麦嘉电影

In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy. On his first job, the getaway car crashes after killing a policeman. Morgan is framed as the driver and sent to jail. Seeking revenge, he escapes and heads for London. Along the way he's helped by a woman (Mrs. Fenshaw), who wants him to murder her husband. In London, Morgan is sheltered by Sally, who falls in love with him. He confronts Narcy and the gang in an abandoned warehouse. Brazilian Director Cavalcanti's crime drama should not be confused with the totally unrelated "They Made Me a Criminal" (1939). 乔(✖)安（温(🐐)蒂(dì )·(🔎)希勒 Wendy Hiller 饰）是(shì )罕见的(de )那(🚹)种非(fē(🐜)i )常有自(zì )主的女人，她(tā(🚈) )懂得自(😂)己的需(🛫)(xū )求，亦懂得为(wé(👱)i )了满足(👘)自己的(🤮)(de )需求，她需要(yào )付(👮)出怎(zě(👖)n )样的代(🌜)(dài )价。某(mǒu )日，她登上了(le )前(💇)往苏格(⏱)兰的(de )邮轮，她要去(qù )见她(🌮)的未婚(👒)夫(fū )—(🐤)—一个腰缠(chán )万(🌦)贯但是(🍨)年龄(lí(⏩)ng )足以做(zuò )她的父(🔺)(fù )亲的(🧥)男(nán )人(🎺)。虽然乔安(ān )对这(🐵)个男人(🎎)并(bìng )没(🎐)有感情，但(dàn )她知道，一旦(😄)(dàn )嫁入(🔰)豪门，便(biàn )是为自(zì )己日(😙)后(hòu )的(⏹)辉煌(huá(🤞)ng )人生铺好了基(jī(🚥) )石。 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’(🔔)s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’(💱)s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." A man and a woman fight over the last bottle of champagne left in San Francisco--she wants it for a wedding, and he wants to use it to christen a ship. Alex, a sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a b-girl who invited him home to "fix her radio." He tries to return it with the reluctant aid of June Goth, a sweet but oh-so-tired dance hall girl; they find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters; clues get more and more tangled. Pinkie Brown (Richard Attenborough) is a small town hoodlum who's gang run a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred (Alan Wheatley), the police believe it to be suicide. This doesn't convince Ida Arnold (Hermione Baddeley), who was with Fred just before he died, and she sets out to find the truth. She comes across naive waitress Rose (Carol Marsh), who can prove that Fred was murdered. In an attempt to keep Rose quiet Pinkie marries her. But with his gang beginning to doubt his ability, and his rivals taking over his business, Pinkie starts to become more desperate and violent. The superist hero of them all, Mighty Mouse, easily brushes aside molten lava and stems the tide of an island volcano, set off by the torrid dancing of Krakatoa Katy, the hottest dancer of them all. Then he carries all of the island natives to the safety of higher ground, where Katy leads them all in a jive-chanting jitterbug dance in tribute to their hero. A man and a woman fight over the last bottle of champagne left in San Francisco--she wants it for a wedding, and he wants to use it to christen a ship. Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary's affections. Kenny's friend Gitlo, a bartender in Lentz' club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder. An elderly couple move into an old, supposedly haunted abandoned house. A young girl comes to live with the pair as a companion for the wife. However, soon the girl is possessed by the spirit of another girl, a wealthy woman who had once lived in the house but who had been murdered there.