Paramount Pictures shelved this Italian action film (which is heavy on the drama) that features John Saxon in a suporting role as a cop bend on arresting a blind mafia boss Lee J. Cobb. The film too busy focus on the bank robbers and a newspaper guy Renzo Palmer instead of Saxon's plot which is a misfire to all Saxon fans. The photography and the location is wonderful, but the plot is very extremely slow. Not recommended for someone looking for action films.
电(dià(💥)n )影描述(🥈)一群法国生意(yì(🚖) )人(💖)在(zài )一战期(qī )间来到象(💴)牙(⚓)海岸做贸(mào )易，期(🧕)间遭(zā(🏿)o )遇法国与德国开(🍑)战(🦈)，他们(men )自发的(de )组织起一支(🏻)雇佣军对(duì )德国(guó(🅰) )人发动(🏡)攻击，途中经(jīng )历(😝)了(🎉)很(hěn )多事(shì )情，引(🎷)发了很(🈷)多戏剧(jù )性的故(🚿)(gù(⛱) )事……
1939年，纳粹大张旗鼓(🌃)(gǔ(💟) )地将数(shù )百名(mí(👂)ng )来自社(🔩)会各个阶层的(de )犹(👗)太(🐚)逃(táo )亡者(zhě )们安(📤)置在一(🍁)艘豪华客(kè )轮内(🌛)，载(🏧)他(tā )们至古巴的哈瓦那(⛲)避(🦉)(bì )难。然而，当轮船(⬛)抵达哈(🔸)瓦那港(gǎng )，古(gǔ )巴(🎴)政(🐭)府(fǔ )却依据本国严格的(🆗)移(yí )民政(zhèng )策拒绝(🍪)(jué )船上(😰)的犹太裔乘客入(🕚)(rù(🌐) )境。其实纳粹早就(🌞)预料到(🥍)(dào )会有这(zhè )样的(💭)(de )结(🐽)果，而这也正是他(tā )们所(😽)希(🏞)(xī )望看(kàn )到的。当(➿)流亡者(🐇)们从(cóng )哈瓦那(nà(⛏) )怏(🤓)怏(yàng )离去的时候(🔌)，德国政(😶)(zhèng )府就可(kě )以凭(😘)(pí(💴)ng )此证明犹太人是世界(jiè(👧) )上(🥙)最不受欢(huān )迎的(🍶)种族，从(😁)而为希(xī )特勒(lè(♍) )的(🧒)种族(zú )清洗政策找到一(🌸)个合(hé )情合(hé )理的(🌜)借(jiè )口(👋)。
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...
电影描述一群法(🧐)(fǎ(📶) )国生(shēng )意人在(zà(🔵)i )一战期(🔌)间来到象牙海(hǎ(📟)i )岸(🥏)做(zuò )贸易，期间遭遇法国(🔆)(guó(🐞) )与德国(guó )开战(zhà(🚎)n )，他们自(🥌)发的组织起(qǐ )一(⛄)支(📺)雇(gù )佣军(jun1 )对德国(🔏)人发动(🥏)攻击，途中经(jīng )历(🍓)了(🛢)(le )很多事情，引发了很(hěn )多(🏫)戏(📦)剧(jù )性的(de )故事…(🍇)…
The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss!
In 1910, in the State of Paraíba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land.
人(⏲)影もまばらな別(🚜)荘(🥞)(zhuāng )地のスナックを訪れ(🍑)た数(shù )人の男(nán )と(👭)女が巻き起こす、性と(🐏)暴(🐵)力の嵐を描く日(🖊)活バイ(🚳)オレンス・ポル(🔃)ノ(🎻)。R18+指定作品。佐(zuǒ )治乾(qián )と(⚽)斎(🔃)藤信幸による脚(🏤)(jiǎo )本を(🔺)、沢田(tián )幸弘が(🐡)監(🆑)督した。夏(xià )も過(🏺)ぎ、避(🌪)(bì )暑客もほとん(🍸)ど(🔯)ひきあげて人影(yǐng )もま(🌠)ば(💡)らな別荘地のは(🕌)ずれに(🛠)、別荘の管理事(🈸)務(🔣)所を兼ねている(👙)一軒の(🗡)スナック・黒(hēi )い(🌑)湖(hú )があった。そこの主(⏹)人(📙)・黒(hēi )木は、3年(💇)前(qián )こ(💫)このバーテンだ(🤞)っ(🍶)たが、妻の京子に男と(🚿)逃(táo )げられ、その(💅)あと自(🕌)分でこの店(diàn )を(💠)買(🧖)い取って、じっ(🎊)と京子(😷)の帰(guī )るのを待(♟)っ(😂)ていた。激しい雨が降る(🧛)日(✒)(rì )だった。黒木は(🙄)、客の(🦄)いない店内でタ(🏘)バ(🕢)コを喫いながら(🚋)、思い(📂)に沈(shěn )んでいた。そ(✉)の時、一陣(zhèn )の風が店(⏲)内(✒)に舞い込んでき(🎞)たと思(😷)うと、ズブ濡れ(🔤)の(🐝)女が入(rù )口に立ってい(📔)た。黒木は、一瞬(shù(🍚)n )凍りつ(🚳)くような表情で(🚸)唖(🛁)(yā )然として女(nǚ(😎) )を見つ(🍓)めていた・・・(👘)。
电(🤫)(diàn )影北(běi )少林描述了中(🤬)国(🎚)抗日(rì )战争时(shí(🧗) )期武(wǔ(🤗) )林人仕与日本侵(🎠)略(🎑)者(zhě )的争斗。