A Korean War veteran's morphine addiction wreaks havoc upon his family
故(✝)(gù )事(♋)(shì )发(🤘)生在(🏸)1950年代中期，某(🎒)城市(😷)。肖平（刘增庆 饰）和林美兰(🌭)（袁(📁)玫 饰(👾)）是一对恋人，两(🐟)人(rén )同(tóng )在(zài )设(shè )计(jì )院(yuàn )工(gō(🏵)ng )作(zuò(😼) )。由于(💽)一次图纸设(🍁)计上(🐿)的分歧，两(liǎng )人(rén )情(qíng )感出现危机(⬇)。已有(🧕)妻室(🚳)的主任彭珂(🌫)（陈(〰)颖 饰）趁机向美兰表示爱慕，美兰(🐙)惊愕(💖)不已(🍿)。在(zài )好(hǎo )友(🐜)(yǒu )静(🆔)(jìng )文(wén )（林(lín )东(dōng )升 饰）的(💓)劝解(📿)后，肖(🤞)、林(🕒)两人和(hé )好(🥧)(hǎo )如(📡)(rú )初，但虚荣心很强的美兰仍(🍘)不接(📂)受肖(🗡)平对她所设计图(🐂)纸提出的修改意见，因而又对肖平(💏)(píng )心(🏛)(xīn )生(🔕)(shēng )怨(yuàn )恨(hè(😸)n )。乘(ché(🐗)ng )人(rén )之危的彭珂趁虚而入，其妻淑(📊)芳(fā(♊)ng )（王(🛬)(wáng )人(rén )美 饰(🗾)）陷(✡)入巨大痛苦。不久，美兰怀孕了(🎆)，彭珂(🀄)出于(⛽)名誉(⏩)地位考虑逼(💮)美兰(🐦)打胎，此时(shí )的(de )美(měi )兰(lán )终(zhō(🛰)ng )于(yú(🌈) )认(rè(🚄)n )清(qīng )了(le )这个伪君(🏹)子的(⚫)真实面目，痛苦万(wàn )分(fèn )。后经(🧀)领导(🔱)和同(🍄)志们的教育帮助(🔥)，她渐渐走出情感的泥潭......
In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema)
Mr. Brenner makes a down payment on a house. The house's owners, Cissie and Johanna Enright say that they don't want to sell. He threatens them with a lawsuit, but is poisoned. He collapses and the sisters discuss what they should do. Joanna wants to finish him off more poison while Cissie prefers a gun. Brenner revives and pitches on sister against the other. He gets the gun from Cissie and shoots Johanna. Cissie gives Brenner more poison whilst he phones the police, telling them that Johanna poisoned him and that he shot her. Finally, the poison kills him and the house is all hers.
"Let's All Go to the Lobby" is a 1953[1][2] animated musical snipe played as an advertisement before the beginning of the main film. It featured a family of four talking concession stand products, singing "Let's all go to the lobby to get ourselves a treat" and walking to the concession stand.
From a novel by noted author Setoguchi Torao, this modern-day movie stars the great Misora Hibari. With a strong supporting cast that includes Usami Jun and the mega- star Takakura Ken, it is a tale of youth, family and romance. Not to mention the wonderful music and songs that Hibari brings to all of her outstanding work. When Kenji the sailor finds out that Harumi who works at a hotel bar is his fallen comrade Yajima's daughter, it leads to a romance between the two. But can their love survive the hardships of a sailor's life and the power of a large shipping company?
本片恶搞(🚰)一番(🍌)西游(🍤)记。
Pierre Marsac, a French engineer working for the Nagasaki shipbuilding yards, has fallen in love both with Japan and a charming Japanese girl named Noriko. But Françoise Fabre, a French journalist and Pierre's former lover, contacts him while visiting the Land of the Rising Sun. They meet again, find out their love might not be dead. Meanwhile, Pierre gradually becomes estranged from sweet, humble Noriko. One day, a typhoon strikes Nagasaki...
1944年9月底(🗾)(dǐ )，悲(🐟)(bēi )剧(jù )性(xìng )的(de )华(huá )沙(shā )起义已接(🏆)近尾(⏫)声，一(🧥)支波兰“国(guó(🥧) )家(jiā(🎏) )军(jun1 )”在中尉查德拉（Wienczyslaw Glinski 饰）带领(😪)下驻(🖍)防一(⏪)栋破(👜)败的建筑。华(🖐)沙市(👢)内被德军分块切断，与家人(ré(🥓)n )失(shī(💓) )散(sà(👯)n )的(de )作(zuò )曲(qǔ )家(jiā(🌗) )米(mǐ )考(kǎo )只好在这支30人小队中栖(🚹)身。悬(😿)殊(shū(💼) )的(de )军(jun1 )事差距让战(🌬)士们心灰意懒，米考的钢琴声有些(🌚)怪异(📭)的飘(🏜)荡在废墟上(😋)空。德(🐟)军的小型攻(gōng )势(shì )很(hěn )快(kuài )让(rà(🥒)ng )队(duì(🐌) )伍(wǔ(🎉) )无(wú )法(fǎ )招(😐)架，全(✉)员进入下水道转移阵地(dì )。