大力神赫拉克勒斯

耳(ěr )袋，即是把(bǎ )听到(dào )的怪(🙅)异(🚁)诡(🔀)秘的故(🕧)(gù )事，好好地(dì )放进袋子里收(📤)藏(🚶)起(🔁)来(lái )。电(🎵)影改编自日(rì )本畅(chàng )销灵异(yì(🐋) )小说《怪(🔶)谈(🍞)新耳袋》，由(yóu )99则独立的灵(líng )异故(🚲)(gù )事组(➡)成(🐒)。故事内容都是民间(jiān )种种怪异(🤕)骇人的(🏥)(de )传(📣)言(yán )，例如公寓洗手(shǒu )间的(de )女鬼(💩)、照片(📡)上(💽)莫(🏉)名多出来的(de )人、发出幽幽呜(🌻)(wū )咽的(🚦)(de )音(😏)乐(🍅)盒、扔不掉的儿童自行(háng )车……承(😂)袭(🈴)了(🍛)日(rì )本(🐗)恐(kǒng )怖电影的一贯风(fēng )格，每(🔜)桩(🛰)灵(🐇)(líng )异事(🐯)件，都在引发毛(máo )骨悚然的恐怖(🐬)情(qíng )绪(😼)。 约(🍢)翰（理查·基尔 Richard Gere饰）面临(lín )着(🕹)典(diǎn )型(🍜)的(🙏)中年危(wēi )机：即使有着幸福家(🌼)庭和体(🏃)面(🚭)事(shì )业，内心的空虚(xū )和压(yā )力(🛳)却随着(🤺)年(🛺)龄(🏩)而(ér )倍增(zēng )。他一(yī )成不变的(🎳)生活需(🤖)要(🐨)某(🦎)(mǒu )些催(cuī )化剂，来重(chóng )新唤(huàn )醒内心(🚷)激(🚎)情(💷)。 男孩阳(🍛)光是一(yī )个放浪形骸的歌(gē(🆗) )手(🏣)，风(🍖)流成性(🤠)的他与(yǔ )女孩(hái )天使相(xiàng )处有(🍉)多年，却(🌖)又(🎾)同时(shí )与偶遇的女子小(xiǎo )影整(🕶)(zhěng )日缠(🔺)绵(🌭)(mián )，俩人均被洪水般的(de )情欲(yù )所(😠)淹没。阳(😼)(yá(🙍)ng )光同(tóng )进周旋在两个女人之中(🚃)…… Roy and Alice are a couple that do repairs for a living. Soon they head to a house where a party is hosted during the day. Soon more guests arrive and begin a day with hot filled passion, attraction and orgy. Even the repairing couple that can't stand each other begin to feel attracted to each other. Ploy是(〰)個(🙈)漂(⤴)亮的學生(shēng )，但(dàn )是很窮，所以(🐒)她(tā )靠(🤧)著(🎱)(zhe )在(🏺)舞廳(tīng )跳舞賺錢。然而，她(tā )的身(shēn )體(⛵)似(🧣)乎(✅)出了(le )狀(🏤)況(kuàng )，她常常跑醫院，認識了一(🏌)(yī(🍭) )位(🤑)前途有(🔃)為的醫(yī )生並(bìng )與他戀愛。 永民(🕗)(mín )（金(🎞)(jī(😾)n )宋 饰）虽然顽皮，但仍算懂(dǒng )事(🦖)。他每天(👎)放(📗)学(xué )去卖(mài )冰激凌(líng )赚钱就是(〰)为了给(🥊)患(🔫)有(yǒu )眼疾(jí )的母亲买一(yī )副墨(🥛)(mò )镜。最(🌥)终(😐)母(🌮)亲还(hái )是发现了他(tā )这个秘(🔄)密，他忍(🍌)(rě(🆖)n )着(😛)委(wěi )屈的泪水，任由(yóu )母亲(qīn )责骂抽(🙉)(chō(💴)u )打(🧒)。因为出(🆑)身贫寒，他常(cháng )受到同学们(men )的(📧)欺(🍿)(qī(🐆) )负，经历(🚰)得多让他的心智比(bǐ )同龄的孩(⌛)子要成(👤)(ché(🈶)ng )熟。 Ploy是個漂亮的學生(shēng )，但(dàn )是很(🦈)窮(qióng )，所(👁)以(👤)她靠著在舞廳(tīng )跳舞賺錢。然而(⏬)(ér )，她(tā(🉐) )的(🚯)身體(tǐ )似乎出了狀況，她常(cháng )常(🏟)跑(pǎo )醫(🈺)院(🎶)，認(🤫)識(shí )了一(yī )位前途有為的醫(❄)(yī )生並(🍊)與(🕌)他(💭)戀(liàn )愛。 女神学家安(ān )娜婚(hūn )后长年(🔝)不(🦂)育(🗜)，她(tā )接(👂)受(shòu )新工作(zuò )，去女子监狱主持(🐸)小(😶)(xiǎo )礼拜(🤶)(bài )堂，认识了(le )一个(gè )似乎有超能(🔛)力的女(🚸)犯(🚞)人。不(bú )久，安娜 发现自(zì )己怀(huá(🦓)i )孕了。根(🍝)据(📆)《圣(shèng )经》教义，一切非教会的超自(🔗)然(rán )力(🥩)量(♍)都是邪恶不(bú )洁的(de )，她该(gāi )不该(🤦)打掉这(⛓)个(🏄)孩(✈)子呢(ne )？ "The Tuner" is Muratova's brilliant portrayal of a sick society on the verge of complete moral collapse. Her protagonists are the little people so removed from reality that at times they seem unrealistic, invented, and their actions unmotivated. In the end, their weakness and crushing defeat by the petty con artist gives them moral power that vindicates their social marginality. Their quirkiness, their refusal to live by the rules, or, as in the last scene, to accept their own defeat even when their very survival is at stake, becomes, paradoxically, the last hope for humanity. Against the context of the Orange revolution, "The Tuner" becomes Kira Muratova's prophetic vision of the return of human dignity in her home country.