密室漫画

The Big Racket benefits immensely from a strong leading performance courtesy of Fabio Testi (star of What Have They Done to Solange). Testi's portrayal of the angry police officer is perfectly judged to fit the movie, and I don't think there is an actor who could be better suited to playing the lead in this movie. He heads a strong Italian cast, who all do well in bringing their characters to life, as well as providing the movie with the Italian style that it revels in. The script is really good, and finds time to flesh out its characters as well as deliver witty dialogue that is always a part of this movie's bigger budget American cousins. The plot builds well throughout as there's always enough going on to keep things interesting. It all boils down to a fabulous conclusion which serves in ensuring the movie gets the bloody end it deserves, as well as rounding off the story perfectly. The Big Racket features a great sleazy atmosphere, in which the story is able to flourish, and the catchy music score helps to make sure that the film is technically sound. 取材自莎士(🚰)(shì(🎶) )比亚(🤧)的(de )喜(xǐ )剧《威尼(ní )斯商人》，以舞台(🦈)(tái )剧(😴)的(🌐)形(🎽)式(🖼)拍摄，辛(xīn )辣的讽刺(cì )、巧妙的布控(🌻)无处(🚇)(chù )不在，同(tóng )时充分地利(lì )用夸(🍀)张(zhā(🍿)ng )表(🥙)(biǎ(⛹)o )演(👏)的技巧，传承莎(shā )翁的人本(běn )精神，表(🆗)达了(🔻)创作(zuò )主题思想(xiǎng )。 Pure geek Jon Pigeon works in a unusual sex analysis institute in which people run about the corridors nude, naughty aerobics are motivated and where no guy is safe from a crotch catching old tea lady. In order to entice office secretary Cheryl, Pigeon discovers a device aka Agnes which produces a 'sonic aphrodisiac' that can change any man or woman into an over-lustful love-making madman. While his efforts to zap Cheryl end in tragedy, Pigeon has some fun switching the 'sexy ray' on his intimidation boss Nutbrown and wash up campaigner Mary Watchtower. Filmed by director of Girls Come First movie 本片是费拉(🌋)里对(💽)(duì(🚒) )现(♊)代(💻)社会(huì )文(wén )明和小家(jiā )庭中男(🥨)子(zǐ(🗣) )的(🦅)作(🥥)用的最新探讨(tǎo )的成果。工程师热拉(🐐)尔(⛔)德被(🥣)(bèi )妻子抛弃(qì )了，并把小(xiǎo )儿子(👓)皮(pí(🙅) )耶(🧛)(yē(🉐) )罗特留给(gěi )了他。当(dāng )工厂宣布(bù )休假(🚴)时，他(👶)把保姆(mǔ )当作情人(rén )；在短短(🏝)的时(🔧)间(⏱)内(🎠)(nè(🚟)i )，他重新(xīn )经受了令人(rén )伤脑筋(jīn )的(🏖)(de )以两(🥋)性斗争为特点(diǎn )的两人关(guān )系(🤹)发展(🍒)的(📦)全(🏫)过(🥙)程。热拉尔德(dé )完全被以性交为(🥀)表(biǎ(🔏)o )现的(🔈)男性意(yì )识所支配(pèi )。当他同(tóng )情人(📒)的(📙)关(🙍)系(💦)发生危(wēi )机时，他(tā )的情人却和(🤝)他的(🐔)前(⏹)(qiá(🏉)n )妻成了好(hǎo )朋友。他出(chū )于抗议(yì )和(hé(🍒) )绝望(😓)用一(yī )把厨房用(yòng )的电锯把(bǎ(♍) )自己(💒)的(🍲)生(🚰)殖(🍍)器割掉(diào )了。这个(gè )可以作为模式的(🗼)事(shì(💾) )件的大部(bù )分 (就象在戏(xì )剧舞(🖥)台上(🖕)(shà(🙎)ng )一(🌱)样(🈷))发生在一套高(gāo )层小公寓(yù )里(🌇)。费拉(🌺)里批(🍶)判了(le )他的主人(rén )公的大男子主义，同(🅾)(tó(💞)ng )时(😻)也(🕎)表现(xiàn )了由于生(shēng )活(工作，住宅(🥔)，千篇(🌼)一(😩)律(🚢)的(de )生活秩序(xù )，孤独寂寞)造成的(de )绝望和(🎃)灰(huī(♌) )心丧气。如(rú )果说影(yǐng )片(piàn )留下(🌋)了一(🍏)(yī(😷) )种(🔧)相(❤)互矛(máo )盾的印象(xiàng )，那是由于影片以(🤥)(yǐ )独(📘)特的方(fāng )式提出了问题：这(zhè(〽) )个男(🔆)人(🐘)是(🔖)(shì(💸) )他的行为的(de )牺牲品，也是妇女全(🐺)面反(🖕)抗(kà(👝)ng )的牺牲品(pǐn )；费拉里在这部影(yǐng )片(🔂)中(🙊)同(🔤)样(👒)(yàng )使用了多种手法，而(ér )且通过(💴)一(yī(🚆) )些(➡)“煽(📒)动(dòng )性"的细节(jiē )和效果来吸引更多(duō(🚠) )的观(🏬)众。 A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her. 该片故事取材于真(zhēn )人真事(🈷)。这一(🥪)故(🍄)事(🌗)曾(😣)(céng )被法国(guó )两(liǎng )位电影者先后采用(🍚)(yòng )过(🌅)。一是(shì )青年导演克里斯纳(nà )·(🧠)李宾(🌆)斯(🧤)(sī(🔅) )卡(🍥)于1974年拍过影片《我，比埃(āi )尔·李维尔(⭕)(ěr )》，一(🗼)是(shì )雷纳·阿里奥1976年拍(pāi )成的本片(👩)(pià(🔁)n )。1935年(🏧)，在(👄)法国南部(bù )的诺曼地(dì )，发生了(🤦)一场(🕚)异(🔇)常(❇)(cháng )轰(hōng )动的谋杀(shā )案。青年(nián )农民比埃(🍘)(āi )尔(😕)·李维尔先后杀(shā )死了他的(de )母(🔞)亲，姊(🗑)姊(🚩)和(🛍)弟(🔽)弟(dì )。如此残(cán )忍无道的谋(móu )杀自己(🔡)(jǐ )的(🔡)(de )亲人，到底是为什(shí )么？这引(yǐ(🚖)n )起了(📗)当(🐔)局(🏉)的(🏄)特大关(guān )注，派遣(qiǎn )警方进行调查和(🛺)研(yá(Ⓜ)n )究。对比(bǐ )埃尔·李维(wéi )尔进行耐(nà(🕚)i )心(✝)的(🌭)交(👔)谈。根据他(tā )在监中的(de )陈述，他杀(😮)死三(🎤)人(🎏)(ré(🔃)n )的原因是(shì )母亲和姊姊仇恨她(tā )的(de )父(🍥)亲，而(🌌)(ér )他本人却(què )十分爱他(tā )。至于(✖)杀死(🍲)其(🔇)弟(💕)弟(💏)(dì )的原因，是“免得父亲感到(dào )遗憾。”事(😘)发被(🍊)捕后(hòu )，法医(yī )认(rèn )为他精神有(🚂)病。李(🍉)(lǐ(🖍) )维(🗼)尔(🍈)被判(pàn )无期徒刑。但是他(tā )在狱中自(🕖)(zì )杀(📨)身亡。留下了自(zì )己的遗书(shū )，遗书的(🥤)开(🌈)(kā(🚷)i )头(🕔)是这样(yàng )写道的：“我，比(bǐ )埃尔(🗃)·李(⛩)(lǐ(🆓) )维(⏳)尔……” TV第54话再(zài )编集版。