In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a criminal. Reverend Misimangu (Sidney Poitier) is a young South African clergyman who helps find his missing son-turned-thief and sister-turned-prostitute in the slums of Johannesburg
内(🥣)尔(🌏)在(zài )埃迪叔叔的(de )帮助下(xià(🕶) )去(🌩)酒(jiǔ )店帮忙照顾客人的(de )孩子(🆔)，她需要一份工作已(yǐ )经很(hě(🔵)n )久(💄)了，因此很感激(jī )埃迪叔(shū(🖥) )叔(🏫)。外表温顺，乖巧的(de )内尔哄(hǒng )小(💴)女孩睡觉(jiào )后，被(bèi )女主(zhǔ )人(👲)的(🍔)珠宝首饰和漂(piāo )亮衣服(fú(🕟) )深(🌔)深地吸引。此时，和(hé )女朋友(😻)(yǒ(🅱)u )闹别扭的飞(fēi )行员杰(jié )德回(🔝)(huí )到房间，看到窗户(hù )对面穿(🚑)(chuā(🗨)n )着华丽、正翩翩起舞的(de )内(🌬)尔(🎶)。不久，杰德(dé )发现内(nèi )尔的(de )思(🥋)维有问题，后来(lái )埃迪告(gào )诉(🚼)他(🈵)，他的男朋友(yǒu )死于(yú )空难(❔)，她(📽)经受不住(zhù )打击，从此精神错(⛺)乱，在医院(yuàn )治疗了(le )三年后刚(🛢)出(chū )院，家(jiā )人希(xī )望她换个(👸)新(🌵)环境，将她送(sòng )到纽约。没想(🛌)到(🥜)她的病(bìng )依旧没(méi )有好，她行(🚉)(háng )为不端(duān )且具(jù )有暴力倾(🤖)向(🔉)，人们(men )只好将(jiāng )她再次送入(🚸)医(🈚)院。
片名(míng )：爱本(běn )无罪 L'amour n'est pas un pêché(🎤)
索(suǒ )尔·胡(hú )洛克(kè )是二十(😾)世(🛅)纪美国音(yīn )乐舞台(tái )上最(🚮)传(🥒)奇的艺术经理人(rén )，他将夏里(🏑)亚宾、帕甫洛(luò )娃、伊萨伊(💣)、阿什肯纳(nà )奇、奥(ào )伊斯(🐄)特(🎲)拉赫(hè )等数代(dài )伟大(dà )的(🌝)音(🕯)乐家和舞蹈家(jiā )介绍给(gěi )美(✖)国公众。该片根据胡(hú )洛克的(🍭)(de )传(🐶)记拍摄，多位重(chóng )量级(jí )艺(🖲)术(🏽)家在片中出演(yǎn )，如平(píng )扎饰(💤)演夏里亚宾、塔玛(mǎ )拉·托(🎤)(tuō(🍞) )马诺娃饰演(yǎn )帕甫洛(luò )娃(➡)、(🍞)伊扎克·斯特恩饰(shì )演伊萨(📫)(sà )伊。央视曾在９０年代(dài )播(⏭)放过该片的译制(zhì )版本，改名(📜)为(🔬)《胡洛克的故事(shì )》。
喧(xuān )嚣繁华(👾)的大(dà )都市，人们(men )有如螺丝钉(🏩)一般附(fù )着在城(chéng )市这台机(🧤)器(➿)上，终日匆(cōng )忙奔波(bō )，疲惫(🖼)不(🐫)堪(kān )，却不(bú )知工(gōng )作和生活(🔯)的意义何(hé )在。高(gāo )菲和周围(🚳)的(📩)人一样，每(měi )天干着(zhe )枯燥乏(📧)味(🥦)的(de )工作，只为(wéi )挣取稀薄的薪(🧟)水，反而失(shī )掉了很多的东西(🧠)。他向(xiàng )往美丽(lì )迷人的夏威(🛄)(wē(🤔)i )夷，于(yú )是跟随梦想的指引来(🕺)到(dào )了这片(piàn )悠闲的乐土(tǔ(👍) )。睡个(gè )懒觉(jiào )，盖间茅草屋，即(💌)(jí(🈁) )使漏雨(yǔ )变成了落汤鸡也(🈹)是(🥁)无上(shàng )的享受(shòu )。间或躺在(zà(♋)i )吊床上(shàng )，兴(xìng )致所至画一笔(📽)画(🌋)，或为构(gòu )思已久的长篇小(🌡)说(🧝)添上(shàng )一字。一切随心所(suǒ )欲(🔋)，徜(cháng )徉自(zì )在。去他的解聘书(💚)(shū )，还你(nǐ )一个“老子不干了”。
Carl Martin is a morose and deranged Los Angeles gardener, who,in retribution for the infidelity of his unfaithful wife, sets about to kill as many blonde's as he can. From the time the film opens, to the sound of a radio turned up full-blast over the still-warm corpse of a blonde, the audience knows the identity of the killer. The film depicts, with documentary realism as it was shot on location in and around Los Angeles, how the police, using laboratory techniques against the few clues they have, track down Martin. Their key clue is a spring from a pair of garden shears. The police move in just as Martin is about to add Jane Saunders, the daughter of a greenhouse owner, to his long list of victims.