天狼电影

Country-Western Wildcats! Marsha Jordan –(👲) the first real star of Sexploitation – is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’ elsewhere – starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’(🍓)s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’(🗣) Leroy, everything gets violent. Yup, just when you think you’ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! Sun Ra+电(💍)影(yǐng )=超现(🤳)实+迷幻？(🖲) 今(jīn )井(🐣)(jǐng )荣作是(🔆)日本广(guǎng )岛(dǎo )原爆(😛)生还者(🔖)，一直没有(🗯)告诉两个(gè )女儿这(👄)事。大女(❔)(nǚ )儿(ér )芳(👯)子在暑假兼(jiān )职(zhí )做导游(🦅)时认识(shí(🥃) )了(le )香港作家李克强(qiáng )，并帮(🗞)助他搜集(🍌)(jí )原(yuá(👐)n )爆生还者(💍)及其(qí )第(🥙)(dì )二代的资料。芳(🤞)(fāng )子男友(🆒)木村真宗(🛎)(zōng )父母向今井提(🕧)亲(qīn )，今井(💘)不得不坦(🔠)(tǎn )白(bá(🚳)i )说出芳子(🆘)是原爆(bà(🤹)o )第二代，但(🛂)木村(cū(⛷)n )仍深爱芳(📝)子，要(yào )和她结婚。这(🌸)时(shí )候(📋)(hòu )芳子妹(😗)妹京子(zǐ )无(wú )意发(🏴)现芳子(💭)并非自己(📼)亲姊姊，而(ér )自己也是原爆(🚯)的(de )第(dì )二(⚽)代。芳子知(zhī )道(dào )后离家出(🍳)走。芳(fāng )子(🎲)原是今(💺)井好友(yǒ(🧦)u )冈田正夫(🗒)的遗腹(fù )女(nǚ )，今(💸)井收养了(🦏)(le )她(tā )；今(⬇)井妻子玉(yù )芬(fē(🌞)n )则是冈田(🌇)的中国(guó(🗃) )情人，二(😐)次大战(zhà(🌸)n )和平十年(😦)后她到(dà(🛫)o )日(rì )本(🏳)找冈田，最(🕞)后(hòu )郤和荣作结婚(🏮)生(shēng )下(🐆)京子。芳子(🏒)发(fā )现自己已患了(🐀)白(bái )血(😗)(xuè )病，便决(😗)定把(bǎ )余(yú )生投入反核和(🙂)平运动中(♟)，呼吁世(shì )人关注原爆生还(🆕)(hái )者(zhě )的(🎇)命运，反(🏟)对(duì )超(chā(🔴)o )级大国的(💕)核子(zǐ )竞(jìng )赛。 東(🕐)北の城下(🔡)(xià )町仙台(😏)を舞台に、東京(🎌)からの秀(🌓)(xiù )才(cái )転(🥦)校生と(🏆)東北(běi )名(🐒)(míng )門校の(🙈)劣等生等(🈹)(děng )が繰(🤽)り広げる(🌻)青(qīng )春喜劇。原作は(🤷)井(jǐng )上(💞)ひさしの(🥖)同名(míng )小説。脚本は(😘)『新・(🍂)男はつら(🔢)いよ』の小林俊一(yī )、監(💦)督は脚本(🈴)も執(zhí )筆している『にっ(🚃)ぽん三銃(🥟)士　博(👑)多帯しめ(🍴)一本(běn )ど(🐮)っこの巻』の岡(👌)(gāng )本喜八(💈)、撮影(yǐ(👜)ng )は『野獣死すべ(🔏)し　復讐(🖖)のメカニ(📻)ック』(🍙)の木村大(💽)(dà )作(zuò )が(🐁)それぞれ(🕵)担(dān )当(🌨)(dāng )。(キネマ(🅱)旬報 全(quán )映画作品(🕉)データ(🈶)ベースよ(🐕)り抜粋(cuì )) 讲(jiǎng )述一(🥐)个年轻(🥤)女人(rén )的(👎)故事，她与好(hǎo )多男人之间(❓)的趣(qù )事(🗝)，好多男人都(dōu )为(wéi )之倾倒(😨)！ 适逢(féng )父(😱)(fù )亲的(㊗)忌日，漂泊(🌽)许久的寅(🔉)次郎（渥美清 饰(😉)）返回(huí(🐿) )家(jiā )中，却(🎮)玩笑般(bān )地(dì )大(🎽)闹法会。在(🦏)家(jiā )没有(🆔)待上几(💸)日，又因搞(🍥)错了满男(🐭)(nán )想(xiǎng )买(📲)钢琴的(⤵)愿望(wàng )倍(🧞)(bèi )感受辱，转身(shēn )又(🕓)(yòu )踏上(🈴)旅途。这一(👌)(yī )次他远走北海道(🐙)(dào )，信心(🔏)满满地留(😋)(liú )在(zài )当地农家帮忙，结果(🧖)仅仅三日(🐍)便(biàn )一(🤑)病不起，多亏(kuī )阿樱(🚹)（倍赏千惠(huì )子(🤭)(zǐ ) 饰）亲(❤)自将他(tā(🍹) )接(jiē )回家中。只不(⌚)过阿寅并(🏌)未吸取教(👚)(jiāo )训，正当他再次(🕺)(cì )准(zhǔn )备(🚪)离家的时(🤨)候(hòu )，他(📓)重逢了在(🈶)北海(hǎi )道网走市有(🐿)过一(yī(🚭) )面之缘的(❣)茉莉（浅(qiǎn )丘琉璃(💐)子 饰）(🔢)。茉莉为了(📷)成为(wéi )歌(gē )手，孤身一人流(🤱)(liú )转日本(🤰)各地，吃(chī )尽人间之苦。如(rú(🧓) )今(jīn )她逶(🛍)迤来至(⚓)浅草(cǎo )，继续追寻着(🚵)她(tā )的梦想，而阿(♒)寅(yín )是否(➿)又将迎来(😇)一(yī )段(duàn )新的恋(🤥)情呢？ Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. A group of kids in Brooklyn form a gang. From this moment on they do everything together. This makes things easier but at the same time they have to face new problems. The classic English fairy tale about a boy named Jack who sells the family cow for some magic beans.