本片以兩段落呈現(📹)(xiàn )，一是(🍟)「日安午夜」，在(zài )五(💶)(wǔ(🤧) )0年代(🆎)台北，阿寶與一群稱(chē(😵)ng )之(🦕)為「(🐛)穿(chuān )褲的」的換帖結(jié(📡) )拜為(🀄)「橋(🐤)(qiáo )頭十三(sān )太妹」(🧣)。夜(yè(🛣) )晚，在(🦖)大稻埕酒家，歌(gē )舞(📯)(wǔ )與(🚋)歡樂(🕑)，儘情展演自我(wǒ )。白天，他(🌠)們回到(📤)自己的(de )生(shēng )活，扮演(yǎ(👐)n )女兒，妻(🙁)子，或(huò )母親。另(lìng )一是(➕)「再會(😣)彼時(shí )」，當兩(liǎng )個女(🚀)人間的(🤭)愛情(qíng )沒(méi )法繼續，一(🚦)個人選(📎)擇離(lí )世(shì )，她的魂魄(🉐)化(🕥)為蝴(⏸)蝶伴(bàn )隨(suí )，為了延續(🏹)愛(♊)情…(😁)。
A family of vampires moves into a small town and tries to fit in. All goes well until Count Beaumont's children start to feed on the locals. Vampire hunter Abe recruits average guy Joe to help him vanquish the Beaumonts once and for all.
本片(piàn )改编自泰(tài )国流(🎦)传甚(💤)广的(🦌)真(zhēn )实恐怖事(shì )件(💆)。月(yuè(🌐) )黑风(🦊)高之(zhī )夜(yè )，冤死的(🌰)泰国(🔓)古曼(🐲)童还(hái )魂(hún )归来！飘忽的(🔝)诡影，惨(🐞)(cǎn )白(bái )的面容，阴森的(🧚)老旧古(🌁)(gǔ )宅(zhái )，诡异的(de )姑妈，发(🚗)出哭声(🎆)(shēng )喊声的骇(hài )人风铃(🍟)，沾满鲜(🈲)(xiān )血刺痛眼(yǎn )球的白(❌)被子，阁(🍴)(gé )楼(lóu )里放着古曼童(⛺)的(📽)诡异(🐦)鸟(niǎo )笼(lóng )，半夜镜子里(🌾)的(🔒)小女(🐗)孩(hái )带(dài )着邪恶的笑容(🍥)自掐(📆)脖子(🏅)……女主角(jiǎo )苏芸(📿)无时(😐)无刻(💤)不(bú )笼罩在巨(jù )大(🥜)的恐(🈷)(kǒng )怖(🥞)之中！在(zài )无声的(de )黑暗之(👚)中，直击(❣)(jī )灵(líng )魂深处的惊悚(📹)开始一(🈶)幕(mù )幕(mù )上演，波云诡(🌊)谲的剧(🙈)情(qíng )背(bèi )后，那刺(cì )痛(💮)人心的(📢)真相让(ràng )人不寒而(é(🤔)r )栗(🔤)！
殺手(💤)麥可的(de )生活很簡(jiǎn )單(🐰)，白(🗾)天為(📷)組織(zhī )工(gōng )作，偶爾殺殺(🍛)人解(💄)決麻(má )煩(fán )事，空檔時去(🔌)看看(🔚)他那(🏾)(nà )哈(hā )佛畢業，卻淪(📓)為毒(📁)蟲的(🔃)老(lǎo )弟，晚上(shàng )則與心愛(🍮)的女(📽)友(yǒu )艾瑪享受(shòu )甜蜜時(💎)(shí )光。某(😻)日(rì )，艾瑪的(de )名字突然(🤲)出現在(🔆)(zài )刺(cì )殺名單上，逼得(🏛)麥可不(💣)(bú )得(dé )不幹掉昔日工(🖖)作夥伴(😊)，帶(dài )著弟弟與(yǔ )艾瑪(🧒)跑(🐖)路，但(🏴)組(zǔ )織也派出(chū )了格(🚰)雷(🥄)先生(🆕)出馬(mǎ )，究竟艾(ài )瑪做了(🥀)什麼(🚰)，讓(ràng )組(zǔ )織非殺不可呢(⛓)？
《黑(🍫)色(sè(🔐) )乙(yǐ )女Q&A》聚焦在一名(🈂)福利(🈸)院(yuà(😻)n )长(zhǎng )大的少女，她被一个(🚛)富裕(😧)(yù )而善良的(de )家庭收养，但(💐)知(zhī )道(😅)了家族(zú )的某个(gè )“秘(🅱)密”后，她(🐶)被(bèi )卷入了跌宕的命(🐛)(mìng )运(yù(🉑)n )中。
A teenage girl is kidnapped by a bizarre theatre cult intent on summoning an ancient witch.
A group of people who have betrayed each other are abducted before they realize that what they have done was wrong. But their abductor has placed them in a game where they need to work together to survive.
Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.
Two college students find evidence connecting a story they are investigating for film class to a series of deaths. Things begin to spiral out of control when an unknown force watching them becomes more violent and bloodthirsty.