天龙八部97

德(dé(🛺) )国默片，但具(🚬)体资料(liào )已(🐔)不可(kě )考，见(🤲)(jiàn )： This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see. An absentee landlord's agent frames his rival for burglary. "Die schwarze Natter" shows the director with a fine example of the 'Sensationsfilm', i.e. a pulpy adventure much in the vein of the early crime serials of Feuillade and others. Two agents from different sides are working in a circus, one - the Schwarze Natter (Black Adder)- as a dancer, the other as a horseback artist. The Schwarze Natter is informed that the other is receiving information by one of the visitors this night, who is also in love with her. She is trying to get him and the information herself, making it look like the other side has her finger in this incident. But an officer of the local police had an eye on them, because some things happening before made him suspicious and starts playing his little game. Suddenly left a legacy of 500 pounds, Rachel Higgins, maid-of-all-work in the Palfrey household, desires to become a "lady". Helped by Madame Recamier, a modiste who pities her, Rachel, perfectly gowned, manicured and versed in the art of deportment, applies to Lady Muriel Tahourdin for instruction but is scornfully told: "You have the soul of a servant and can never have that of a lady." Madame Recamier's mannequin advises her to set her cap at men, because, she says, "men won't worry about a woman's soul if her complexion and dress are right." Rachel meets Seward Pendyne, younger son of a Cornish baronet, who falls in love with her and whom she subsequently marries without revealing her real name or humble origin. This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'. Written by Sujit R. Varma Etat-Unis - 1916 - 73’ 公元(🔀)300年前后，吐(tǔ(😽) )谷浑部(bù )落(✍)公主(zhǔ )可鲁(🤡)克(kè )与家奴(🗂)托素相恋，却(💥)(què )遭到(〰)部(bù )落首领(👍)(lǐng )的强烈反(🚣)对，托素为(wé(🧕)i )了追求(qiú )自(🤟)己的(de )爱情，只(🚪)身涉险去西(🍌)(xī )凉，可(kě )鲁(👱)克亦(yì )追随(🥜)而去，历尽万(👟)般(bān )艰辛和(💓)(hé )磨难，最终(🔪)感动天地汇(🈵)聚成(chéng )两片(🛡)湖(hú )水。