名侦探柯南674

Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era. The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is taken by a great Ape, Kala. Later the boy finds his father's knife and uses it to become King of Apes. Binns, the sailor who saved the Claytons and who has been held by Arab slavers for ten years, finds the young Tarzan and then heads for England to notify his kin. A scientist arrives to check out Binns' story. Tarzan, now a man, kills the native who killed Kala; when their chief is killed the black villagers appease Tarzan with gifts and prayers. The scientist's daughter Jane is carried off by a native, rescued by Tarzan (who has burnt the native village), aggressively loved by him ("Tarzan is a man, and men do not force the love of women"), and at last accepts him with open arms. A stern indictment of the shabby ways in which society treats it recovering ex-criminal class, Die Verrufenene follows the saga of an engineer recently sprung from prison as he attempts to rebuild his life. Having served out his three-year sentence, Robert Kramer embarks on getting back to work and living a clean, honest life. He finds that getting back into society is more difficult than he bargained for, however, when he is shunned by his father and the wealthy family of his ex-fiancee, Gerda. Scraping by in the city slum, working for an indifferent rag maker who prefers to pay in booze over cash, the dejected Robert decides to end it all. He's saved, however, by a kind-hearted prostitute named Emma, who shelters the man in the modest apartment she shares with her ne'er-do-well brother, Gustav. Eventually, Robert starts to patch his life back together through the help of Emma (who becomes enamoured with Robert) and a generous old photographer who employs him as an assistant. His world gets upended once again, however, when Gustav is implicated in the murder of one of Emma's clients. A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com 书生何梦霞诮(💵)秦(qín )石疾之邀(👑)，就(jiù )任石湖小(🍉)学教师，便中造(🖥)访(fǎng )旧(jiù )戚崔(👔)元礼。崔的孙子(🗻)鹏(🕺)郎(láng )自(zì )幼丧(🐰)父，崔元(yuán )礼请(🌖)梦霞做(zuò )鹏(pé(🎚)ng )郎的家庭教师(🏌)梦霞应允。鹏(pé(🌭)ng )郎(láng )聪明努力(🐒)，经常把教师如何(hé )教导自己告(🤷)(gào )诉(sù )母亲梨(⛪)娘。梨娘年轻守(📘)寡，全部希望都(🆓)(dōu )寄(jì )托(tuō )在(🎦)鹏郎身上(shàng )，见鹏郎在梦霞(xiá )教(🐁)导下进步(bù )很(👚)(hěn )大，对梦霞(xiá(👲) )十分感激。一日(🐏)(rì )，梨娘在花(huā(🔶) )园(yuán )里见到被(💟)风吹落的梨花(🍔)，暗(🆚)(àn )自(zì )感伤，与(🌔)葬(zàng )花的梦霞(😬)相遇(yù )，二人相(🤳)识，日(rì )久生情(🥨)，梦(mèng )霞(xiá )向梨(💉)娘求婚，梨娘以(🐔)自己身(shēn )为(wéi )未亡人而拒(jù )绝(💮)，梦霞告以非(fē(📑)i )梨娘则终身(shē(♊)n )不(bú )娶，梨娘恐(💡)(kǒng )为此贻误梦(➡)霞一(yī )生，决心投(tóu )江(jiāng )一(yī )死(💘)以表心迹(jì )，不(🐷)料被鹏郎半(bà(🧑)n )夜醒来发觉(jià(🛬)o )，母子二人抱(bà(📗)o )头痛哭，梨娘从(⏩)(cóng )此绝了自杀(🕺)(shā(⚓) )的(de )念头，致柬梦(📰)霞，请他移请(qǐ(💺)ng )于(yú )小姑筠倩(🌠)，梦霞恐梨娘轻(🧤)(qīng )生(shēng )，故允之(📥)。筠(jun1 )倩在女塾读(⛴)(dú )书(shū )，假期归来，与嫂子相敬相(🦅)(xiàng )爱(ài )，石湖小(🙄)学(xué )英文教员(🐊)李先生(shēng )向她(🦂)求婚，她(tā )未同(💢)意，后(hòu )又有邻人富翁方(fāng )德富(🍑)为其子(zǐ )大(dà(🌮) )元(yuán )求婚，被崔(🏐)(cuī )翁拒绝，崔翁(🔮)与(yǔ )梨娘商量(🔧)，梨(lí )娘推荐梦(🔘)霞(xiá )，筠倩本无(🌡)意(🤫)于(yú )梦霞，但恪(🍶)(kè )于(yú )老父寡(🍁)嫂之命，未便回(🏷)绝，勉(miǎn )强成婚(🛀)，夫(fū )妇二人绝(🦈)无感(gǎn )情(qíng )。梨(🧖)娘觉察后(hòu )自知铸成大(dà )错(cuò(🔡) )，既负梦霞，又误(😖)筠倩，情(qíng )悔(huǐ(🌄) )交加，恹恹(yān )成(🔶)病。梦霞婚后(hò(🍥)u )郁郁寡欢，闻(wén )蒙古之役，投笔从(🥥)戎，筠倩(qiàn )也鼓(🧞)励他从(cóng )军(jun1 )。秦(😨)石痴本是(shì )军(😜)人，此刻解散(sà(⚾)n )学校鼓动师(shī(🛥) )生(shēng )从军。梦霞(🚸)(xiá(🎛) )离去后，梨娘的(🚰)(de )病与日俱重(chó(🕠)ng )，终于不治，临终(🔭)遗书二封交(jiā(⛱)o )鹏(péng )郎，一致梦(🔺)(mèng )霞，一致筠倩(🥠)(qiàn )。筠倩阅后，方(fāng )知寡嫂为自(zì(🦐) )己(jǐ )而死，便把(🧖)感激梨娘之情(➗)，倾(qīng )注于鹏郎(🛩)身(shēn )上，于是带(👀)鹏郎(láng )到战地看望(wàng )梦(mèng )霞。梦(🏿)霞负(fù )伤住在(🍣)医院，见(jiàn )到鹏(💓)郎悲喜(xǐ )交(jiā(🧐)o )集(jí )，读罢遗书(🎬)(shū )后痛不可忍(🌘)。念(niàn )筠倩对梨(😭)娘(🏿)(niáng )托(tuō )孤之忠(🗨)，以(yǐ )一个弱女(🤐)子长途(tú )跋涉(🅱)看望自(zì )己(jǐ(🏜) )，敬爱之心油然(🦔)而起。筠倩(qiàn )见(jiàn )梦霞受伤，足见其爱国心(xīn )之(👿)(zhī )诚，是一个好(💀)(hǎo )男儿，不禁(jì(🤪)n )心(xīn )生敬爱。至(🧥)此，这对曾经貌(mào )合(hé )神离的夫妻(qī )心心相印(❕)，成为(wéi )恩爱夫(🐧)妻。 A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com The poet Dante is lost in a dark and gloomy wood. At the summit of a mountain he sees the light of salvation. He endeavors to ascend to it, but his way is barred by three wild beasts, symbolizing Avarice, Pride and Lust. Beatrice sees his predicament and descends from Paradise into Limbo, where she asks the poet Virgil to rescue and guide Dante. Virgil knows another way to go, but this leads straight through the entire Inferno, before it continues towards Paradise. Virgil leads Dante to the portals of Inferno. Charon ferries them over the river Acheron, and then they start their journey downwards through the different circles of Inferno. Dante meets all kind of sinners and sees the never-ending punishments they have to undergo. The various punishments are adjusted to the different transgressions. Among the sinners Dante recognizes many persons he has met in Florence, when they were still alive. They tell him their sad stories and why they have ended here. At last Dante and Virgil ... 本(běn )片又译(🏠)作《党同伐异》，是(🎨)(shì )D．W．格里菲(🐷)(fēi )思(sī )最(zuì )具(📌)创作野心(xīn )的作(💺)品。由于受(shòu )到(😺)《国家的(de )诞(dàn )生(👹)》惊人卖(mài )座的(🚐)影响，格里(lǐ )菲(💁)思遂再接(jiē )再(🥘)(zài )励拍摄一部场面更大，内容(róng )更(gèng )有深度的(🐟)影(yǐng )片。他花了(🤐)一(yī )年(nián )半的(🚩)时间，动(dòng )用了(😷)二百万(wàn )美(měi )元的制作费，拍摄成片长220分(fèn )的(🛡)(de )巨片（原版(bǎ(😺)n )长480分）。可惜本(🕖)(běn )片在1916年9月于(😦)(yú )纽(niǔ )约公映(😑)时，并没有受到(👝)预期(qī )的欢迎。本(🐰)片(piàn )所(suǒ )以卖(💉)座失败(bài )，原因(🧦)很多，最(zuì )主要(😷)是格里(lǐ )菲(fē(🔃)i )思在本片所(suǒ(🕹) )采用的故事结构(gòu )太复杂，导(dǎo )演(yǎn )手法已超(👮)越当时观众的(🔹)接受(shòu )能(néng )力(🚜)。加上主(zhǔ )题过(🦀)于严肃，其(qí )中提倡的宽容(róng )和反对暴力(lì )的(🚭)(de )论调跟当时美(🗃)国的高昂参战(🥊)(zhàn )情(qíng )绪引起(🥔)冲突(tū )，因此未(❗)能受到(dào )普遍(🐽)欢迎。不(bú )过，人们(🛒)却(què )不能否认(🎂)这是一(yī )部电(🏇)影艺术上(shàng )的(🕵)(de )不朽杰作。《忍无(🈚)可忍》由(yóu )四段(🎅)不同时(shí )代(dài )发生的故事(shì )组成：巴比伦的(🚲)(de )没落、耶稣(sū(🚐) )基(jī )督的受难(🧜)、法国的圣巴(🥓)托罗(luó )米(mǐ )宗教大屠杀(shā )，以及二十世(shì )纪(jì(✅) )初美国的劳资(🐬)(zī )冲突。格氏(shì(💼) )描(miáo )述他自己(🍹)的构想：“四个(🚔)大(dà )循(xún )环故(🏯)事好象(xiàng )四条河(🌿)流，最初(chū )是分(📟)散而平(píng )静(jì(🕞)ng )地流动着，最后(🌍)却汇合成一(yī(🦄) )条强大汹涌的(😓)(de )急(jí )流"。本片一(yī )开始，是一个母(mǔ )亲推摇篮的(⏳)(de )镜(jìng )头，插入惠(🎮)(huì )特曼的诗句(😺)：“如今如同昨(🆒)(zuó )日(rì )，世间的人情变化循环无穷(qióng )。摇篮摇动(👾)着(zhe )，为人类带来(❔)(lái )同(tóng )样的激(🏿)情，同(tóng )样的优(🤮)乐悲(bēi )欢(huān )。"这(🦍)字幕之后，展开(🎗)第一个(gè )作(zuò )为(🐎)全片基调(diào )的(👻)现代篇故事。随(🎁)着剧情的(de )进(jì(🎗)n )展，导演经(jīng )常(🕙)切入另外三段(🏹)(duàn )故事，成为四(sì )段(duàn )平行发展。最后，画面仍回(🛩)(huí )到母亲和摇(🎮)(yáo )篮(lán )，呈现出(👞)“人类从不容异(🎑)已(yǐ )到宽容的进(jìn )化(huà )"的主题。作为故事核心(🅿)的现(xiàn )代(dài )篇(😓)“母与法(fǎ )"，内容(🍳)描述四(sì )个(gè(🎄) )失业的男女工(🛳)(gōng )人从小镇来(📙)(lái )到(dào )都市中找(🔜)工作，有人误入(⏺)歧(qí )途(tú )，有人(💾)渴望(wàng )过正常(🍦)的家庭生(shēng )活(🍰)。正派的(de )男(nán )主(⌛)角被诬陷(xiàn )为杀人凶手，被(bèi )捕后判处死刑(xí(🏞)ng )。行刑之日，真凶(🛳)良心发现，在最(🛰)危险的(de )一(yī )刻(🥋)将男主角(jiǎo )救了出来。从这(zhè )个故事中，可(kě )以(👬)看出二十世纪(🌅)初期美国的(de )一(🔽)(yī )般社会状况(👥)(kuàng )：农村不安(🍂)定(dìng )，都市阴暗(🖋)而复(fù )杂、劳工(🚋)生(shēng )活(huó )困苦(⛔)、法律问题重(🤳)重等。格(gé )里(lǐ(📊) )菲思在本片(pià(🕞)n )中进一步表演(👶)他在“平行剪(jiǎn )接(jiē )"方面的杰出(chū )才能。他利用(❤)四(sì )段故事中(🦇)的类(lèi )似情景(🌠)作比较(jiào )剪接(🐄)，使分散的情节显得统(tǒng )一(yī )有力，并因(yīn )类似(🔏)镜头的多次(cì(🏡) )重复而使剧(jù(🤤) )情(qíng )产生出热(🥩)情奔放的情绪(🌃)高潮(cháo )。譬如有(😣)一段(duàn )镜(jìng )头是(🤲)这样剪(jiǎn )接的(🎗)：一、耶稣(sū(📞) )基督被士兵(bī(👝)ng )押(yā )着前进；(🥒)二、巴比伦的(📴)村女(nǚ )向情侣奔告国(guó )王的危急；三、现代(🚍)的少女(nǚ )拚(pī(🔮)n )命为救她的(de )爱(🥋)人而奔走；四(✡)(sì )、在巴黎大屠(tú )杀中，新教徒(tú )企图在群众(♏)骚乱的街道上(🗣)援(yuán )救(jiù )未婚(🈁)妻。格(gé )氏利用(😚)移动摄影(yǐng )、(📅)镜头、划(huá )过(🍽)(guò )镜头等技巧连(📲)接四段平行发(🎒)(fā )展的情节，节(📧)(jiē )奏(zòu )紧凑流(🍒)畅。格氏甚至在(😶)个别(bié )的故事(🔒)片段(duàn )中(zhōng )使用短短的倒叙技巧（FLAXHBACK）来(lái )交(🛍)代情节，显(xiǎn )见(😂)他的“电影文法(🏢)"的确比同(tóng )时(🌜)(shí )代的导演高(gāo )出很多。除此之(zhī )外，格氏在本(🌺)(běn )片中亦首创(👄)“大特写"和“大远(😫)景"的镜头，以(yǐ(🏽) )加强观众的(de )心(💨)理感觉（如：(⚡)特写女人紧(jǐn )握(🔑)(wò )的手，表现她(📫)在听到丈夫判(㊗)(pàn )死刑的消息(👀)时(shí )的(de )焦急；(🎵)以大(dà )远景拍(🎲)摄资本家(jiā )独坐办公室(shì )中(zhōng )，暗示他庞大的(🌫)支配权力）。他(🧟)又利用影(yǐng )片(🐟)染色的方法来(🔛)加强各种特(tè )殊(shū )效果（如夜(yè )景用染青色(⛔)的影(yǐng )片、点(⏮)灯的房(fáng )内用(⛏)染黄色的(de )影片(🈴)、巴比伦城火(🗳)烧时用染(rǎn )红(📬)(hóng )色的影片）。这(🥠)种影片染色(sè(🐶) )方法虽非格(gé(✋) )氏(shì )首创，但却(🏮)没有人像他这(👇)样(yàng )在一部电(🚐)影片(piàn )中(zhōng )大胆的全面(miàn )采用。令人惊异(yì )的(🏌)是，这样(yàng )一(yī(🐷) )部内容复杂的(🛶)大制作竟然由(🏫)(yóu )始至终没有一(yī )个完整的剧本，而只是靠格(🔫)(gé )里(lǐ )菲斯的(💱)临场(chǎng )即兴创(🌦)作而成。此外，本(🚵)片也(yě )没有任(🔦)何布景(jǐng )的设(🎧)计图，但格氏却能(🧢)够命(mìng )人(rén )搭(😾)盖出宏伟(wěi )得(🚏)哧人的巴比伦(🔖)(lún )布景。在拍(pā(🤜)i )摄(shè )巴比伦攻(🚡)耶路撒冷的场面时(shí )，更在一天之(zhī )内(nèi )同时(🖥)动用一(yī )万五(🧒)千名临时演(yǎ(🚳)n )员和二百五(wǔ(🐎) )十(shí )辆战车。他这种大手笔使得(dé )当时意大利(🎦)出(chū )品的历史(🕠)巨片也瞠乎其(🚠)后，由(yóu )此也可(🛋)以看(kàn )出格氏(😦)对自己的(de )创作(👖)能力如何(hé )自信(🐅)。或许正(zhèng )如格(❄)氏自己的格言(🖋)所说：“艺(yì )术(🛄)经常都是(shì )革(🚠)命性的、爆炸(🆚)(zhà )性的，以及(jí )轰(hōng )轰烈烈的"。看《忍无可忍》一片(🏚)幕前幕后(hòu )的(📌)(de )表现，可知(zhī )格(🥜)里菲思的确是(🕚)(shì )一个身体力(lì )行(háng )的艺术家。 Walt Disney's 7th and last retelling of an old British fairytale from the Laugh-O-Gram Studio. Jack is trying to impress Susie by showing her a story how he will win her heart.