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根(🌃)据(😩)邵冲飞、朱漪、王正、林克欢原著(🐛)改(🍩)编(😕)。 剧(🚔)情主(zhǔ )要描写(xiě )日本占(zhàn )据台湾(wā(🧟)n )时(🦖)期(🚈)，自小被卖身到别家作养女的秋莲和(🕙)青(😐)年(😧)顺兴相恋，但少女自卖身(shēn )为养女(nǚ(👲) )的(🐔)那(👌)一(🌬)(yī )刻，即(jí )已丧失(shī )了人权和地位，在(🕦)这(🐜)种(⛴)不(🔣)合人性的封建桎梏下，他们的命运只(🆔)能(🍌)(né(💘)ng )走向悲(bēi )剧结局(jú )。 招积(jī )仔与大(dà(❇) )眼(💕)是(🏟)一(🤾)对欢喜冤家，终日无所事事，靠骗钱为(🍣)生(😖)。一(🔱)日(🎚)，两人在(zài )路上遇(yù )到一个(gè )受重伤(🦍)(shā(📼)ng )的(⏱)人，他向两人透露在芝麻镇里被困狱(👇)中(➖)的(🤟)吴争气得知一批价值连城珠宝的所(⚫)(suǒ(⏫) )在(🍂)。两(🐣)(liǎng )人于是(shì )前往芝(zhī ) For some strange reason I have now sat through practically all of these 70's cheerleader movies. Only The Swinging Cheerleaders (directed by Jack Hill) is a drive-in classic, but Satan's Cheerleaders comes close. The Cheerleaders (1972)is truly awful but it does deliver on the softcore sleaze. The Revenge of the Cheerleaders features the disturbing images of a very pregnant Rainbeaux Smith and a not-so-pregnant David Hasselhoff cavorting around in the nude. The Pom-Pom Girls is surprisingly innocent and realistic and might have appealed more to actual 70's teenagers than horny middle-aged men. The Cheerleader's Wild Weekend is forgettable (at least, I've forgotten it). Then there's this movie, which is probably the most obscure of the cycle. The plot resembles that of the original The Cheerleaders where our nubile heroines attempt to "wear out" the opposing team before the big game, except that it's set on the beach (where's Jaws when you need him?) It might be the worst of 70's cheerleader exploitation flicks, but at least it's better than Bring It On. 本片是(shì )“安托万(😜)系(🥨)列(🦀)”的最后一部，特吕弗有选择地插放了(🔹)安(🛵)托(✌)万（让(ràng )-皮埃尔(ěr )·李奥(ào ) Jean-Pierre Léaud 饰）(🌑)一(🚣)路(🧥)成(🍫)(chéng )长的点滴。安托万三十而立时，职业(😫)上(🧥)，成(😾)功(🗯)进入一家印刷厂，成为一(yī )名作家(jiā(🦇) )，出(✳)版(🕹)(bǎn )了自传(chuán )体小说；婚姻上，与克里(🛁)斯(🖊)汀(🎴)（克劳迪·贾德 Claude Jade 饰 ）的缘分走到尽(🚓)头(❌)，但(😹)(dà(🐏)n )两人离(lí )婚后亦(yì )是朋友(yǒu )，在两(liǎng )人(🔱)办(🏽)完(🥂)离婚手续，共同回忆过去一幕幕的甜(🏖)蜜(🙎)往(🧥)事时，仍会心生(shēng )美滋滋(zī )。 Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep. 排骨(gǔ )才(🚔)(韩(🎥)国(🗨)(guó(💘) )才饰)任(rèn )职小巴司机，因家境贫困日(🏟)夜(🧖)加(🍓)班(🏸)，玫精神不足。小巴总站被芋(yù )黑帮控(😰)(kò(🈵)ng )制(💞)经营(yíng )白粉，才误听(tīng )道友奇为他打(👏)捕(💰)针(📪)，及(🐈)后始发现奇为其注射的乃白粉针(🚂)，才(📚)痛(😥)悔(👛)不已。王忠汉(hàn )(猛丁哥(gē )饰)与周(zhōu )小娟(📟)(周(🔩)丽(😯)娟饰)同属军装警员，在木屋村巡视，经(💺)才(🍗)家(🌆)，见毒引发作手持(chí )白粉，拘捕才(cái )，才(💙)及(🐗)(jí(😃) )妻(🤭)衰求(qiú )并愿作线人。汉与娟戚才提供(🖥)线(📞)索(☕)，得(🖥)破白粉机关。未几，黑帮(bāng )头子林(lín )祺(😣)(郑(🌼)麒(👯)(qí )膺饰)施(shī )计下毒(dú )，汉毒发身亡…(🆕)…(🌮) For some strange reason I have now sat through practically all of these 70's cheerleader movies. Only The Swinging Cheerleaders (directed by Jack Hill) is a drive-in classic, but Satan's Cheerleaders comes close. The Cheerleaders (1972)is truly awful but it does deliver on the softcore sleaze. The Revenge of the Cheerleaders features the disturbing images of a very pregnant Rainbeaux Smith and a not-so-pregnant David Hasselhoff cavorting around in the nude. The Pom-Pom Girls is surprisingly innocent and realistic and might have appealed more to actual 70's teenagers than horny middle-aged men. The Cheerleader's Wild Weekend is forgettable (at least, I've forgotten it). Then there's this movie, which is probably the most obscure of the cycle. The plot resembles that of the original The Cheerleaders where our nubile heroines attempt to "wear out" the opposing team before the big game, except that it's set on the beach (where's Jaws when you need him?) It might be the worst of 70's cheerleader exploitation flicks, but at least it's better than Bring It On.