范迪塞尔的电影

『渡り鳥』(🧐)シリ(🏙)ーズの斎藤(🤳)武市(shì )監(jiān )督が(🐺)、赤(💔)木圭一郎を主演に描くムー(🎇)ド・(🐚)アクション。横(héng )浜港(♍)の荷(hé )役(yì(😭) )を扱う長岡企業の社(🍇)長が謀殺さ(🛣)れ、(🅱)パクリ屋(wū )の水(🍩)原が会(huì )社(🚧)(shè )を(🔺)乗っ取(qǔ )ろうと(🚖)して乗り込(🐾)んで(👌)きた。殺された社(🕟)長の(📺)二人の(🏚)息子(😑)(zǐ )、健(jiàn )一と英(🛸)二(è(🌖)r )は、そ(😒)れを(🏛)阻止すべく黒幕(🦂)に立(🔢)ち向かって(🧞)いく。 Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later. 白玉(yù )莲(liá(🏃)n )携(xié(👡) )女婉儿当清(qīng )洁(jié )女工时遇(🐬)故人(💹)胡太太，即获聘管家照(😅)顾其女(nǚ )灵(🏼)茜。多(duō )年(nián )后(hòu )，茜与(🗯)男(nán )友(yǒu )林(🐘)(lín )继(🌲)武诱婉当上舞女(🃏)，莲屡劝不果(👯)，反弄(🅿)得(dé )婉(wǎn )离家出(⚡)走(zǒu )。林(lín )继(👰)文重(☝)遇(yù )莲(lián )，替她劝(🚠)婉改(🗻)过，兄妹(🐞)俩却(🤨)因此日久生情。此(⏹)时茜(🎪)未婚(hū(🏤)n )怀(huá(🔶)i )孕(yùn )，与母亲(qīn )到(🈴)(dào )林(💏)家理论时武(😯)畏罪逃走，母马剑(🧘)虹追(Ⓜ)出时车(chē )祸身亡。武(wǔ )顿(dùn )感(🎎)悔疚(😔)，决(jué )改(gǎi )过自新。文向(🤮)父亲志清提(🔈)出婚事，清嫌弃婉(wǎn )曾(👻)当舞女(nǚ )，登(🛷)(dēng )门(🐄)劝她与文(wén )分(fè(🐰)n )手时重遇莲(🏥)，一家(🔡)人终能相认，破镜(🔺)重圆(yuán )。 八卦(🗾)记者(📸)(zhě )Marcello原(yuán )本(běn )的志(🧀)向是(👕)(shì )要(yà(✈)o )成(ché(👩)ng )为一名作家，却因(🐱)为新(🏩)闻工作关系(🔜)，常穿(chuān )梭在政商(♒)名(mí(✅)ng )流(liú )之(zhī )间(🚊)，过着(zhe )堕(duò )落且糜(🦉)烂的(✴)生活。一日，他和一位美丽女子(zǐ )共(🛋)渡春宵后(hòu )，回家发现(🧐)女(nǚ )友(yǒu )为(📵)他吞药自杀身亡，Marcello的悲(⏯)伤没有太久(🕥)，因为(🌞)(wéi )他又赶着(zhe )到(dà(🔝)o )机(jī )场迎接(💲)影星(⏯)(xīng )Sylvia到(dào )来，而接下(🌁)来的几天，他(📙)们必(❔)需要作贴身采(cǎ(📍)i )访…(📒) 哥特(tè(🕸) )式(shì(🚄) )风(fēng )格故事，背(bè(☝)i )景(jǐ(🥕)ng )设定在1880的伦(💅)敦，男爵在挖坟埋(🧦)在父(😟)亲之时(shí )偶(🏌)然的找回(huí )了(le )遗(🖍)(yí )留(💣)在他父(fù )亲(qīn )口袋的中奖彩票，随(🏽)后他脸上露出了诡异(🦋)的(de )笑容。影片(🏣)(piàn )的(de )广告噱，”Punishment Poll（惩罚投(🚰)票）“，当影片(🖥)情节(🌖)进行到高潮部分(🔉)(fèn )时， 导演(yǎ(🛢)n )Castle突(tū(⬛) )然(rán )出现在荧幕(🏵)(mù )上(shàng )给观(🚁)众解(🧘)释如何行使自己(🎦)的投(😝)票权。每(🅱)一位(🏚)(wèi )观众手里(lǐ )拿(😎)(ná )到(🍭)(dào )了一张印(🌴)(yìn )有(yǒu )拇(mǔ )指的(🔴)卡片(💃)，他们可以任(💚)一做出上或下的(🔂)方(fā(🌉)ng )向以决定Mr. Sardonicus在(zài )影(yǐng )片(piàn )结尾是复(🦇)(fù )活(huó )还是死亡？据(👓)不完全统计(🤨)，基本上没有一位(wèi )观(👕)众不是希(xī(🥒) )望(wà(🌘)ng )电影中反叛(pàn )得(🐐)(dé )到应有的(🍐)报应(👜)。 一辆押送犯人的(😊)护送车在曲(📕)(qǔ )折(😼)黑暗的(de )山(shān )路(lù(🚃) )上突(🔞)然遭到(🅱)(dào )袭(🥖)(xí )击，两名犯人被(🍳)狙击(🔸)手射杀，一名(🏣)犯人趁乱(luàn )逃跑(❓)。在(zà(🕋)i )此(cǐ )之(zhī )后(🛡)，负责(zé )押(yā )送(sò(🚘)ng )的狱(🥉)警多门大二郎（水島道太郎 饰）(🔠)休假(jiǎ )，但是他对(duì )此(🤘)(cǐ )事(shì )耿耿(🍍)于怀(huái )，于是展开独立(🌔)调查。他以获(🤼)得保(🐐)释的犯人香(xiāng )岛(🏿)五郎（小(xiǎ(😿)o )沢(zé(🌈) )昭一 饰）为(wéi )突(🎂)(tū )破口，却在(💏)热海(🧒)目睹了舞女玛丽(🚒)被弓(🏬)箭杀害(📝)(hài )的(🏪)场面，而(ér )她(tā )正(📺)是其(🙏)中一(yī )名(mí(🏗)ng )被射杀囚徒的姐(🐷)姐。 忠(🍏)彦と許婚者(🏅)・啓子の二人は(🍲)山(shā(🎪)n )道(dào )に迷い、ふと現(xiàn )れた猫の(🛵)後を追って廃屋にた(🌿)どり着いた(🔇)が、啓子は発(fā )熱(rè(🚸) )し、幻覚(jià(🚰)o )の中(✊)で怪猫に変わっ(♈)た老婆を見(👩)て苦(🍰)しんだ。その廃屋(🥦)は、以前恐(➗)ろし(🎾)い事件が起こっ(🕛)た代(👝)官屋敷(🕍)跡だ(🗯)った。