北(🎀)(běi )京青年章(zhāng )小(🕖)鱼从(➡)小父母(mǔ )离异，被(💊)爷爷(🌸)和(hé )叔叔抚养长(🛑)大(dà )，他对(duì )亲情、爱(🏋)(ài )情、友情(🕖)的定(dìng )义(🍪)模糊(hú )不定(🥒)，一(yī )直迷(🚋)失在这(♌)都(dō(🍴)u )市当中。在好友(yǒ(🚐)u )的帮(🛳)助下，他(tā )学会了(🛋)主动(🛏)寻求(qiú )自己(jǐ )的(😗)爱情。
n Katherine Jerkovic’s enthralling debut feature, a young woman struggles to rekindle her relationship with her paternal grandmother and her home country while mourning the death of her father.
MAMMA + MAMMA is the story of two women who love each other and of their desire to have a child together. Karole and Ali still don't know that the enthusiasm of this first attempt will be followed by many vicissitudes, but when the desire becomes stronger than the pain and fatigue, miracles can happen.
When a bus breaks down in a desert road surrounded by woods, the passenger Stacia decides to walk ahead 20 km to a motel. The travelers Birdy and Danny get a lift with the deranged serial-killer truck driver Jim Wheeler to return to a dinning place and are killed. The paranoid Marie and her husband stay in the bus with the driver waiting for help. When the sadistic serial-killer hitchhiker Walker comes to the bus, he kills the trio. Later in the motel, Stacia is disputed by the two psychopaths.
Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.
也許我們都像(🐳)窗台(tái )那盆多肉(ròu )植(🐧)物一樣，渴望(🔟)著陽(yáng )光(💻)。
青红(hóng )两帮(😭)为了各自(💍)争夺地(⤴)(dì )盘(👎)，厮杀(shā )不断。黑狼(🐩)是(shì(😼) )个职业(yè )杀手，干(📆)(gàn )这(🐘)一行从没失(shī )过(🛌)手。青帮老大(dà )何华生(🍧)花一万(wàn )大(🐩)洋雇(gù )佣(🏿)黑狼刺(cì )杀(🌾)自己的竞(🌁)争(zhēng )对(😝)手、(🐱)红帮老大(dà )管荣(🚡)礼，黑(🎆)狼(láng )经过一番精(💀)密的(🖋)(de )计划，黑狼一(yī )枪(🧞)杀了自以为是(shì )管荣(⏳)(róng )礼的何华(huá )生，又在(⚡)懊恼中(zhōng )杀(🥛)死(sǐ )了自(🍑)己的(de )女(🔣)友紫(🍧)冰，但是他万(wàn )万(👒)没想(🔼)到(dào )雇用自己的(🎣)刺杀(♑)管荣(róng )礼的正是(👆)(shì )管(🐒)荣礼花钱雇(gù )的(😕)替身(shēn )，管荣礼(lǐ )玩了(📣)一个碟中(zhō(👏)ng )谍轻而(é(🕙)r )易举的把(bǎ(👑) )自己的对(🌃)手何(hé(🎃) )华生(🏡)干(gàn )掉，就在(zài )他(🤕)自以(📊)为可以(yǐ )只手遮(🥦)(zhē )天(🐱)的时候(hòu )，管荣礼(🐵)万万(wàn )没有想到，自己(🗾)(jǐ )的碟中谍却中(zhōng )了(✡)黑狼的反间(⏱)计(jì )，自(zì(🔽) )己雇佣(🈳)的(de )杀(🤹)手冷心在杀了(le )黑(💻)狼(lá(🌁)ng )之后给自(zì )己带(🎍)来一(🐕)封信，管荣(róng )礼看(🌓)完信(xìn )之后被冷心用(⏱)同样的(de )方式杀害(hài )！一(🐃)连串的厮(sī(🏋) )杀设局(jú(🔁) )，终逃不(bú )过(🆖)伍士德正(🥑)义(yì )慧(🥣)眼