背(bèi )冰(👼)村流(⭕)傳著的「雪夜叉(⏫)」，如(⛸)風(fēng )雪般的絕望(🈷)及憤(🍵)(fèn )怒，只要這場暴風(🅱)雪(🎡)(xuě )不停止就會(🈸)繼續(👟)(xù )殺人……
Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.
The continuing nutty adventures of Lloyd and Harry and their pet beaver, as they drive around the country in their Dogmobile.
An ex-cop hiding out in the wilderness after his wife and child were killed in a shoot-out finds he has another shot at the criminals when they show up to rob a timber operation.
十几(⭐)名(mí(🍑)ng )日本游客来到印(🏢)(yìn )度(🦄)，怀着各自不(bú )同的目(🎅)的。五(🔻)十(shí )多岁的矶(💦)边坚信(xìn )自己死(🔀)去的(🕡)妻子(zǐ )会转世，并(✏)从一(🥤)家美国的机构得(👾)知印(🥒)(yìn )度某地的一个幼(yò(📱)u )女称自己前世(💉)是(shì(🔐) )日本人。矶边到(dà(😥)o )处寻(🛂)找这个妻子(zǐ )转(🗜)世的(🔸)幼女，却(què )因语言(🎯)不通(✋)难度(dù )太大无功而(🗻)返(✡)。离婚的美津子(👈)是为(🚵)了(le )寻找过去的情(🚃)人(ré(☔)n )大津。她曾经想(xiǎ(🐇)ng )尽办(😊)法引诱大津(jīn )，而当大(😵)津陷(🕝)入(rù )爱河无法(💥)自拔时(shí )却将其(🕵)无情(🏮)抛弃(qì )。痛不欲生(📴)的大(🤦)(dà )津几经周折，流(🍙)浪到(🏁)印度一处火葬场(chǎng )做(🛳)着搬运尸体的(🌝)(de )工作(👎)。美津子找(zhǎo )到了(⛵)形容(😋)憔悴的(de )大津，得知(🧥)美津(🛰)(jīn )子第二天就要(🤓)回(huí(🦑) )日本，大津说我(wǒ )们(🛋)永(🤵)远也不会再(zà(📈)i )想见(🎚)了。又是黎明的(de )沐(🎹)浴时(🚡)间，美津(jīn )子同别(💮)人一(🔕)样在(zài )恒河中虔诚地(🎦)洗(xǐ )脸、漱口、洗(🐖)身(shēn )体。大津昏倒(🥖)在(zà(🍣)i )河边，醒来时发(fā(🍑) )现美(🕕)津子在一旁(páng )痛(🎿)哭失(🌞)声。大津问美津子为何(🙄)没回日(rì )本，美(🚒)津子(🍍)说希(xī )望他能尽(😅)快好(🏤)起(qǐ )来以和她一(🚝)起回(♑)(huí )去。而大津的生(shēng )命(🥌)已走到了尽头(tóu )，骨(🔴)灰随着恒河(hé )水(📶)一去(😪)不回。
A husband in love and a wife satisfied by this love; yet they won't be happy, at least in the conventional sense of the word. For the husband is so in love he becomes a little paranoid and the wife, a slightly neurotic Hitchcock heroine, is so charmed that this shocks her. Therefore, in a distinctly matrimonial manner, they embark upon a dual process of destruction that can be nothing but mercilessly comical.
A husband in love and a wife satisfied by this love; yet they won't be happy, at least in the conventional sense of the word. For the husband is so in love he becomes a little paranoid and the wife, a slightly neurotic Hitchcock heroine, is so charmed that this shocks her. Therefore, in a distinctly matrimonial manner, they embark upon a dual process of destruction that can be nothing but mercilessly comical.
다영은 재벌(🥫)그룹(🎑) 노회장의 후처로(🙇) 들어(🍶)가 소영이란 딸을 낳는(🎺)다. 그러나 무녀의 피(🎓)가 흐르고 있는 그(🐰)녀는(🎂) 무의식적으로 남(🏵)자를(🌷) 찾아 헤매며, 나이(🐝)트클(🖕)럽과 길거리에서 온갖(🔱) 남자들을 유혹(📅)하여(🥤) 육체적 쾌락을 즐(🌙)긴다(🤐). 여기에 다영이 대(🎒)학시(📣)절 순수하게 사랑했던(🕸) 화가(😠)지망생 민우가(😍) 등장한다. 노회장(🎙)이 죽(🍇)은뒤 그의 뒤를 이(💾)어받(💶)은 아들은 자신의(🍞) 나이(🌏) 또래인 계모의 무분별(🎦)한 행동에 뒷수습을(😂) 하고, 그녀의 애정(👘)행각(❤)을 뒤쫓으며 사진(♈)을 찍(🏛)어 협박의 도구로(🛂) 이용(♏)하는 사기꾼의 협박을(🐇) 받으면서도 그(🧣)녀를(👄) 감싸려 애쓴다. 한(🏑)편 다(🎙)영은 화냥기로 인(🐒)해 조(🅰)리돌림으로 최후를 마(🐤)치는(🚏) 옛여인의 환영(🍟)에 사로잡히는 등(🏬) 정신(🧞)적 장애를 보인다(🚴). 노회(🏢)장의 아들은 이런(🏺) 그녀(🍅)를 민우와 함께 외국으(⏬)로 보내 보금자리를(📊) 꾸며준다.