清(🗼)贫的女学生彩子因生(🧚)活(📐)所迫与供职于高(gā(🦅)o )校(🎠)的(🌁)医学(xué )副教授泷(ló(🚉)ng )川(🏩)亮吉（小泽荣太郎 饰(⛺)）结婚，然两人性格年(🤼)龄皆有较大差距，婚后(🖐)生(😶)活并(bìng )不和谐。泷川的(🌳)学(🏮)(xué )生幸田（川口浩 饰(🍹)）适时走入他们的生(🛎)活，这让彩子既感欣慰(🕒)，有(📢)承受更大(dà )的痛苦(🍇)。
四(😶)子(🥅)从小(xiǎo )就是一名弃(🥃)婴(🏙)，捡到她的夫妇在她长(🚰)大后将她卖给了歌舞(🎼)伎，而在此她被一(yī )名(🤾)和(🔕)尚(🤑)娶(qǔ )为妾，而(ér )在和(🔙)尚(🥥)死去之时，婆婆认为她(⛷)是一名会给男人幸运(🙎)的“鸿运女”。她后来改(gǎ(👹)i )行(🎎)在银行(háng )做事，在(zài )此(🔺)她(🚓)遇到了她所爱的男人(😱)铃木主水，她也因为会(✔)带给男人幸运，不断地(➿)牵(🏢)入(rù )到男人为(wéi )了(✌)成(👷)功(📕)不(bú )择手段的肮脏(👺)旋(📀)涡中。从此片我们也可(📙)以看到导演对于政治(🏮)运作的大笔金钱(qián )关(🙌)系(🥗)，以(yǐ )及将女人(rén )视作(🌌)物(🛑)品的心态表露无遗。
The English owner of a Scottish castle discovers that it is haunted by the spirit of a beautiful woman. He decides to use the ghost as a tourist attraction for his castle.
С(🔑)отрудниче(💸)ство режис(🏵)с(📇)ёра Алекса(🗻)н(😫)дра Белинс(👵)кого, балет(🍓)мейстера В(👾)л(📼)адимира В(🌽)а(📔)с(🐨)ильева и к(🎙)о(🌲)мпозитора(😂) Валерия Га(🔭)врилина, на(📓)ч(🚭)авшееся в ф(🖐)и(🏎)льме-балет(🚾)е "Анюта", ока(♏)залось мно(☕)г(🎊)олетним и п(🌿)л(🤯)одотворны(🚽)м. В 1984 году ими(🔬) был создан(⚽) б(🗯)алет "Дом у(🐍) д(📨)о(🚸)роги" по мо(🆒)т(🎨)ивам поэзи(💝)и Александ(🍆)ра Твардов(🙃)с(💄)кого. Главн(🎻)ы(🍅)й герой Анд(🏹)рей - русски(🌐)й крестьян(🎅)и(🤸)н, ставший с(🌳)о(😧)лдатом.
在哥斯(⏲)达黎加的热带雨林中(🥁)的一个关于勇气、救(🥇)赎(🤷)和爱的故(gù )事。本片(📉)(pià(😬)n )根(🆑)据真实(shí )事件改编(✡)，一(👼)个10几岁的小男孩从小(💙)梦想寻找地球上传说(🤠)中的最美丽的蝴蝶：(🔼)一(🤑)种虚幻(huàn )般的大翅(chì(🐙) )蓝(🌊)色蝴蝶。他的母亲说服(🤝)了一位著名的昆虫学(⏲)家(威廉赫特)，与小男孩(🌮)一(🎉)同踏(tà )上寻蝶之(zhī )旅(📌)，二(🤜)人(rén )的生活从此发生(⛅)了巨大的变化……
The Monkey Kid focuses on the details of a nine year-old girl's daily life during the Cultural Revolution. In 1970 China's intellectuals had been dispersed to the countryside to learn from the peasants. Their children remained in the cities to learn life on their own. Shi-Wei, the Monkey Kid, is one of these children, and she survives her family's fracture by instinctively clinging to happiness; she is a bright light against a dark background. With her parents away she gathers with friends wherever she wants, she shows up late for school, she tumbles down mountains of gravel, she balances on balconies five stories high. Shi-Wei has dizzying choices. And she slides away from the dull embrace of the Cultural Revolution