出品时(shí )间：1935年
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.
意大(dà(🛀) )利街头(📸)歌(gē(😏) )女尼(🅱)娜·(🎟)柯(kē )瑞里暗恋(liàn )船长杰克·特拉弗(fú(🕛) )斯，于是(🔙)女扮(🎎)(bàn )男(🎰)装为(wéi )水手混上特拉弗斯所(suǒ )在的船(🌺)只(zhī(🧣) )。在船只(🦔)向(xià(🚦)ng )百慕(⛴)大进(jìn )发途中，一(yī )个音乐教(jiāo )师听到(📛)柯瑞(🐓)(ruì(😅) )里的(🐓)歌声(💂)(shēng )，于(🈵)是主动(dòng )提出教(jiāo )她声乐。三年(nián )后柯(🍾)瑞(ruì )里(🍊)不仅(🌘)成了(♓)著名(🕖)女伶(líng )，也成为了特拉弗斯(sī )夫人。
以(yǐ(🥖) )报社为(🐹)背景(🌗)(jǐng )的(📗)喜剧，由三十年代(dài )的四大巨(jù )星威廉．鲍(🚥)(bào )华、(🥊)莫娜(📃)(nà )．(🏠)罗拉、斯(sī )潘塞．特蕾西、琪恩．哈(💡)洛(luò(🛶) )联手主(🗽)演，故(🦖)事描(💚)述(shù )报社编辑(jí )利用他的未(wèi )婚妻和(📴)前(qiá(🔈)n )任(💜)记者(⛷)去实(👛)(shí )施(🤮)美男计(jì )好让一名富(fù )豪的女继(jì )承(🅱)人放弃(✊)控(kò(🚎)ng )告报(✡)社(shè(🌠) )诽谤罪，不料(liào )计划走(zǒu )了样，……搞得(🍨)好不(bú(🎏) )热闹(🕙)。全(quá(⛅)n )片剧情峰回(huí )路转，从(cóng )头至尾的发(fā(👬) )展都(🎹)捉住(zhù(🔰) )观众(🎙)的注(🏅)意(yì )力，导演(yǎn )杰克．康威(wēi )尔也拍得(🕎)(dé )流(🕑)畅而紧(🐶)凑(cò(🤕)u )，让四(🦃)(sì )位大明星都有大展演(yǎn )技的机会，因(📽)而制(♑)造(🐚)(zào )出(📵)相当(🖇)高(gā(🔙)o )的喜趣效果(guǒ )。
During the civil war, two soldiers attend a pregnant girl from a wealthy Madrid. One can not help but fall in love with her.
When a bellhop knocks out fighter Chuck McGraw, promoter Nick Donati realizes he's a potential champ. "Kid Galahad" justifies Nick's confidence, but Nick's mistress Fluff falls for him; in turn, the Kid falls for Nick's young sister. Now overprotective brother Nick turns against his new fighter, leading to a near- disastrous title fight and a murderous confrontation.
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.