斯巴达克斯第三季02

A shackled prisoner tries to tries to negotiate an escape while en route to San Quentin. 导演：黄(huáng )域 更多外文(wén )名：Flying Swordsman's Raid on Criminal Monastery Part 1 ..... (Hong Kong: English title) EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. Dan Duryea and his cronies rob a fake spiritualist and then take it on the lam to Atlantic City. An insurance investigator and his wife look into the case of Mrs. Gillespie, who has been widowed twice -- and has twice enjoyed windfalls from her husbands' life insurance. 日本占(zhàn )领台湾期间(jiān )，一个孤女(nǚ )卖身(shēn )葬母，却被养父强奸。后又被卖作(zuò )陪酒女，整(zhěng )日含泪(👺)卖笑(xiào )。最(zuì )后竟被当做(zuò )疯子关在木(mù )笼里整整十(shí )八年。后经(jīng )报纸披露，方为社会热(🍣)(rè )心人(rén )士搭救，被(bèi )救济院收留(liú )医治。 謎の連続完全密(mì )室殺人事件(jiàn )を追う敏腕(wàn )刑事(shì )。そして透明化光線の開発に成功(gōng )した科学者(zhě )たち、人間(jiān )を縮小して蠅男(nán )にする薬品を使って悪(è(🏉) )事に手を染(rǎn )める悪徳実(shí )業家。複雑(zá )に絡(luò )み合った糸(jiǎo )が次第にほぐれ、事件(jià(🏧)n )の真相が明(míng )らかになっていく。透(tòu )明人(rén )間と蠅男、変身人間同(tóng )士の戦いは、後に円谷(gǔ )英二のもとでTVシリーズ「ウルトラマン」などを演(yǎn )出する、的(de )場徹の手による特撮映(yìng )像。いわば特撮(💾)(cuō )とポリティカル・サスペンスが有(yǒu )機的結合を成し遂げた作品(pǐn )だ。透明人(rén )間の(🤞)映像表(biǎo )現はともかく、蠅男のそれに関しては、やはり同(tóng )時期に製作されたアメリカ映画「蠅男の恐怖(bù )」のようには行かず、いささか興ざめ。サスペンスの鍵となる部分だけに、当時の技術(🍼)力の不足が悔やまれる。ただしセクシーなダンサーの肢(zhī )体に縮小した人(rén )間を這わ(😿)せたりと、そのサービス精神旺盛な映像表現こそエンタテインメントの鏡。 Mr. and Mrs. Loomis are two newlyweds who have recently endured a family tragedy and are now having bad luck on their honeymoon. Their car has a flat tire -- and so does the spare. A stranger named Mr. Moon passes by and fixes the tire. But this Good Samaritan proves to be a crackpot. Mr. Loomis trips and falls onto Moon, dirtying his white suit. The man becomes enraged and threatens to kill him, before driving off. Later, the couple arrive at their hotel. And they realize their bad luck has gotten worse when the crackpot is in the suite right next to theirs.