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The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’(🤷)s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’(🐣)s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy returns home where he paints an impression of his wife as the angel of death and then promptly poisons her. He marries Sally but after a while he finds a strange urge to paint her as the angel of death too and history seems about to repeat itself. 南屏(píng )岛是一个(gè )渔产丰(🥛)富的小岛(🍣)，因地理位置(zhì )的关系，一直(🤛)(zhí(💹) )不为(wé(♉)i )人(🐁)知(zhī )，水产专家陈建南发现(🤝)了这里(lǐ(🏀) )并制定了(le )一份(fèn )发展(zhǎn )计(🌐)划(🚘)(huá )。几年(🔬)后(hòu )，邓同准备投资开发南(🌗)屏(😏)岛，秘书(😂)马(😽)力(lì )行知(zhī )道朋友陈(chén )建(🌋)南一直想(🤐)发展南屏岛遂把他(tā )推荐(📧)给(👮)邓(dèng )同(💝)，希(💴)望(wàng )他能(néng )够担任南屏(🕖)岛(✍)的经理(📫)，此(🔶)时邓同已经安(ān )排自(zì )己(💲)的(de )大舅(jiù(🤾) )子担任经(jīng )理，陈建南的太(💱)太(🧗)白琪知(😞)道(🐻)邓(dèng )太太和马(mǎ )力行(háng )有(🐮)暧(ài )昧关(🐻)(guān )系，为了让丈夫能当上经(🌤)理(📣)，她要挟(🍑)邓(dèng )太太(tài )让邓(dèng )同改(gǎ(🍤)i )派(🥪)陈建南(🅾)(ná(🥇)n )做经理，邓同听到妻子的要(📉)求(qiú )后以(🛷)为她(tā )与陈(chén )建南有特(tè(🌙) )殊(🏐)关系，此(♋)时(🏧)他也看中了白琪(qí )。一天(🥛)，在(🐥)晚(wǎn )餐(⛴)上(🛩)(shàng )，邓(dèng )同突然提出和陈建(🚐)南交换太(📢)太，大家都(dōu )异常(cháng )震惊(jī(✔)ng )，最(🙊)(zuì )终，陈(🚢)建(💪)(jiàn )南当上了经理，马力行也(🍦)趁机(jī )得(🍅)到了香(xiāng )港分(fèn )公司(sī )的(🍻)经(🌼)(jīng )理职(🌠)位。 Philip Marlowe gets involved when limp-wristed and snidely Leslie Murdock steals a rare doubloon from his mother to give to a newsreel photographer in exchange for film that is being used for blackmail purposes. Marlowe's involvement has him encounter a girl who goes into hysterics when touched by a man; a husband-killing woman; three corpses; a couple of scuffles in which he gets his clock cleaned; a secretary who thinks she has killed her boss, which is the reason Raymond Chandler called his story "The High Window", and a son (who qualifies as a S.O.B. by two definitions) who blackmails his widowed mother. So, what's not to like. Molly, an actress desperate for work, decides to get it by "playing the part" of an experienced housekeeper. It turns out that the butler at her new household is doing the same thing. Their employer, Mr. Graham, is a retired politician who, divorced from his wife and estranged from his son, lives alone with a staff of servants. Graham's life needs shaking up and, with her enthusiasm and acting talent, Molly is just the one to help him do it when the opportunity arises. A man tries to frame his wife for a murder that he has committed. In Edinburgh, renowned surgeon and now teacher of anatomy Dr. MacFarlane, has been paying John Gray, a cabman, to clandestinely bring him exhumed bodies of the recently deceased for classroom demonstration purposes. With cemeteries being increasingly guarded, Gray turns to murder to provide MacFarlane with fresh bodies. Realizing that he will never be rid of Gray, who constantly taunts him with his knowledge of MacFarland's past indiscretions, MacFarlane engages the malevolent Gray in a hand-to-hand fight to the death, the ultimate results of which provide the victor with an episode of unprecedented psychological horror. Ditte (Tove Maës), born illegitimately, is deserted as a young girl by her alcoholic mother Sørine (Karen Lykkehus). She moves in with her grandparents Maren (Karen Poulsen) and Søren Mand (Rasmus Ottesen). But after Søren dies, it is Ditte who becomes the old woman's only support. It is the small girl's deepest sorrow that she has no father, so she is pleased when she hears that Lars Peter (Edwin Tiemroth) will marry her mother and they will all live together. However, it is Ditte who becomes like a mother to Lars Peter's three small children. Their poverty is so oppressive, it drives Ditte's mother to kill Maren, and Sørine is sent away to prison. Ditte, despite her young age, must assume all of the household's responsibilities. As time passes, a warm relationship develops between Ditte and Lars Peter. One day, Lars Peter's brother Johannes (Ebbe Rode) appears. Johannes is a poor knife and scissors sharpener who informs them of his big business schemes, however, his schemes bring nothing but disappointment. Lars moves away and Ditte must find herself a job. Ditte takes a job as a servant on a rural farm. The farm owner's weak-willed son Karl (Preben Neergard), who is completely controlled by his mother (Maria Garland), falls in love with Ditte and they develop a happy romance. However, when Ditte becomes pregnant, Karl does nothing while his mother forces Ditte to leave the farm. Deeply distraught, Ditte searches after Lars Peter, the only parental figure who ever showed her kindness and understanding. Ditte discovers her mother has been paroled from prison and Ditte begins a new life—forgiving and caring for her mother—at the same time that she becomes the mother of her own illegitimate child. After working successfully as an actor in France during the 1930s, Eric von Stroheim, in common with such French actors and directors as Jean Gabin, Michèle Morgan, Jean Renoir and Julien Duvivier, moved to Hollywood after the outbreak of WWII. He left behind such memorable movies as Les Disparus de St Agil, La Grande illusion, Têmpete (the last to be shown) and L’(🦗)Alibi which he made for Pierre Chenal. On his return to France in 1946, he worked for both Jean Boyer and Pierre Chenal in the same year, creating with Chenal a minor masterpiece in La Foire aux chimè(😡)res, which may be translated as The Fair of Dreams.