经典恐怖片排行榜

香港(🌸)电影圈(💍)正逢(🗺)盗版猖(👏)獗，落魄导演(yǎn )陈(chén )果新(🍛)（曾志(🔍)伟饰(🐽)）、监(🙊)(jiān )制(zhì )徐屈（陈百祥饰(🤢)）、编(Ⓜ)剧谷(🌸)一昭（(🌸)张锦程(chéng )饰(shì )）、男演(🤢)员周松(😕)弛（(🤴)罗(luó )嘉(jiā )良(liáng )饰）、女演员朱(🍅)淇（关(⏺)秀媚(💗)饰）决心要拍(pāi )一(yī )部(bù )高水(💨)准的(👬)作(🈸)品来(🛹)打(dǎ )击(jī )盗(dào )版(bǎn )。可惜横在几(🍓)人面(🥪)前的就(📄)是钱这座大山。于(yú )是四(🤛)个男人(😨)只有(🧀)去找(zhǎ(🖕)o )鸭(yā )店(diàn )老(lǎo )板（雷宇(🖲)扬饰）(🔛)学习(🎋)做鸭的(💹)技巧去哄骗大(dà )腕(wàn )金(🏭)姐（罗(🛑)兰饰(📨)）的(de )腰(😠)(yāo )包(bāo )...... 改(gǎi )编自普契尼(🦄)伟大的(🔥)抒情(🦂)悲剧《蝴蝶夫人》，该(gāi )剧以日本为(🤱)背景，叙(🚧)(xù )述(⛱)(shù )女(nǚ )主人公小竹与外国军官(🚴)奥拉夫(🌋)顿结(🎄)婚后空(kōng )守(shǒu )闺房，等来的却是(😤)背(bè(🐅)i )弃(🥟)(qì )，小(🤖)(xiǎo )竹最后切腹自杀了结(👨)尘缘。 Louis Feuillade是(🗄)法国(🔵)无声片(😉)(piàn )时(shí )期最伟大的导演(♉).有些(xiē(🏇) )影(yǐ(👫)ng )评(píng )人(👣)甚至认为其成就高于同(🥠)时期的(⛽)格里(🕦)非斯.Tih Minh是(😆)(shì )Louis Feuillade成(chéng )就最高的电影之(💯)一(yī ),该(🐧)(gāi )片(👘)(piàn )被(bèi )美国影评人 This silent German film, which depicts events leading up to Danton's execution, is interesting in that all the characters get fair treatment-- NONE of them are likable. It focuses mostly on Danton, Camille Desmoulins, and Hérault-Séchelles, and the three women with whom they become involved. This leads to a few historical inaccuracies. Lucille is an aristocratic girl Camille happens to "find," and he marries her to protect her from the Revolution. She then promptly cheats on him with Danton, who is in love with her, much to the ire of his own wife, a mysterious "Julia." (His wife at the time was actually named Louise.) Meanwhile, Hérault-Séchelles has adopted a poor girl named Babette and made her over into an aristocrat. (There is a bath scene that rivals that of My Fair Lady. . . .) After his arrest, her old friends raid his house and find her. She promptly tears off her fancy dress and puts on her old clothes to be carried away victoriously by the people. Her only remorse seems to be leaving her shoes. And those six are the heroes. Louis Feuillade是(🗣)法国无(💱)声片(🤭)时期最(zuì )伟(wěi )大(dà )的导演.有些(🍻)影评人(🌛)(rén )甚(🍽)(shèn )至(zhì )认(rèn )为其成就高于同时(🗣)期的(😽)格(🚳)里非(⛓)斯.Tih Minh是Louis Feuillade成就最(zuì )高(gāo )的电影之一(〰),该片(⏹)被美(mě(🔐)i )国(guó )影(yǐng )评(píng )人 Within Our Gates is a 1920 silent race film that dramatically depicts the racial situation in America during the violent years of Jim Crow, the Klan, the Great Migration, and the emergence of the "New Negro." The story focuses on an African-American woman who goes North in an effort to help a minister in the Deep South raise money to keep a school open for poor Black children. Her romance with a black doctor eventually leads to revelations about her family's past that expose the racial skeletons in America's closet, most famously through the film's depiction of the injustice of lynching. Produced, written and directed by novelist Oscar Micheaux, it is the oldest known surviving film made by an African-American director. The film, which was written and directed by Micheaux, stars Evelyn Preer, Flo Clements, James D. Ruffin, Jack Chenault, William Smith and Charles D. Lucas. Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all. Mary Tudor, sister of England's Henry VIII, causes a stir by falling in love with a guardsman below her class.