回家的诱惑优酷

King Leontes of Bohemia suspects his wife, Hermione, and his friend, Polixenes, of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events that lead to death, a ferocious bear, an infant left in the snow, young love, and a statue coming to life. After the Allies liberate Naples in 1943, the life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive. 一名(🚱)波士顿警探调(😻)查(chá )了(le )一系列(liè )令(🕖)人毛骨(📯)悚然的、由一名(mí(🐈)ng )戴(dài )着(🏒)黑皮(pí )衣的连(🏕)环杀手组成的大学(📃)(xué )校(xià(🎋)o )园里，他怀疑一位著(🤬)名的人(📧)类学(xué )教授和(🍢)他(tā(🐃) )的女同(🍁)(tóng )住的(📝)助手。 1981年(✍)上映(yìng )的30分钟(zhōng )剧(🛌)(jù )场动(🚳)画(huà )、与《夏へ(💒)の扉(🚉)》同时上(🍪)(shàng )映(yìng )。 Deke DaSilva （Sylvester Stallone饰(shì(🌼) )）和Matthew Fox （Billy Dee Williams饰）是纽约(⏹)市警察(🍏)(chá )局(jú )的两个(gè )好(🧕)搭档。Deke DaSilva非(🏳)常喜欢他所做(🚱)(zuò )的(de )警察工(gōng )作，多(🐟)次放弃(🖌)晋级机会，当(dāng )他和(👵)Matthew Fox被(bèi )分(🍕)派到反恐精英(📀)队时，DaSilva对(duì )此(cǐ )十分(✋)不(bú )满(🍞)，心怀芥蒂。此时，反(fǎ(😠)n )恐(kǒng )精(🍘)英的(de )英国反恐(💭)专家(⛄)获悉，一个(gè )臭(♌)名昭著(👑)(zhe )的恐怖(bù )分子团伙(⏳)已经潜(🛬)入(rù )纽约，意(yì(🥠) )图通(⛹)过(guò )连(♌)环恐怖袭击引(🚠)发纽约市(shì )的(de )骚乱(🕕)。专家向(😺)反恐精英下达(🧢)了赶(🈯)(gǎn )尽(jì(🕣)n )杀绝的(de )命令，亦(🔣)引起DaSilva和Fox的反感。但(dà(😣)n )是，随(suí(😩) )着炸弹声屡次在纽(🌖)约市响(👝)(xiǎng )起(qǐ )，他们(men )开(🌈)始重新认识了这伙(🍖)恐怖(bù(🏝) )分(fèn )子的凶(xiōng )残和(😭)危害，于(🏊)是携手，对(duì )恐(♋)(kǒng )怖(👜)分子(zǐ )一伙痛(⛎)下杀手(📸)，经过一番(fān )血腥的(👢)厮(sī )杀(🔚)，反(fǎn )恐精英击(🍗)败了(😙)这伙恐(🔆)怖分(fèn )子(zǐ )，纽(😑)约(yuē )市又恢复了往(🔹)日的安(😑)宁。 故(gù )事发生(🎾)(shēng )在(🍸)六十年(🎛)代的美国洛杉(👏)矶(jī )，汤姆（罗伯特(💸)·杜瓦(🌏)尔 Robert Duvall 饰）是一(yī )名(mí(🍑)ng )侦探 ，一(🧕)天，他去探望做(🌹)神甫的(de )弟(dì )弟德斯(🐻)(sī )（罗(🏮)伯特·德尼罗 Robert De Niro 饰）(🕓)，让(ràng )汤(💭)姆没(méi )有想到(🚛)的是，自己的弟弟(dì(✖) )竟(jìng )然(📷)和发(fā )生在二(èr )十(👋)年前的(🚋)一宗悬案(àn )有(🕜)着千(🚗)丝(sī )万(🐎)缕的(de )关联。在那(🕕)起案件中，被(bèi )害(hà(🤶)i )人是一(🎦)(yī )名女性，而她(🏉)似乎(🎺)和德斯(😺)(sī )有(yǒu )着非常(🦈)(cháng )暧昧的关系。 Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. [被诱(🆗)惑的男(🧙)(nán )孩(hái )/启发性(xìng )教(Ⓜ)育]