孽欲畸恋

一个梦(🛂)(mèng )想(😰)飞翔并一(yī )心研(🚷)究滑(🐮)翔机(jī )的青年程杰(jié(👦) )，在(⏮)一次(👜)郊游(yóu )中认识了(😣)汽(qì(🦀) )车富商的千金(jīn )梅燕(🔕)，并(⛑)双(shuāng )双坠入爱河。因为(🏀)热爱(🔆)滑(huá )翔机令二人(🕙)产(chǎ(👧)n )生误会，险(xiǎn )些分(fèn )离(☝)，在(🚷)梅(mé(🔓)i )燕好(hǎo )朋友的(de )帮(🤐)助(zhù(🔸) )下，二人又重(chóng )修旧好(🤩)。 在(🛀)(zài )伦敦期间，在(zài )罗马(🤙)假日(📩)，两个男人——艺术指(🤳)导马(mǎ )克斯和夜总会(huì(🥒) )的钢(♟)琴手朱(zhū )利奥试(😺)图分(🤨)享(xiǎng )他们小小的(de )肮脏(🔥)冒(🏌)险—(⛎)—与看似极容(ró(🕥)ng )易得(🈹)手的小女(nǚ )子多拉上(🍝)床(📅)(chuáng )，却有了意外(wài )的收(🏢)获...... 黑(🈶)女(nǚ )仆 The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. 这是70年代(❤)中(zhō(😇)ng )期意大利一(yī )部重要(💢)的(🍋)“政(zhè(⛺)ng )治电影”，讲述(shù )了(✳)意大(🔻)利(lì )南方某城市(shì )的(🧠)两(👬)(liǎng )位法官先(xiān )后被(bè(🏕)i )杀，负(❕)责调(diào )查的探长罗加(🆚)(jiā )斯把目光集(jí )中在一(🎣)个名(🕣)叫(jiào )克雷斯的药(🔁)(yào )剂(🕙)师身上，认(rèn )为他因先(🐅)前(🏗)(qián )被(✊)法院判入狱(yù )而(🔮)进行(🏞)报复(fù )。但罗加斯的(de )想(🦐)法(🎧)遭到警(jǐng )方高层的否(🤭)定(dì(🥪)ng )，总部取消(xiāo )了他(🥒)的任(🚆)务并(bìng )把他调到另(lì(👇)ng )一(🏉)个部(🐛)门。后(hòu )来罗加斯(🌗)了(le )解(🦕)到原来黑幕(mù )就是警(📂)方(🦓)首(shǒu )脑，但在追查(chá )此(🏗)事时(🈯)被不(bú )知名(míng )的黑手(🙍)开(kāi )枪击(jī )毙。 老夫子(zǐ(💻) )（王(🤬)沙）一觉(jiào )醒来(🔸)，见已(🎎)(yǐ )是日上三竿，急忙催(💘)醒(👊)仍(réng )熟睡的大蕃薯(shǔ(🚚) )（矮(👯)冬瓜）。二人忙乱一(yī(🥎) )番，便去做(zuò )晨运。