年轻的(🍆)女孩没有学(xué )过烹(😧)饪(🌥)，却做得一手(shǒu )好(hǎ(🌦)o )菜(🤓)，用料(🔖)上(shàng )创意十(shí )足(zú )。一(🌽)次(🏉)大胆(dǎn )自荐，她(tā )开(🍷)始在一位(wèi )有名厨(🎚)(chú(🕋) )师(shī )开的店里做(zuò(💓) )办(🔫)公室助(zhù )理，并结识(shí(😃) )了帅(🦔)气(🎠)的(de )执行主厨。一次意(🏉)外(wài )后，两人都(dōu )被(🐿)炒(👣)了鱿(yóu )鱼。女孩想(xiǎ(😢)ng )成(🕚)为厨师的梦想，该(gā(🛍)i )何(🍫)去何(⏺)从(🧚)呢？
期望不(bú )受束(🆖)縛自由(yóu )自在生活(🌌)(huó(🥙) )的遙，與最好的夥伴(😙)(bà(🖇)n )們迎來高中最後的(🏙)夏(👋)(xià )天(🔁)。因為看不到畢業(yè )後(🍕)(hòu )的將來而感(gǎn )到迷(🕝)茫(máng )，無法集中精(jī(⛎)ng )神(😥)，繼(jì )而(ér )與擔心他(🌰)的(🅱)(de )真琴等(děng )人(rén )爭吵起(👂)來。和(🛶)這(💌)群無(wú )可取代的同(㊙)(tóng )伴們有着(zhe )深厚牽(🔷)絆(🛤)的(de )遙，想去(qù )的未來(😴)究(👁)竟(jìng )在哪裡呢(ne )？
期望(🙁)不受(🏦)(shò(💵)u )束縛自由自在生活(🎬)的(de )遙，與最好的夥伴(🚄)們(🚚)(men )迎來高中最(zuì )後的(🚣)夏(🐖)天(tiān )。因為看不到畢(🌒)業(🚸)後(hò(✋)u )的將來而感到迷茫，無(🐥)法集中精神，繼而(ér )與(🐿)(yǔ )擔心他的真(zhēn )琴(🔎)等(🙊)人(rén )爭(zhēng )吵起來。和(⚪)(hé(🍰) )這群無(wú )可(kě )取代的同伴(🐜)(bà(👎)n )們有着(zhe )深(shēn )厚牽絆(🥋)的遙(yáo )，想去的(de )未來(🍙)究(👲)竟在(zài )哪裡呢？
In upstate New York, two teenage boys are tasked with cleaning out their father's old mobile home on an abandoned property, but the boys are in for a surprise when they discover three crooks on the run have taken refuge in the trailer.
神(🏤)奇(🅾)女侠创(chuàng )造者、著(zhe )名(🚣)心理(😏)学(📑)家(jiā )威廉·马斯顿(😓)博士是(shì )位拥有两(🏝)位(🤤)长期伴侣(lǚ )的BDSM爱好(👥)者(😪)，一位是同(tóng )为心理(🚫)学(🔨)家的(🆙)妻子，另一位是他从前(🌛)的学(xué )生。三人关系和(🗳)睦，甚至在他去世后(😏)，两(♈)(liǎng )位(wèi )女性还在一(🤢)(yī(👎) )块抚养(yǎng )孩(hái )子。
An emotionally gripping family action drama about a mother who will do whatever it takes to save her family.
时值江(jiā(🚜)ng )户(🈸)后期(qī )，有一个被极(🗡)(jí )其暴虐的(de )盗贼们(🤴)称(🥗)为(wéi )“鬼”并(bìng )畏惧着(🌄)的(📇)男(nán )人。这个(gè )人正是(⭕)“鬼(guǐ(🔼) )之(🛃)平藏”火付盗贼改(gǎ(🤝)i )方·长谷川平藏。火(💔)(huǒ(🐝) )付盗贼改方，是特别(🦂)(bié(🤵) )警察的一种，不仅负(♋)(fù(🖨) )责取(🎴)缔江户市内外的(de )犯罪(🎃)，还能去他国抓(zhuā )捕犯(🏯)罪者，是一个机(jī )动(📖)(dò(🦖)ng )性很高的组织。然(rá(🛤)n )而(🎀)(ér )平藏并不是(shì )个只忠(zhō(🍫)ng )于(💌)(yú )职务的顽固(gù )男(🍬)人，有(yǒu )时也会对犯(🔞)(fà(🤪)n )罪者手下(xià )留情。平(🍬)藏(🥒)(cáng )绝不容许(xǔ )的，是非(➡)人(ré(🍷)n )道(📉)。《盗(dào )贼三项》——不(🈳)杀人(rén )，不奸污妇(fù(👂) )女(🔙)，不偷盗要倒闭的(de )店(📝)—(🕉)—一旦违反这三(sā(🎒)n )条(😉)，背弃(✨)人道的人则(zé )决不饶(⛽)恕。
Two friends hit the road to Buenos Aires aboard an orange Opala 72, with a mission: be with as many women as possible. This is all a plan to wash the honor of "Caco", a man who found his girlfriend in bed with an Argentine.
For her rst television lm – a remake of Fassbind- er’s Die bi eren Tränen der Petra von Kant – direc- tor Vera wants the perfect cast. But the rst day of shoo ng is fast approaching and the numerous cas ng sessions have yet to nd a suitable actress to play the leading role. Although the producer and crew are ge ng ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audi on reader, delivering the lines of dialogue to the starry candidates at the various cas ngs. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance. Director Nicolas Wackerbarth captures the complex essence of Fassbinder’s lm and simultaneously cre- ates a profound work of his own. Cas ng takes an un inching look at the murky depths of human rela- onships driven by power, passion and despera on. Yet Wackerbarth also brings bi er truths to light about power rela ons and dependencies in the Ger- man television industry almost in passing. Cas ng is both intelligent and entertaining, marked by ex- ci ng turning points, humour and the breathtaking ac ng performances by a truly virtuoso ensemble.