在一个(🏛)阳光明媚的(🤴)日子(zǐ )里(🌮)，五(wǔ )大国(guó(🤥) )最强的(de )火之(😩)国木叶村举(💅)行了运(yù(🗺)n )动会，据说(shuō(🌖) )获胜者(zhě )将(🎙)获得前往琉球度假的(🏦)(de )机会。漩涡(wō(🐎) )鸣人（竹内(🆎)顺子 配音(🍵)）、小樱(yī(🤓)ng )（中村(cūn )千(🎬)绘(huì ) 配音）(🏻)和宇智波(🧜)佐助（杉山(🧥)纪(jì )彰 配(pè(⤵)i )音(yīn )）组(zǔ )成一组，他(🖕)们摩拳擦掌(🦁)，志在(zài )必得(➖)(dé )。谁知(zhī )就在比赛开(👆)始前，鸣人(ré(🍈)n )突然感(gǎn )到(🌞)腹(fù )中疼(🔱)痛(tòng )，他连忙(☔)离开会场跑(🏉)去(qù )厕所，而(🖥)男(nán )厕所(📷)门(mén )口前居(💬)然排起了长(🌶)龙，他没有(yǒu )办法(fǎ )只(🏧)能硬(yìng )憋着(🥞)返回会场，如(⭕)此折(shé )磨(📆)的情(qíng )况下(💔)(xià )比赛效果(💁)自然好不到(📢)哪去。总(zǒ(✈)ng )算混下(xià )来(🤩)第(dì )一场，鸣(🍣)人再度跑去厕所，偏(piā(😮)n )偏此时(shí )男(🌆)厕(cè )在打扫(📧)卫生，鸣人(🎯)走投无路，想(〰)溜(liū )进(jìn )女(🌞)厕(cè )所，关键(🥐)时刻又被(🍈)雏田(tián )叫住(🎸)。
影片(piàn )的主(🈁)角(jiǎo )叫做卢克·奇瑟(🍈)莫，他(tā )是一(🍘)个(gè )年轻(qī(🎞)ng )的、很(hěn )有天赋的高(🐩)尔夫球手，正(🏊)准备(bèi )参加(👭)(jiā )自己的(🌺)(de )职业巡回赛(🌑)。可是，他(tā )在(😵)比赛(sài )中的(📆)(de )表现却不(💱)尽如人意，搞(🆓)砸了一(yī )切(⏩)，甚(shèn )至让(ràng )自己成为(🚊)了笑柄。为了(🖋)逃离压(yā )力(😷)，他(tā )来到(🕋)(dào )了德克萨(🤤)斯州的乌托(✋)邦，这里(lǐ )有(🗞)一(yī )片(pià(🚛)n )高尔(ěr )夫球(🍩)场。他心无旁(🐾)骛地在这里(lǐ )挥杆(gǎ(🍊)n )击球，他的水(🏽)准让他自己(😧)都大(dà )吃一惊(jīng )。
Six college kids on their way to Spring Break have car trouble in the middle of the desert. Then, as the sun goes down and they try to walk to the next town, they begin to be brutally murdered one by one by a mysterious figure who is shadowing their movements in the dark.
A female teacher begins an ambiguous relationship with a student, an agnostic teenager is « called »(💜) by God, a photographer offers herself to a stranger : do we choose to love, do we choose to be loved ?
A female teacher begins an ambiguous relationship with a student, an agnostic teenager is « called » by God, a photographer offers herself to a stranger : do we choose to love, do we choose to be loved ?
A cry in the dark explores universal themes of love, loss, grief, healing and redemption through a unique lens. This story takes you on the journey of a young girls inability to cope with a tragic event which leaves her delusional and dangerous. The concept behind this film explores our social construction of the spiritual versus psychological debate. Are some people's convictions that they can see spirits true, or are their visions products of a psychologically fragmented, delusional mind, damaged in some way as others may counter. The director explores this debate and leaves that answer up to the audience to decide for themselves. Written by Anonymous