张珍与(yǔ )宰相金宠之女(🚹)牡丹(🥦)指腹为(🦌)婚，宠告老还(🤕)(hái )乡，珍往拜见。张(zhā(🚨)ng )家(jiā )家(😀)(jiā )道(🉑)(dào )中(zhō(🎉)ng )落，金氏父女见秦，骗珍在后花园(🤤)的碧波(🐱)潭苦(🏟)(kǔ )读(dú(🔼) )。珍(zhēn )三(sān )年(nián )来生(📷)活凄冷，在潭(🦊)(tán )中修(🛎)练的(🌥)鲤鱼仙子化身牡丹相慰，二(💮)人相约元宵(🎲)观灯，不(🏛)(bú )巧(❄)(qiǎo )给(gěi )宠(chǒ(👒)ng )双(shuāng )双捉回金家。真假牡丹(⛎)相遇(👑)，宠急得(🖌)请包公前(qiá(🍕)n )来(lái )判(pàn )断(duàn )，龟精也化成(🅾)包公(⏫)大(dà )闹(👛)一番。鲤救出(🍶)珍，沿途却遭观世音(🎮)派(pài )来(🔛)的天(🐎)将追拿(㊗)；鲤(lǐ )不(bú )惜(xī )拔(bá )下(xià )金麟(🏀)，与珍做(😩)对凡(👂)人夫妻(⛎)。
电影里女主人公是(🚡)(shì )个(gè )山(shā(🚒)n )区(qū )农(🍾)(nóng )村(🗃)(cūn )气象预报员，工作(zuò )有热(🛴)情，也有知识(🤗)，还能深(😽)入到(🦎)当地有经验(🈴)的老农中搞(gǎo )调(diào )查(chá )研(🖇)(yán )究(🖨)(jiū )。她不(😝)盲目听从上(🎬)级的气象预报，而是根据自(🚱)己(jǐ(🙍) )在(zài )当(🆖)(dāng )地(dì )气(qì(🌅) )象站测得的气象数(🧞)(shù )据，参(🕶)考当(📻)地老农(😲)积累的气象经验，对(duì )当地的气(📴)象做出(📱)准(zhǔ(👱)n )确(què )的(👏)(de )预(yù )报(bào )，指导农事(🌖)。上级预报没(🧔)雨，她说(🚗)会下(🔍)雨，提(tí )前(qián )栽(zāi )植(zhí )薯(shǔ(🥄) )苗(miáo )，保证了(📿)秧苗的(👭)成(ché(🐧)ng )活率。上级预(🙀)报有大暴雨，要开闸放掉水(😂)库的(🦑)蓄水，她(🎰)(tā )坚(jiān )持(chí(💊) )当(dāng )地(dì )无(wú )雨，要保住水(🍻)源。这(🕌)可是人(🧜)命关天的大(🖖)事，上(shàng )级(jí )来(lái )人(🎼)(rén )现(xià(🔁)n )场指(🛄)挥。人们(🛺)意见(jiàn )不统一，女主人公大胆负(🐐)责，坚定(🍠)不移(🤵)(yí )，得到(🦒)了领导的支(zhī )持(chí(🌖) )。一(yī )阵(zhèn )狂(🎼)风过后(🦃)，雨没(🍛)有下，水库的水源得到了保(🌚)护(hù )。
赵(zhào )王(⛰)(wáng )宏(hó(🛋)ng )宗(zō(👣)ng )宠信西宫荼(🚱)薇，疏(shū )于国政，正宫霭仪大(🐙)感无(♈)奈。霭仪(🏟)儿子沉香不(💼)值荼薇所(suǒ )为(wéi )，偷(tōu )偷(tō(📎)u )向(xià(✊)ng )猩猩习(🔔)武，冀能有所(🐫)作为。王叔宏业平胡(🧘)返朝(chá(🧥)o )，悉(xī(💡) )宏(hóng )宗(📣)(zōng )为酒色三月不朝，遂以黄金锏(😤)惩谏兄(👔)长，宏(🥊)宗、荼(🎮)薇二人(rén )稍为收敛(👂)。惟荼薇(wēi )心(👆)(xīn )有(yǒ(🏯)u )不(bú(👄) )甘(gān )，不愿居次，要求宏宗立(🌄)儿子涎香为(🎸)储君，遭(⏳)(zāo )宏(✈)(hóng )业(yè )、霭(🈵)(ǎi )仪(yí )反对，遂改以文才(cá(😕)i )选立(🌶)。沉香文(🛏)韬武略均胜(🛺)涎香，立为太子，荼薇更为不(🍫)(bú )忿(😿)(fèn )，劝(quà(🙆)n )诱(yòu )宏(hóng )宗(👥)把宏业调返边疆后(🎅)，多番加(⏺)害霭(🦔)仪母子(⏭)。
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
医(yī )生(shēng )与(yǔ )护(hù )士(shì )，一夜夫(🕶)妻
本片(🐌)根(gē(⏸)n )据意大(🌔)利小说改编而成，叙(👯)述一个年轻(🆕)(qīng )女孩(📏)在无(🧟)意中发现(xiàn )一(yī )座(zuò )女(nǚ(🧝) )吸(xī )血鬼的(🥐)坟墓，却(🎏)被附(🙃)身，并且到处(📫)杀人性命，造(zào )成(chéng )当(dāng )地(🐱)(dì )居(🤱)(jū )民恐(✔)慌。这一切到(💈)(dào )底是她的想象，或是她真(🏂)的被(🔢)古老吸(💰)血鬼所控制(🔮)？
A Hitchcockian narrative and noirish atmosphere characterise this effective, taut thriller, made the same year as the director's magnum opus, JIGOKU (Hell). Set in the present day, DEATH ROW WOMAN is at once a prison film, an innocent-man/woman-on-the-run story, a police procedural, and a family melodrama, that is equal parts Hitchcock, Samuel Fuller and Douglas Sirk.
通過(guò )對(duì )一(yī(👗) )個(gè )幾(🤡)(jǐ )代(🍅)(dài )同堂(😉)的大家庭的生活描繪來反映中(🍼)產階級(🛅)不斷(🤳)(duàn )變(bià(❔)n )壞(huài )的(de )生(shēng )活。
明末(💹)清初，山(shān )河(😴)(hé )离乱(✒)。落魄(⚽)书生宁采臣（赵雷 饰）遍(✡)(biàn )寻旅店不(🚞)得，不顾(👰)(gù )他(📵)(tā )人(rén )劝(quàn )阻(zǔ )落脚闹鬼的金华古寺(🚚)。宁与(💡)古寺中(🕊)的方外侠客(📨)燕(yàn )赤(chì )霞(xiá )（杨(yáng )志卿(📘) 饰）(🖼)相谈甚(🎾)欢(huān )，后夜逢(📹)女鬼聂小倩（乐蒂(🥀) 饰）。小(🙊)倩以(🚿)美色诱(🍍)人，中计(jì )者(zhě )无(wú )不(bú )被(bèi )她(🌤)的主人(🍬)千年(㊗)树精姥(🏊)姥（唐若菁 饰）吸(🔝)血而死(sǐ )。小(📶)(xiǎo )倩(qià(⛱)n )本(bě(♋)n )欲加害采臣，但为其(qí )忠厚(🕘)耿直感动，不(🥂)忍下手(💓)，两人(⭕)渐生感情。姥姥得知此(cǐ )事(shì )，势(shì )要(yà(🙏)o )除此二人。不(🏆)得已，宁采臣(🚜)求助燕赤霞，一场人(rén )鬼(guǐ(⛏) )大(dà(🌦) )战(zhàn )就(😴)(jiù )此展开…(🌶)…