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一个研(🚶)究能(🛐)源的不出名的法国物(🎾)理学工作(🌘)者克(🗄)莱芒·蒂贝尔，1957年(🏛)在维(😝)也纳出席(🦋)国际热核(hé )会议途(tú(✳) )中被(🏑)苏(sū )联(liá(🥎)n )一个(gè )披(pī )着交(jiāo )响(🎤)(xiǎng )乐(🍟)队(duì )指(zhǐ )挥外(wài )衣(yī(💐) )的克(kè )格(🚭)(gé )勃(🐼)分(fèn )子(zǐ )鲍利(lì )斯(sī(🥜) )绑架(jià )去(🥪)(qù )苏(🦊)联。后来蒂(dì )贝尔(🧦)在(zà(🏴)i )克格勃(bó(📕) )的胁迫(pò )下为苏(sū )联(🔼)原子(💒)能研究所(👓)工作了10多年。 Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue. 私立圣和(🛸)女子(❕)学院凭借其海外留学(😢)制度吸引(📶)无数(💋)品学兼优的女孩(🚹)报考(👝)，但它背后(🏔)却有着不可告人的罪(🧖)恶勾(🌔)当。某日，分(🔴)别来自五个地方的转(🤖)学生(🍯)来(lái )到该校(xiào )，除了(le )乖(🙈)(guāi )乖女(nǚ(🕵) )小(xiǎ(🚾)o )早川(chuān )一(yī )绘（(✂)織(zhī(🍯) )部ゆう子(🕔) 饰(shì(🌌) )）外，其(qí )余4人(ré(🤓)n )都(dō(😻)u )是问题(tí(❔) )多多的(de )不良少(shǎo )女，而(㊗)(ér )绰(⛲)号“口哨”的风花亚纪（池玲子 饰(🍽)）更(📤)是其中翘楚。刚来的第(🚡)一天，她们(🚿)便和(🍧)红原龙子（衣麻(🚈)遼子(🛋) 饰）率领(💭)的黑玫瑰会发生龃龉(👫)，双方(🌏)冲突不断(🧝)。另一方面，亚纪凭借出(🦎)色的(➖)花剑技巧加入(rù )深泽(💇)岚(lán )子（(🏐)一(yī(🛄) )の瀕レナ 饰）所(⬆)(suǒ )率(🥢)领(lǐng )的(de )体(🤪)育(yù(🚛) )会(huì )。深(shēn )泽(zé )依(🐰)仗(zhà(🖲)ng )和(hé )理事(📴)(shì )长(zhǎng )篠原角(jiǎo )太郎(🏀)（金(🎌)子信(xìn )雄 饰）的不伦(lún )关系独(🌴)(dú )掌(🍳)学院大权，甚至将黑玫(🗃)瑰会都踩(🔸)在脚(🍴)下。亚纪的姐姐曾(❓)是该(♍)学院的优(🗣)等生，但自从留学后便(🌀)杳无(🧤)音讯。她无(📯)意中得知校方的罪恶(🙈)勾当(➖)，而体育会和黑玫瑰会(🤳)之间的矛(🌸)盾也(🏎)愈演(yǎn )愈烈……(🗣) Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „(Ⓜ)Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan. 一(yī )群生(🎮)(shēng )活(huó )在费(fèi )罗(luó )纳(😄)修(xiū(🏢) )道(dào )院的(📰)(de )修(xiū )女们(men )，在老(lǎo )院(yuà(🍯)n )长升(🔈)(shēng )天(tiān )后，权(quán )利的诱(yòu )惑，姐(jiě(👳) )妹们(⌚)对(duì )院长一(yī )职进行(✨)(háng )了一场(🍃)(chǎng )勾(🐝)心斗角、明争暗(🍸)斗、(🗨)互相残杀(🖍)的殊死较量，以及修女(👔)们不(😳)甘寂寞的(⏯)病态偷情……