幼时(🥋)(shí )的玩伴变成了勾(gō(😎)u )结官匪的奸商(🥁)，座头市回(🏙)乡却(😡)找(zhǎo )不到(🗣)人情，最后(hò(🌵)u )只得继续挥刀(🧥)，在夕阳中走远(⚫)。座头市系(🤣)列元(🤦)素(sù )的大融合，依然够(📏)气派。最后的米(🔟)仓(cāng )大战(🍂)有效(🥎)利用了(le )米(♉)粒倾泻的音效(xiào )和环境，摄(📬)影突(tū )出，断手(🚮)断脚的(de )血(📈)腥场(💽)面为系列(📁)(liè )之最。座头(🎀)市对(duì )养母和(🆒)同伴的感(🛬)(gǎn )情(🔓)戏最为动(🍉)人。
哈(🌽)里(lǐ )·考尔（吉恩·(🕔)哈克曼 Gene Hackman 饰）在(🚜)旧(jiù )金山(🌴)开了(🎤)一家侦(zhē(🤗)n )探公司，他最近(jìn )的一单生(👸)意是去(qù )窃听(🕰)一对男女(🕦)的(de )对(🔟)话。他精心地(dì )在一个(😎)广场附近布下(📌)层层的窃(🅰)听装(🖨)置(zhì )，来捕(🕖)捉这对男(nán )女所说的每一(🌠)句(jù )话。窃听进(🦍)行得(dé )很(🕙)顺利(🎵)，声音很(hě(🐠)n )清晰，但他不(👏)理(lǐ )解他们所(⌚)说的话(huà(👖) )到底(🐼)什么意思(🔬)。 他带(✊)着录音文件去雇(gù )佣(🚄)他的公司准备(🤳)(bèi )拿他的(🐄)报酬(🚝)，却(què )被告(🎒)知老板不在(zài )，便决定暂时(🎏)不(bú )交出录音(🎗)文件，并退(🐇)回报(🍳)酬。他(tā )只能小心翼翼(🌞)地(dì )保管着他(🍰)的录音文(🌾)件，即(➡)使在聚会(⛄)的(de )时候仍旧提心吊(diào )胆，生(🔄)怕录音文(wén )件(😰)被人偷走(🏛)。千(qiā(🔄)n )防万防，录(🧣)音文(wén )件还(🎒)是丢失了。心急(🧦)如焚的哈里(lǐ(🦁) )只能按照(💐)他窃(🐇)听(tīng )到的录音内容，于(🦒)某(mǒu )日来到那(🈵)对男女(nǚ(❇) )口中(🕥)提到的酒(🔸)店(diàn )，却不想他正陷(xiàn )入一(✌)场巨大的阴(yī(🍁)n )谋中……(🏎)
在快(🚶)乐(lè )的动物王国里，残(🐬)暴的狮子和奸(➗)(jiān )诈的毒(🎗)蛇，赶(🥇)走了真正(🧦)的国王实施暴(bào )政，只有狐(🥌)狸罗(luó )宾汉敢(👉)和他们作(😮)(zuò )对(🛂)。虽然恶狼(👥)警(jǐng )长设下(📑)许多圈套(tào )，但(🔙)是勇敢机智(zhì(❄) )的罗宾汉(🤒)最后(⏫)还(hái )是战胜邪恶，将所(🎼)有的坏蛋赶出(📖)森林(lín )。
While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.
忘(🛤)八者(🚿)，即在(zài )吉(👞)原一代从事色(sè )情业，将“孝(🌃)、悌、忠、信(🧕)、礼(lǐ )、(⛑)义、(🕡)廉、耻”这为人八德抛(🕜)弃(qì )、被世人(🚶)看作畜(chù(🏪) )牲和(🔌)无赖的人(🖇)。
The last of veteran moviemaker Marcel Carne's theatrical films, La Merveilleuse Visite was a surprisingly restrained film by one of the most colorful filmmakers in France. Jean (Gilles Kiher) stars as an angel who has fallen from heaven and landed in a picturesque French village. Nursed back to health by the local priest and his helper, he returns the favor in a surprising fashion. La Merveilleuse Visite is based on a story by H.G. Wells. ~ Hal Erickson, All Movie Guide
A crime boss is assassinated and witnesses to the crime are subsequently killed. A no-nonsense policeman decides to take the law into his own hands in bringing these criminals to justice.