凤凰网手机

"Free Hand for the Tough Cop" is another wildly exiting, gritty and remarkably plotted 70's Euro-Cult cinema highlight, with a structure that is delightfully convoluted, wicked dialogs & action situations that rank amongst Italy's finest! Personally, I would even state this film is as good as on par with the quality levels of Lenzi's most famous crime-thrillers, like "Almost Human" and "Violent Naples", but it's not as easily available as those two and therefore still a little under-appreciated. With the revival of European cult cinema lately, this film is destined to be released in a fancy DVD-edition any time soon, and I'm sure it'll get many new fans from that moment on. For those who can't wait for an English and/or internationally released version; the film is already available on a French label called Neo Publishing. The picture quality and sound are awesome, and the disc contains some fascinating extras, but you have to able to understand either the French or the Italian language. Sure, it's a simple trifle in film history, if even that, and seeing Sangue di sbirro today is at best mildly entertaining. For although made in the heyday of the Italian crime genre this one is no zenith. Dan Caputo (George Eastman of dubious Antropophagus-fame) arrives in New York to avenge the death of his father, a cop involved with the mafia. Dan clears up the murder (and kills what seem like some 30 people) with help of local mob boss Duke (Jack Palance) and then flies back to wherever he came from. Possibly there is a bit more to the story, but the script is so confused so there is little point in trying to describe the goings-on. Suffice to say there is a little romance, brief scenes childhood reminiscing, and a helluva lot of shoot outs. Some of which are quite exiting in a cheapo euro trash way. The highlight of the film is definitely the opening scene at the airport when Dan arrives during some sort of terrorist attack simply to shoot his way through it. All in all it's not a badly done revenge film technically, and it's clichéd in the best sense of the word, but it suffers from some seriously dragging scenes, and a poorly executed whodunit sub plot, which slows the whole thing down. Only recommended for the die-hard fan of Italian 70's crime films. Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees. A series of comic sketches revolving around the "mania" in people's deepest personality. In "The Elaboration", a hearse driver has his favorite hearse made out to perfection for his "clients". In "Sport" a bossy office supervisor loses a sports bet to co-workers and is forced to pimp out his wife, while one colleague decides to take advantage of it. In "Overtaking" a man tries to outrun a set of lights on a highway late at night... not realizing that it's an airplane. In "The Hobby" two best friends, Barbara and Carla, team up to find where one's husband is going to every weekend and being secretive about it. In "Advice" a bickering couple out for a drive bicker about one's well being which leads to a traffic accident. In "The Protest", Pasquale and Mario are two men who cannot seem to pass up every attempt to protest against the government from 1943 to present day 1964. In "The Antique", a couple travels to a remote monastery to shop for antiques and seek which ones to buy or leave. In "The Swear Word" Ilario Boietti is a writer who seeks advice about work for his latest book by consulting with a brash has-been author, who advices Boietti to embrace his wild side. In "The Strip-Tease" a lonely Lothario ventures to strip clubs in search of his true carnal pleasures. In "The Interviews", Micozzi is a government spin doctor who spins his tails to avoid the questions of government corruption. In "Hitchhiking", the thoughts of a off-duty policeman and a Sicilian hitchhiker whom he picks up, are displayed in this collision of cultures tale. In "Bill of Exchange" two couples, the Brugrolis and the Bonfanls, seek to out-spend the other in a war of wealth. In the final hilarious tale, "The Weekend", two thieves, Franco and Ciccio, break into a mansion to rob it thinking that the owners are out of town, only to have the unfaithful wife with her soldier lover, and the unfaithful husband with his foreign mistress, arrive wanting to spend time alone, and all parties try to avoid direct contact with the other. Jim's father wants to marry Eugenia, but her sister Netta refuses to allow it. When Jim sees Ann at a club, he falls for her even though she is with Lord Priory. He meets her the next day at the riding path, but she quickly loses him. He searches all over for her, not knowing that his father's hopeful fiancée is her Aunt. As his caricature work suffers as he searches, he is fired from his paper. But he makes a comeback with the comics 'Rags to Riches' which is based upon the Nett's. But this upsets the Nett's so much that they go back to New York, and he follows, being careful not to let them know that he is the one who draws the strip that parodies them. 重(chóng )案(🍲)组(🚢)探(tàn )长文方(⛱)（(😴)黎明 饰）自两月前妻子遇害后，脾(😐)气(📍)变得暴躁古怪，因(🧖)对犯人动粗经常(🏕)被(⚫)人投诉。一(yī(🍗) )桩(🗒)妓(⤴)女被杀(shā )案的调查过(guò )程中，文(👋)方(🤑)(fāng )认识了总区(qū )重案的高级(jí )督(😏)察(🔜)(chá )纪少群(qú(🐢)n )（(⚪)任(🤙)(rèn )贤齐 饰(shì )），并(🐌)派手(shǒu )下帮(bā(👎)ng )他(🐁)找回(huí )了被(bèi )偷走的手机(jī )。妓女(🏵)被(🚮)杀(shā )案调查与(🔰)一(🐨)(yī )宗枪(qiāng )火案交(🥨)(jiā(🔇)o )织在(zài )一起(⬛)，重(🎊)案(àn )组和调(diào )查枪(qiāng )火案的(de )分队(🏇)联(🍁)合行动，不料伏击(🥌)行动遭泄露，双方(👎)在(🛌)茶楼展开激(🏝)战(🤖)，文(🔃)方手下兄弟身受重伤，纪警官(guā(😄)n )也(💎)随后赶到(dào )，在协助追(zhuī )赶嫌犯途(🐰)中(💿)(zhōng )被嫌犯开(🔀)枪(🌬)(qiā(❌)ng )击中。妓女(nǚ )被杀(🍊)(shā )案嫌犯(fàn )初(📚)步(👢)(bù )锁定重(chóng )案组(zǔ )探员高(gāo )祥安(✔)(ā(🤤)n )（廖启(qǐ )志 饰(💒)(shì(😹) )），文方因(yīn )包庇(🔢)手(🖕)下被(bèi )停职(📜)。在(🧢)众(zhòng )多兄(xiōng )弟的协(xié )助下(xià )，重案(🅾)(à(🚼)n )组抓(zhuā )到高祥(xiá(🌜)ng )安口(kǒu )中的戴(dà(♏)i )渔(🕛)帽的嫌犯，嫌(♈)犯(🌯)对(🏏)杀人案供认不讳。在压送嫌犯过(🙇)程(🚌)中嫌犯打个手铐并打伤祥安逃脱(📏)，接(❌)二两三的事(🐉)故(🤳)(gù(🔴) )让文方对警(jǐng )界(👓)内部人员(yuán )产(🤨)生(🧚)怀疑，在探员小美(měi )（叶(yè )璇 饰）(🔞)的(🔱)协(xié )助下，文方(🎙)(fā(📈)ng )终于找(zhǎo )出隐(yǐ(🏓)n )匿(😓)于警(jǐng )界之(🤷)(zhī(🥊) )中的“老鬼(guǐ )”…… Daffy is looking forward to celebrate Easter but his mysterious animator decides to make very bad things with the three completely new episodes. 为抗(kàng )日而落难(💯)的(😓)(de )东北(běi )军二0六(liù(🕶) )师卫(wèi )队长邓(dè(🙂)ng )天(⛄)野(yě )，这天(tiā(😂)n )来(🚕)到(🈺)(dào )上海十(shí )里洋场，寻找被拐卖(🅿)到(🤪)上海大世界春乐园的妻子——著(🕧)名(🕑)的评剧皇后(✈)欧(🤚)阳(🐇)秋凤。邓天野刚下(🦒)轮船，就被人(ré(🕴)n )监(👶)视。来到(dào )春乐园后，班头看其来(lá(🍳)i )者(🧖)不善，指(zhǐ )使人(⛏)(ré(🔒)n )来围攻(gōng )邓天(tiā(🔨)n )野(📶)。邓(dèng )天野(yě(🙎) )摆(🀄)脱了(le )他们(men )的纠缠(chán )后，来到城隍庙(🍤)(mià(🚱)o )九曲桥，与(yǔ )上海利得大(dà )舞台的(✝)南(🗄)国(guó )歌星(xī(💁)ng )李(🧙)秀(👸)丽(lì )相遇(yù )，向她(tā )打听(tīng )秋凤(🛒)的(👤)(de )下落。这时，上海警察局的探长张成(🙌)远(🤔)来到他的身后(🛶)，转(🥪)眼间李秀丽已不(👶)知去向。邓天野(🚣)来(🤘)到李秀丽演唱(chàng )的台下，看(kàn )到受(🐜)大(😍)世界(jiè )老板徐福(🥧)鉴(jiàn )指使的一伙(🥌)(huǒ(🌹) )警察来抓舞(🐽)(wǔ(⛎) )台老(lǎo )板邱致(zhì )。邓(dèng )天野趁(chèn )乱(📺)施(👞)(shī )展超群(qún )武功(gōng )，救出李秀(xiù )丽(🎡)。随(🏟)后来(lái )到福(🌥)天(➕)楼(🕙)，救出被关押(yā )在此(cǐ )的秋凤(fè(🚎)ng )。警(🗄)(jǐng )卫涌来(lái )，因(yīn )寡不敌(dí )众，李秀(🍹)丽(😄)、秋凤又被抓(🚚)回(🎵)，秋凤为保贞节跳(🌮)楼自尽。邓天野(🧑)救(🗒)出李秀丽后，发誓要为秋凤报仇。邓(🈹)天(😬)野(yě )杀上春乐园(🚅)(yuán )，结果被警(jǐng )察(🏞)抓(🎩)住。在(zài )遣返(🐵)原(🚉)籍的(de )火车上，他(tā )跳车(chē )断镣，再闯(🦋)(chuǎ(✒)ng )大世界(jiè )。但(dàn )刚推开(kāi )福天(tiān )楼(📏)的(🍃)大门，就被枪(📫)顶(🙌)住(🔝)(zhù )太阳穴，邓(dèng )天野与徐福(fú )鉴(👣)的(🔧)(de )众打手(shǒu )展开(kāi )殊死搏(bó )斗。当他(⛰)将(💦)(jiāng )枪口(kǒu )对准(📂)徐(🗯)福鉴时，警察局杜(🥪)局长的枪已对(🐭)准(🏵)了他。一场枪响后，倒下的不是邓天(🖥)野(🍜)，而是杜局长。原来(👑)(lái )是张成远探(tà(🈶)n )长(👕)开枪打死(sǐ(😭) )了(🏵)这个与黑(hēi )社会勾结的(de )败类，徐福(🤦)(fú(🤑) )鉴终(zhōng )成邓天(tiān )野的(de )刀下鬼(guǐ )，随(🚹)(suí(🗳) )后张成(chéng )远(🌌)使(🤹)(shǐ(🍄) )用“苦肉计(jì )”放走了邓(dèng )天野。邓(🚱)天(🙁)(tiān )野挥泪离开(kāi )了上(shàng )海，奔(bēn )向(🍖)东(🏆)(dōng )北抗日(rì )前(📶)线(🥞)(xiàn )。