好看的日本动画电影

惠淑为(🎓)(wé(🌍)i )市(💙)木(👡)家(😾)料(🅿)理(👨)(lǐ )家(jiā )务，目睹市木和妻子艾(ài )子彼此恩爱，心生嫉妒(dù )。于是，她利(lì )用市木(💭)的(💪)母(🏁)(mǔ(💟) )亲(💮)(qī(🗨)n )和(👰)春哲等人(rén )，将艾子致死，夺取了(le )她(tā )的财富和幸福。十年后(hòu )，艾子借助(zhù )春(🌷)哲(👸)为(🧔)她(⛲)画(🖱)(huà(🎴) )的(🔈)(de )画像还魂，回(huí(🔣) )到(🔨)市(🙉)木(🎬)家(🚒)。艾子的冤魂(hún )将惠淑和市木的母亲杀(shā )死(sǐ )，却因普贤菩萨的(🐵)干(🏘)预(yù )没(méi )能杀(👓)害(😊)市(🍧)木(🌷)(mù(🏅) )的(🍁)孩(🎌)子。市(shì )木扎瞎双眼(yǎn )，请求艾子的原谅。艾子(zǐ )的幽魂盘旋一日后离开(kāi )。 Paramount Pictures shelved this Italian action film (which is heavy on the drama) that features John Saxon in a suporting role as a cop bend on arresting a blind mafia boss Lee J. Cobb. The film too busy focus on the bank robbers and a newspaper guy Renzo Palmer instead of Saxon's plot which is a misfire to all Saxon fans. The photography and the location is wonderful, but the plot is very extremely slow. Not recommended for someone looking for action films. Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great. 九(😀)州(✴)方(🌸)面(🕷)の(🏉)旅(👣)か(😑)ら一週(zhōu )間(jiān )振りに帰って来た桃次郎とジョナサンこと金造は、北海(🔕)道(🉐)(dà(🐓)o )行(🛑)(há(🐚)ng )き(🕑)の(🔗)カーフェリー(👒)の(💢)出(🚋)(chū(🧛) )発(📮)時間を待(dài )つ間、川崎の金造の自宅(zhái )に立ち寄った。ところ(🔺)が(🔟)金造の妻・君(👂)江(🆚)と(💽)9人(🥐)の(📤)子(🐚)(zǐ(🚿) )供たちは、現在の6畳一(yī )間の家では狭(xiá )すぎるので金造にもっと頑張(🌀)っ(👇)て(🎼)家(🅱)を(🛺)建(😮)て(🐝)てほしいと要求(qiú )した。おかげで金造は、カーフェリーに乗ってもラウ(👭)ン(😭)ジ(🚄)で(☔)ア(🤮)ル(💆)バ(📲)イトするはめ(⏲)に(🌘)な(🚡)っ(⚾)た(🚶)。一(yī )方(fāng )、桃次郎は暇(xiá )をもてあましていたのだが、美貌(😟)の(👏)女性・三(sān )上(🦏)(shà(♌)ng )亜(🍿)希(🔆)子(🕙)に(🦑)一(🆘)目惚れしてしまった。釧(chuàn )路に着いた桃次郎は、亜(yā )希子の顔が頭にこ(🌇)び(🔙)り(🌖)つ(🎁)い(📝)て(🐉)しまい他の女には目もくれないばかりか、港の魚市場(chǎng )で女トラック運(🦖)転(🎧)手(🛡)の(📜)涼(🌛)(liá(👻)ng )子を罵った。とこ(🍎)ろ(💃)が(⬆)涼(😇)(liá(🙉)ng )子に惚れているカムチャッカの熊(xióng )こと大野田太(tài )郎左衛(🔪)門がこの事を聞(🗄)い(🐿)て(💁)怒(❓)り(💆)、(⛴)熊(xióng )と桃次郎はたちまち大(dà )喧(xuān )嘩になった。しかし喧(xuān )嘩の腕は互(hù )格(🎺)(gé(🏪) )の(💱)た(🛣)め(🔥)、(🛩)トラックで勝(shèng )負することになった。だが、地の利(lì )に明るい熊(xióng )に軍配(👡)が(🚑)上(🈲)り(💤)、(🕤)桃(♏)次郎は北海道を(🤵)直(💚)(zhí(💛) )ち(🍱)に(💻)去る約束をした。その帰り道、桃次郎は亜(yā )希(xī )子と再会し(🛹)た。亜希子は静内(🚱)の(♓)牧(📠)場(🍭)(chǎ(😮)ng )の(😖)娘で、両親を亡くし女(nǚ )の身一つで牧場を経営(yíng )していた。亜(yā )希子にす(🎞)っ(㊙)か(📼)り(👈)心(⏯)を(🍧)奪(duó )われた桃次郎は、熊との約束を忘れて、トラックはそっちのけで乗(💏)馬(📪)入(🤽)(rù(🍒) )門(🆑)(mé(🏛)n )書にかじりつく(🍦)始(⚡)末(🛩)。そ(🔙)ん(🔙)なある日(rì )、亜希子が一番可愛がっていた仔(zǎi )馬が病気に(🤽)なり、獣医も見(⛴)(jià(😑)n )離(🔘)し(📗)て(🔞)し(🖊)まった。そこで看病をかって出た桃(táo )次(cì )郎は、仔馬とともに一(yī )夜(yè )を(🚈)明(🤭)か(🥔)し(🎫)、(👽)そ(🔼)の甲斐があって奇跡(jì )的(de )に元気を取り戻した。亜希子は桃次郎のひたむき(🚟)な(🎲)献(🔜)身(🏩)振(👜)(zhè(🚂)n )りに心を打(dǎ )た(🏢)れ(🎛)る(✴)の(😀)だ(👚)った。桃次郎は亜希子の感(gǎn )謝の言葉を背に釧路に戻(tì )った(🥩)。というのも、桃(⏰)(tá(👔)o )次(🎉)郎(💤)が(🅾)北(🐇)海(hǎi )道(dào )に居すわったのは涼子(zǐ )との仲が原因、と熊が勘(kān )違いしてい(⭕)た(💃)か(❣)ら(👩)だ(💈)。だ(🉑)が、涼子(zǐ )が自ら熊に愛(ài )を告白したため大事には至らなかった。桃次郎(🔕)は(🌲)金(🚼)造(🛒)夫(🏙)婦(🖼)(fù )のすすめもあ(💻)り(😎)亜(🍄)希(🎏)子にプロポーズしようとしたのだが、彼(bǐ )女(nǚ )には既に結婚(🐾)を約束した相手(💎)が(🗨)い(🧟)る(📮)こ(🎁)と(👺)を知(zhī )り、ガックリしてしまう。そんな時、金造のアルバイト先の運(yùn )送(⭕)ブ(🕹)ロ(🌠)ー(〽)カ(🦖)ー(🦆)・鮫田が金(jīn )を持ち逃(táo )げしたため、荷が滞貨し、金造が困り果ててい(🖕)た(👐)。見(🚡)る(🌩)に(🚬)見(🍋)かねた桃次(cì )郎(🏀)(lá(🐰)ng )は(🗺)、(🚾)金造を勇気づけると、自らハンドルを握って、驀走するのだ(🚜)った。 本片的剧情(💋)(qí(🕜)ng )以(♓)《假(🥗)面(🍬)骑(🍎)士X》电视版(bǎn )初(chū )期集数，与(yǔ )日本于1974年7月25日(rì )上映的电影(yǐng )版“五人ライダー(👀)対(🅾)キ(👶)ン(📘)グ(🍦)・(🖍)ダーク”为蓝本修(xiū )改(gǎi )，叙述X骑(qí )士的诞生，到(dào )五骑士与“黑(hēi )影魔王”（日版(🏊)的(🆗)“キ(🏔)ン(🍣)グ(🚸)ダ(👪)ーク”）的决战(zhà(🕝)n )。片(🔋)中(🖇)黑(🍳)影魔王最后并以(yǐ )近(jìn )似永井豪漫(màn )画《大魔神》中“黑暗(àn )大(dà )将(🕘)军”的造型，变身为(🧤)(wé(🌸)i )原(💑)创(⚾)巨(😞)大(😂)魔神“齐武帝(dì )王(wáng )”登场。片(piàn )中演员除了替(tì )换为台湾演(yǎn )员演出之外，部分(😄)打(🍲)斗(🌀)(dò(🕊)u )场(😕)(chǎ(🌾)ng )景并以日本版的画面流(liú )用(yòng )。 The restorer Stefano is hired by the Mayor Solmi of a small village nearby Ferrara to restore a painting of St. Sebastian, made by the mentally disturbed painter Buono Legnani in the local church. Stefano was recommended by his friend, Dr. Antonio Mazza, and he learns that Legnani was known as "The Painter of the Agony", since he used to paint near-death people. Further, he was presumed dead many years ago but his body has never been found. Stefano works in the church, where he meets the weirdo Lidio, and he has one night stand with the local nymphomaniac teacher that is leaving the village. Meanwhile Antonio investigates the life of Buono Legnani and tells Stefano that he had found a dark secret about the painter and the villagers. However, Antonio dies before meeting Stefano and the police conclude that he committed suicide. Stefano is intrigued by the mystery surrounds Legnani and decides to investigate more about the deranged painter. However, he in evicted of his hotel room and ... 북간도에서 바진탈이란 백계 러시아인이 노.일(😚)전(⚡)쟁(💬)때(🛃) 분(🚥)실(😄)한 토알파토 족장(📭)의(🥂) 인(💈)부(🐚)를 찾으면 최신식 기관총 등의 무기를 주겠다고 흥정한다. 애국지사(📞)들은 무기를 구하(🐀)기(🍛) 위(🏺)해(🔚) 인(🚒)부(🐂) 은닉처가 그려진 지도를 찾는다. 그 지도를 판독할 수 있는 중국인 오학자에게 시(🈶)켜(🕢)서(🍮) 장(🙆)소(🚷)를(👢) 찾아 그곳을 향한다. 일본군의 방해가 있지만 정체불명의 백두산이 애국지사를(🦓) 돕(🌳)는(🗝)다(📟). 마(👻)침(👆)내 신식무기를 얻(🎤)게(🐣) 된(⚪) 그(🐣)들은 독립군 무장강화의 보람찬 길을 떠난다. 故事是关于一个由杰(✈)夫(fū ).布(bù )里奇斯(🌁)饰(⬆)演(⚓)的(🎂)阿(📼)拉(🔗)巴马(mǎ )人，他卷入了一个不动(dòng )产(chǎn )的官司中。为了达成交易(yì )，他需要购(gòu )买(🧝)健(🚵)身(🔀)房(🔡)的(📏)建(⏪)设。当他(tā )来(lái )到健身房，然而，他发(fā )现(xiàn )自己深深(shēn )地被浪漫的接(jiē )待员无(🥑)忧(🦏)无(📪)(wú(🌝) )虑(🐀)(lǜ(🔕) )的生活方式和为(🛀)了(🌌)成(🍅)为(🥡)(wéi )宇宙先生而努力训练的(de )澳(ào )大利亚职业健身运动员(yuán )“乔城(🦅)主(🔨)”吸(xī )引。 Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed