深夜食堂日本版剧情介绍
A lady cop infiltrates an all-female criminal gang.
第46届奥斯(👿)卡金像奖(1974)提名最佳摄(🎟)影和(hé )最佳(jiā )剪辑(🤩)(jí(⏩) )。霍(huò )尔·巴特(👅)利特(🚺)执(🕣)导，菲利(lì )普·(💄)韩、(🐑)理查(chá )德·克里(lǐ )纳(🐆)、詹姆斯·弗朗西斯(🆎)卡斯主演。
A sexy black woman, Foxy Brown, seeks revenge when her government agent boyfriend Michael is shot down by gangsters led by the kinky couple of Steve Elias and Miss Katherine
某奶酪工(👖)厂(🍢)往(wǎ(📱)ng )河里(lǐ )排(🏀)放(fà(🎸)ng )狠多(duō )有毒废料(🍶)，被(bè(🏬)i )当地官员检查出(chū )来(📬)，要告这家(jiā )工厂(chǎng )，所(😳)(suǒ )以工(gōng )厂的(🦊)老板(🎓)和(⛷)秘(mì )书就要想(🔧)办法(🌇)贿(huì )赂法官。好色(sè )小(🍌)秘(mì )书想(xiǎng )出一(yī )个(🕶)办法，那就是色诱～(📦) 他(🍱)找到(🎽)一个风情(🛫)万种(🗄)(zhǒ(🏑)ng )外型(xíng )姣好(hǎ(🏸)o )的站(🗝)(zhàn )街妓女来冒充厂长(🎺)老板的(de )老婆，然后企(qǐ(🙉) )图接(jiē )近并(bìng )且色(📱)(sè(🍏) )诱法(🎊)官，一切顺(🕑)利的(😞)话他们的(de )官司就(🎞)可以(🦒)easy搞(gǎo )掂了(le )。谁(shuí )知没(mé(🏼)i )想到这个妓女出口成(📏)脏，说话(huà )不得(🈸)体的(👈)妓(🐢)女(nǚ )明显(xiǎn )不(🐃)符(fú(⚽) )合厂(chǎng )长老婆这一身(🦐)(shēn )份。于是便有了(le )有趣(🐭)的那一段(duàn )戏，厂长(🏯)(zhǎ(♿)ng )等人(🐐)(rén )帮着妓(🕛)女纠(🗃)正(🏯)社交用语，教她(📅)如何(📐)说体面的(de )寒暄(xuān )语。这(😢)一(yī )段绝对有借鉴经(🚳)典影片【窈窕淑女(🥦)】(📀)之嫌。谁知(zhī )妓(🙀)女(nǚ(🕌) )爱上了好色小秘(🏺)书，再(👺)加上厂(chǎng )长、法官、(🍞)法(fǎ )官妻(qī )子、法官(🐍)(guān )秘书等错综(🏊)复杂(📗)的(🛒)男女关系，上演(🛶)了一(👸)场荒(huāng )诞滑(huá )稽的(de )小(🛄)闹(nào )剧。
本武俠片(piàn )於(🤣)1972年拍成，由何(hé )夢華(🗣)導(📮)演，江(👔)(jiāng )陽編(biā(👨)n )劇，娃(🌫)娃(wá )影后李菁、(🐣)趙雄(💨)、楊志卿及王俠主演(🍅)。故事(shì )描述(shù )，威(wēi )遠(🔱)鏢(biāo )局少主兼滄州(🌉)總(🍦)捕頭萬超(chāo )凡(⏫)（趙(🗑)雄），與鎮(zhèn )北鏢(🍋)(biāo )局(📣)千(qiān )金秀秀（李菁）(🕸)青梅竹馬。超(chāo )凡不知(🙎)秀秀之(zhī )父樊(🕗)(fán )芝(🏳)龍(💴)(lóng )（楊(yáng )志卿(📞)）除(🚶)嫁禍萬家劫鏢外，亦(yì(🗿) )為其殺父主兇(xiōng )。後(hò(💢)u )秀秀(xiù )撞破(pò )其父(🔟)的(🎆)愛妾(👭)與(yǔ )門徒(⤴)通姦(🥂)，險遭(zāo )滅口，幸得(🏬)超(chā(🔐)o )凡及(jí )時趕(gǎn )到相(xià(🕖)ng )救。超凡得秀(xiù )秀與冷(👳)面劍客（石天）相(📗)助(⏺)，終揭(jiē )穿樊(fá(📛)n )連串(⤴)(chuàn )陰謀……
Super Fly T.N.T. is a 1973 film directed, starring, and co-written by Ron O'Neal. O'Neal reprises his role of Youngblood Priest from the smash hit blaxploitation film Super Fly.The film is currently out of print.
Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it.
Britt, deluxe call-girl, is punished by the brothel owner because she was not accomodating enough to a customer. From now on, she must obey to all customers sadistic wishes, or else.
Two spinster sisters run a small inn that caters towards young foreign female tourists. Unfortunately, there is a dark side to the sisters that rises up to punish the young women they deem immoral. Many a traveler comes to stay but never end up leaving the inn. When the sister of one patron comes in search of her missing sibling, it threatens to expose the truth behind the inn and its owners...
Hard on the heels of evil...soft on the lips of sheilahs!