦)ミ、大工(♊)の(🚧)西(xī )勲、小学校(xiào )教師(shī(♒) )の松原(yuá(🕎)n )啓(😞)一、その松原の教え子で(🔱)彼と浮気を(🎋)続ける河原(🐑)(yuán )文子、チンド(👨)ン屋の極(👬)(jí(👆) )楽一(yī )郎(🌭)、良子、達たち(✊)、無職の(🤟)老(🐓)人・半田(🆗)市次郎(láng )、(🕴)塾に(🎸)通う小学生(🧛)の加(jiā )藤(📣)と(✡)田中、総(📍)勢(shì )13名である。谷(📫)村、桐野(🆔)は(🏖)乗客を人(⏪)(rén )質にしたため(⚡)、恐怖を感(🚻)じた乗客(😢)(kè(🏃) )たちは徐々にエゴをむき(🐮)出(chū )し、(🌫)車(🕘)内のパニック状(zhuàng )態はエ(🆗)スカレート(🔭)していく。や(💃)がて、速水は隙(💚)を見て脱(🧀)出(🌼)を試みる(🥔)が、逆に宝石泥(🈺)棒である(🚏)こ(😹)とを見破(😅)られてしまう。警(💔)(jǐng )察は各(gè(🌨) )国道沿に(👨)非常線(xiàn )を(🙏)張るが、バスは(🔚)次々と非(🙀)(fē(🤞)i )常線を突(🍺)破し、その後(hò(🌞)u )をパトカー(🚋)、白バイ(💂)が追った。一(yī )方、速水の乗(🤶)ったバス(🖐)が(🎃)バスジャックされたと知(🚳)(zhī )った美代(📟)子(zǐ )も、オートバイでバスを追走し(⚓)た。やがてバ(👹)スの運転手の宮(🎓)(gōng )本は持(🍅)病(🤟)の心筋梗(📽)塞で倒れたため(🧤)、速(sù )水が(🍖)運転する(🆎)ことになっ(🐄)たが、緊(jǐn )張の(🧥)ために眼(😯)は(🦁)徐々にか(🎒)すんでいった…(👣)…。
郷ひろみ(🦊)の映画(huà(💯) )初主演作。遠藤(téng )周作の同名(🐦)の青春(chū(🕯)n )小(✝)説(shuì )を映画化。『愛と誠』(🕴)以来(lái )、青(🕢)春(chūn )映画を撮り続けてきた山根(gēn )成(🥔)之監督がメ(🚩)ガホンを取り、(⛎)脚本(běn )を(⏬)ジ(🍓)ェームス(📭)・三木が手がけ(⏱)た。郷ひろみ(🎚)が主題(tí(🐬) )歌「さらば(🚜)夏の光(guāng )」を歌(🛵)っている(🛀)。共(♌)演は、女(🔊)友(yǒu )達のハンバ(🚊)ーガー・シ(💨)ョップ店(🧑)員(yuán )役に秋吉久(jiǔ )美子が、(☔)大学浪(là(🖋)ng )人(🕺)の親(qīn )友役に川口(kǒu )厚が(🌷)キャスティ(💑)ンされた。地方(fāng )出身の貧しい青年(niá(🏒)n )が愛し始め(💱)た女(nǚ )友達を親(✝)友に譲っ(😸)た(💮)ことから(🌽)、明(míng )るく生き(🉑)ながらも愛(🗝)に苦しみ(🍠)、人(rén )生の(😦)厳しさを知(zhī )っ(🏃)ていく姿(♈)(zī(💂) )が描かれ(🧣)る。
少林哑徒(tú )弟(🍒)（成龙 饰(shì(➖) )）为(wéi )了(🕜)报杀父之(zhī )仇而学(xué )武，从挑(🚊)水砍柴(chá(🕦)i )做(🎗)起，苦熬(áo )内功基础，打出(chū(🕖) )木人巷(xiàng )学(🏸)成武功的(de )情形(xíng )时时出现在(zài )他的梦(🎎)中，父亲(qīn )被(🥊)害的(de )惨状和客居(🕷)(jū )少林的(🕟)五(🐺)枚师太(tà(😐)i )的开解令他在疲(🤔)乏(fá )时咬(yǎ(🖍)o )紧牙关坚(💐)持(chí )。哑徒弟(🤬)在(zài )少林(lín )禁地(📇)发现了被(🐦)锁(🕌)住(zhù )的老(🛅)怪人法愚，法愚不(🐦)似少(shǎo )林僧(🚶)人(rén )，但有(⏱)感于哑徒(tú )弟的照顾，法愚(yú(🏯) )指点尚不(🍏)具(🏘)(jù )备学习(xí )少林武术资格(🌀)的(de )哑徒弟武(🏳)功(gōng )，期间哑徒弟师(shī )兄闯入(rù )木人巷(🤔)却实(shí )力不(👞)(bú )济铩羽而归(guī(🎪) )。五枚师太(🎃)(tà(🧟)i )见独(dú )自(🚌)温习(xí )武功的哑(💧)徒(tú )弟出招(🧚)狠辣，随(suí(💹) )传授蛇翼八(🔢)步调理(lǐ )其心(xī(🎩)n )性，经法愚(💻)(yú(🐜) )调教，哑徒(🐞)(tú )弟成(chéng )功打出(🆗)木人巷，得(dé(🚊) )以学成下(😞)山，法(fǎ )愚令其携带(dài )信物联(🥩)(lián )络江湖(🕙)帮(🤶)派，引(yǐn )发江湖搏杀(shā )，而(é(🍣)r )哑徒弟又发(🥙)(fā )现了法(fǎ )愚的真实身份……
本片是(🏎)费(fèi )拉里对(🆕)现代社会(huì )文明(🍥)和(hé )小家(🃏)庭(🚦)中男(nán )子(🔨)的(de )作用的最新(xī(🥃)n )探讨的成果(🌥)。工(gōng )程师(🔎)热(rè )拉尔德(🗽)被妻(qī )子抛弃了(🍐)，并把(bǎ )小(🎩)儿(🍆)子皮耶罗(🎿)特留(liú )给了他。当(😲)工厂(chǎng )宣布(🍅)休假时(shí(😎) )，他把保姆当作情人；在短短(⏹)的时间内(➗)(nè(🥈)i )，他重新经(jīng )受了令(lìng )人伤(👛)脑筋的以两(🚕)(liǎng )性斗争为特(tè )点的两人关系发(fā )展(🗒)的全(quán )过程(📧)。热拉尔德(dé )完全(🗜)被以性(xì(🙄)ng )交(🤨)为表现的(😯)男性(xìng )意识所(suǒ(👩) )支配。当他(tā(😓) )同情人的(🔗)关系发(fā )生(🚅)危机时，他的情人(🔛)却(què )和他(🕠)的(🥨)前妻(qī )成(😕)了好朋友。他(tā )出(🅾)于抗议和绝(👦)望用(yòng )一(🔋)把厨房用的电(diàn )锯把自己的(🤲)(de )生殖器割(🧛)掉(🕑)了。这个可(kě )以作为模式的(🤫)事(shì )件的大(🤭)部分(fèn ) (就象在(zài )戏剧舞台上一样(yàng ))发(🌴)生在一套(tà(🚸)o )高层小公寓里。费(👤)拉里(lǐ )批(🍕)判(💳)了他的主(📮)人(rén )公的大男子(🌃)(zǐ )主义，同时(🖥)也表(biǎo )现(🕣)了由(yóu )于生(😙)活(工作(zuò )，住宅，千(🏒)篇一(yī )律(👷)的(🍘)生活秩序(👋)，孤独寂(jì )寞)造成(🍾)的绝(jué )望和(😾)灰心丧气(📵)。如果说影片留下了(le )一种相互(🎴)矛盾的(de )印(🈂)象(🗄)，那是(shì )由于影片以独特的(📼)方式(shì )提出(🌳)了问题：这(zhè )个男人是他(tā )的行为(wé(🌭)i )的牺牲品，也(🚧)是(shì )妇女全面反(🧔)(fǎn )抗的牺(🔶)牲(🙀)品；费(fè(☔)i )拉里在(zài )这部影(🥧)片中同样(yà(✖)ng )使用了多(🔽)种(zhǒng )手法，而(🆕)且通过(guò )一些“煽(🕞)动性"的细(➡)(xì(🐽) )节和效果(👱)来吸引(yǐn )更多的(😍)观众。