Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
八十(🏐)年代的香(🧔)(xiāng )港，许多(⛴)无所事(shì(🎺) )事的(de )少男(🏝)少女喜(xǐ(🧡) )欢夜(yè )晚晃(😱)荡在街头(🧥)(tóu )，想做“飞(📸)仔飞(fēi )女(⛽)”，又学得不(⤵)(bú )成样子(🤓)。阿日一伙(🤷)(huǒ )人这天夜里遇到(dào )一辆跑车停在路(lù )边，一时心痒(yǎng )边偷(👻)(tōu )了来玩(🗺)，路过加(jiā(🚃) )油站时候(⛴)，几个(gè )人(☝)又想抢劫(📑)，却不(bú )慎(🍰)错手杀了(♒)(le )人。恰逢两(🐚)名警察(chá )路(📖)(lù )过此地(💴)加油，阿日(⚡)(rì )他们情(🚓)急之(zhī )下(🤚)打(dǎ )翻一(❇)屋子红油(🔎)(yóu )漆，装成(🎲)加油站(zhà(🏢)n )员工(gōng )的样(💶)子，给(gěi )屋(💕)子(zǐ )刷漆(🈚)，收警察(chá(🏡) )油钱，有惊(🐧)无险(xiǎn )之(🐳)后，几个人(🏟)逃(táo )离现场，但等待他(tā )们的，确是一场(chǎng )更大的混乱和杀(shā(🤫) )戮……
岁(🥡)月流(liú )逝(👰)，人生周转(🥑)，见惯(guàn )了(💍)爱人们的(👬)喜怒(nù )哀(🖋)乐，不觉便(😵)(biàn )看淡(dà(🤙)n )了婚礼上的(🚘)(de )信誓(shì )旦(🌲)旦。失去的(🐊)(de )终(zhōng )将失(🔺)去，一切(qiē(✨) )都随(suí )风(✒)而逝，不(bú(🥅) )触动(dòng )一(🔰)丝涟漪。
本(🌎)(běn )片是印度(🐷)电影大(dà(🦌) )师萨(sà )蒂(🥡)亚吉特·(🎴)雷伊(yī )代(🛣)表作之一(🎹)，也是其在(🎁)商业上(shàng )最为成功的一部(bù )。接近2个半小时的(de )电影在现在看来(lái )仍旧(🧘)让人觉得(🚒)津(jīn )津有(🔦)味，丝毫(há(🎗)o )不觉(jiào )得(🏯)疲惫或拖(🛢)沓。故事其(🦎)实很简单(📫)(dān )，不过有一(🤰)个(gè )贯穿(😘)(chuān )了观影(🍒)前2个(gè )钟(🚓)头(tóu )的问(🕠)题一直在(🐌)(zài )缠(chán )绕(🍬)着偶，那就(🀄)(jiù )是为(wé(💞)i )什么片名要(❣)(yào )叫远(yuǎ(❌)n )征。看到影(🐦)片(piàn )的后(🌤)半个钟头(🎈)，当主(zhǔ )人(🧙)公桑吉在(🐛)(zài )卖掉(diào )心爱的车自己(jǐ )开公司以重振家(jiā )族光荣历史和违(wéi )法运(😌)送违禁品(🕋)之间(jiān )痛(🖋)苦抉择时(🛑)，观(guān )者才(😄)逐渐理解(🛫)了(le )这个片(🏕)名的意(yì(⛺) )图。是啊，在利(🚭)益与(yǔ )原(🥠)则的冲突(🐝)中，哪一个(🚼)人的心(xī(🖲)n )路历(lì )程(🏟)不是一次(😨)(cì )绝对(duì(📰) )意义上的(🚨)远征(zhēng )呢(ne )？(🔡)其实纵观(🔋)全(quán )片，主(🕙)人公桑吉(🆘)(jí )始终(zhō(😙)ng )处在两难(😑)的抉(jué )择(🛩)中，除了以上(shàng )所述(shù )的最艰难的(de )选择(zé )外，电影一开(kāi )始他就做了一(🗺)次(cì )选择(🔡)，结果是他(🛏)(tā )拒绝了(🍼)朋友与他(🍓)合(hé )伙做(🥀)生意的提(🤓)议(yì )，而在(🛐)感情上，他除(🔼)了要设法(📑)(fǎ )抚平(pí(😉)ng )由于前妻(🐐)抛弃所(suǒ(🎹) )带来的创(⛵)伤外，还要(✋)在美丽的(🧣)(de )朋友(yǒu )之(🙍)妹倪丽与狡(🎭)猾(huá )的老(😽)板苏拉提(🚱)(tí )姆(mǔ )之(📶)女仆古拉(📌)伊(yī )间徘(🐛)(pái )徊，而在(🌥)留(liú )与不(🌅)(bú )留在当地开出(chū )租车之间、为了(le )倪丽(lì )戒不戒酒之(zhī )间(💓)、为了倪(💽)丽学不(bú(💹) )学英语之(🤪)间、为(wé(🍇)i )了开公司(🛏)筹钱卖(mà(🏍)i )不卖爱车(🐄)之间等等(dě(⛽)ng )都经历了(🚖)困难的(de )抉(🐎)择。可以说(🍜)，这一次的(🉐)危险(xiǎn )旅(🍽)程(chéng )就是(💋)由各种各(👛)样(yàng )的抉(👁)择组成的，在(🙀)抉择当中(🌸)桑(sāng )吉完(📩)(wán )成了一(🔙)次心灵上(📟)(shàng )的远征(🥠)，而让(ràng )他(🈯)(tā )能顺利(🙃)从这次(cì )危险(xiǎn )的远征中挣(zhèng )脱出(chū )来的根本则是(shì )他那(🤙)颗淳朴良(⛵)善(shàn )的心(🈲)(xīn )灵！导演(🍃)雷(léi )伊通(⛲)(tōng )过几个(🔋)并不复(fù(🙍) )杂的人物(🕕)关系充(chōng )分(🤳)展(zhǎn )现了(🎇)颇为复(fù(📁) )杂的人物(🌫)心路历程(📎)(chéng )，同时还(🎼)以一种(zhǒ(⛩)ng )平实的姿(📔)态全景(jǐ(🤩)ng )式地展现了(🌲)特(tè )定历(🕌)(lì )史条件(💒)下印度的(🎲)(de )乡村风貌(🔛)图！不(bú )仅(🌲)如此，雷伊(🗞)(yī )在电(dià(💽)n )影表现手法上也(yě )基本采用了写(xiě )实(shí )的手法，没有(yǒu )华丽(🍮)(lì )的镜头(🌔)语言(yán )，没(🤢)(méi )有夸张(🙀)的布景(jǐ(😋)ng )与道具，力(🏞)求营(yíng )造(😑)一(yī )个符(📊)合客观(guān )实(🆒)际(jì )的人(👋)物生活环(🐬)(huán )境，使得(✊)整个故(gù(🎄) )事和(hé )故(📀)事中的人(🍚)(rén )物显得(😿)比较真实(🦖)可(kě )信！
在职(🀄)业生涯(yá(❇) )的尽头，一(🐱)名年(nián )轻(🏁)模特感受(🐞)到(dào )种种(🆙)(zhǒng )幻灭。佛(🗻)朗基26岁(suì(🏘) )，她来到了一家(jiā )疗养院，希望(wàng )调整(zhěng )恢复。为什么会(huì )出现(⚫)这种情况(🙎)呢(ne )？
成成(💶)与雅丹(dā(🔩)n )是都(dōu )市(🔜)中的两个(🔥)(gè )普通(tō(👲)ng )的年轻人(⛺)，这(zhè )一年他(🧓)们却有了(😛)(le )一个(gè )不(❣)寻常的经(🦖)(jīng )历。
DER SCHUH DES MANITU