郑(⏲)家圣(shèng ),家德(🐐)兄(xiōng )弟与歌(🐘)(gē )舞团姊妹(💓)花李艳芬,艳(📬)玲相恋,郑父(🌃)天(tiān )年责二(👕)(èr )子行为(wé(🏻)i )不检,却(què )不(🈲)知自(zì )己追(🐨)求的对象(♍)正是姊妹俩(📲)的(de )女佣。女佣(🚵)假(jiǎ )扮芬母(🏯)(mǔ )与年商(shā(😂)ng )议子女婚事(🤷),弄致笑话百(🎦)出。
Manuel Mur Oti (Vigo, 1908 – Madrid, 2003), director and scriptwriter. In the 1930s he left for Cuba where he studied law and literature. He was also attracted by film and began to write novels and scripts (e.g., for the four films by Antonio del Amo). He returned to Spain for good in 1949, and in 1953 founded his own production company. To mention a few films from his extensive filmography: Man on the Road(1949, Un hombre va por el camino - CEC Prize for Best Director); Black Sky (Cielo negro, 1951, CEC Prize for Best Actress, Susana Canales); Condenados (1953 - Special Mention for Best Direction at the IFF in Locarnu); Milagro a los cobardes (1961 - Special Prize for Best Film from the Sindicato National del Espectáculo): Dulcinea y el alba (1963), Loca juventud (1964); La encadenada (1972) and others.
弗(fú(😿) )朗西斯(sī )科(🐢)·罗(luó )维拉(🤡)·贝雷塔是(🥨)战后西班牙(🕺)第一代(dài )导(⛷)演中(zhōng )最(😼)具代(dài )表性(🍇)的(de )一位，他的(🔵)作品曾两次(🔦)获得奥斯卡(📼)(kǎ )最佳外(wà(🎭)i )语片提(tí )名(🛁)。本(běn )片是他(🥕)(tā )早期的重(🛄)要作品，是一(👛)部新写实主(👲)(zhǔ )义风格(gé(🔆) )的社会(huì(🏋) )剧，在(zài )1953年的(🌚)第(dì )一届圣(🎹)塞巴斯蒂安(➗)国际电影(yǐ(🕙)ng )节上获(huò )最(🎲)佳男(nán )女主(🛑)角(jiǎo )奖。
罗(luó(🚂) )少祥生性风(🔯)流,报馆编辑(🤐)王德(dé )波对(🎹)他(tā )口诛笔(🎻)(bǐ )伐,致对(duì(🗑) )簿公堂(tá(🤢)ng ),成为冤家.波(⬇)女丽珍因与(🕠)男友(yǒu )斗气(🕹),自(zì )制爱祥(👃)(xiáng )假象,却(què(🛬) )遭祥在(zài )报(💺)章上大造文(🚝)章.波、祥再(🧥)度(dù )闹上法(✔)(fǎ )庭,法官(guā(👋)n )竟判祥(xiáng )、(🛎)珍立(lì )即成婚,为二人(🧐)缔结良缘.
电(🕙)影剧情：
The Las Vegas visit of singer Linda Rollins and her shady businessman husband leads to murder, and the cop on the case is Linda's old flame.