富翁(wēng )曾(🚳)和(hé )度（谐音“真糊涂”）吝啬(⌛)(sè ) 成性，其子曾伯稼（谐(xié )音“真(🎉)败家” ）热心地方公益，施(shī )济(👎)贫寒。曾和度 忧虑伯稼(jià )因(yī(🍄)n )此败坏家业，诱逼他吸食(shí ) 鸦(🛸)(yā(🌌) )片(piàn )，以达到闭门守业的目(mù(🌺) )的(de )。从此 伯稼终日沉溺烟榻(tà(🛹) )，意(yì )志消沉，不理 家业。曾(céng )和(🛌)(hé(🆑) )度见(jiàn )此后果，痛心家业难(ná(🌘)n ) 保(bǎo )，恼(nǎo )恨而死。伯稼妻张氏(💐)，屡劝(quàn )丈 夫戒烟反遭辱骂。不(✒)(bú )久，伯稼子误将 鸦片当作糖(tá(🦊)ng )果吞(tūn )食，中毒死亡。伯稼 之母(🤽)眼(yǎn )见(jiàn )丈夫去世，孙儿夭亡(🌎)，悲(bēi )愤(fèn ) 交加，也一病而殁。曾家(🎦)(jiā )店(diàn )伙(huǒ )卜遥莲 （谐音“不(🍻)要脸(liǎn )”）和梅志实（谐音 “没(🥡)知(zhī )识(shí )”）乘伯稼办理丧事(😟)，侵(🙍)(qīn )吞(tūn ) 大量(liàng )财物，暗中在外(🎃)挥霍(huò )。几年(nián )时间 ，曾家财产(🗯)已消耗(hào )殆尽(jìn )，而伯稼仍每(💲) 日依恋烟(yān )毒，不思悔改。张氏因(👆)苦劝(quàn ) 无效(xiào )，饮恨投河自尽(👦)。张氏死后(hòu )，卜 遥莲和梅志实(🎧)乘机变卖(mài )曾(céng )家全部产业 ，勾(📔)结婢女将(jiāng )伯(bó )稼(jià )之女真(👡)真卖入娼门 ，又(yòu )骗(piàn )去(qù )伯(🥦)稼赖以生活的一笔保(bǎo )险(xiǎ(⚾)n )金(🍉) 。从此，伯稼流落街头(tóu )，拉人(ré(💢)n )力车糊 口。一日，其(qí )女(nǚ )真真(⛪)(zhēn )坐伯稼车出堂差 ，父女(nǚ )相(🔀)见(jiàn )，百感交集，未及倾诉(sù )别 后(🍸)(hòu )之情，即被鸨母驱开。伯稼(jià(🍁) )后(hòu )悔莫 及，饥寒难忍，倒毙(bì(😡) )于(yú )城门之下。
Lisa Ryder是一个年轻的(de )女(⛲)(nǚ )警察，最近晋升为侦探，此(cǐ(🎦) )次(cì )她被派往加州的小镇上(🐟)(shàng )去(qù )追(zhuī )踪一个被警察成(🌏)为(👹)冷面(miàn )杀(shā )手的凶犯，但是最(📼)终她发(fā )现(xiàn )这个(gè )杀人凶(🤸)手不过是个幻(huàn )想(xiǎng )中的(de )人(🙉)物.
沧洲捕头铁无情（罗烈(liè )饰(💩)）嫉恶职仇，时沧州(zhōu )出现(xià(🚮)n )四剧盗，包括梁延中（陈星(xī(🥂)ng )饰(shì )），彭云强（谷峰饰），李(lǐ(🚱) )不乐（张佩山饰）及马威(wē(🎄)i )甲(jiǎ )（房勉饰）。铁先后击杀(🍺)(shā )梁(liáng )、彭、李三人。但被马(💧)的(🏎)(de )夺(duó )魂(hún )笔所伤，混乱间，铁以(😓)(yǐ )马(mǎ )的坐骑突围而出，意被(🥡)送(sòng )往(wǎng )马家(jiā )，认识马双目(🏛)失明的(de )女(nǚ )儿桂(guì )姑（李菁饰(🙃)）……
又称(chēng )《四(sì )神奇》《不莱(🚜)梅四重奏(zòu )》
这(zhè )是一部改编(🍑)于1936年经典的(de )反大(dà )麻(má )公益影(🗓)片《Tell Your Children》的重拍版本(běn )，讲述了一个(🖍)清纯少年受大(dà )麻(má )的影响(💝)而坠落深渊的故事(shì )。电(diàn )影(🤕)以(🐐)音乐剧的形式呈现(xiàn )，并(bìng )在(🖍)多个片段中出现了丧(sàng )尸(shī(😉) )伴舞以及吃人的设定，以(yǐ )此(🤛)(cǐ )来衬(chèn )托大麻的危害。它可以(📶)(yǐ )是一(yī )部反对青少年吸毒(☕)的教(jiāo )育片(piàn )，亦可以当作歌(🧝)舞娱乐(lè )片来(lái )对待，其中的歌(🐥)舞种类繁杂(zá )，经过异常夸张(🚲)的演出，让(ràng )原(yuán )本无聊的情(🦐)节霎时变成了(le )活(huó )力四射的(😚)showtime。多(🦅)名电视电影(yǐng )界(jiè )的(de )大牌明(💲)星参加了此片的(de )拍(pāi )摄(shè )，这(🚲)样做即可让影迷大(dà )饱(bǎo )眼(🎱)福，又能让他们受到思(sī )想(xiǎng )教(🤼)育(yù )，可谓一举两得。
A scientist creates a mechanical man but thieves steal it and send it out to kill and destroy a city. The only way to stop the creature is by creating another mechanical man to destroy it. This Italian horror film seems to have had an influence on Fritz Lang's Metropolis, at least in the look of the robots. It's hard to really judge the film since so much of it is missing but they did a good job at taking the current length and adding enough background so that we know what's going on.
This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.