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中文名(🔤)水晶心 巴西著名(🌧)(míng )导(dǎo )演João Batista de Andrade借此(〽)片获(huò )得(dé )Kikito最(zuì(🖍) )佳编剧 英国军(jun1 )方(🍥)一艘绝密的间谍(🚱)船在希腊发生(shē(💘)ng )了爆炸，船上(shàng )有(🐿)(yǒu )一(🚯)(yī )个(gè )威力无比(🤡)的发(fā )射机（据(🈹)说它可以使整个(👂)北极星(xīng )飞弹系(⛵)统全部(bù )报(bào )废(🏞)(fèi )）沉入了海底(😄)(dǐ )。这(zhè )下，不仅英(🦔)国军方，还有世界(🎏)(jiè )各(🥙)地的间谍、(📸)恐(kǒ(🚐)ng )怖(bù )分子都开始(🎒)蠢(chǔn )蠢(chǔn )欲(yù )动(🐉)。于是，007邦(bāng )德（罗(🎎)杰•摩尔 Roger Moore 饰）出(➕)动了，他(tā )的(de )任务(🤼)就是尽快(kuài )毁(huǐ(👃) )掉(diào )这台发射机(🏧)。同一时候，哈维洛(♑)克先(🎠)生在寻找(zhǎo )这项(🥠)装置时不(bú )幸(xì(⛑)ng )被(bèi )人(rén )刺杀身(🗜)亡，他(tā )的女儿美(🔏)琳娜（卡洛尔•(🥙)布盖 Carole Bouquet 饰(shì )）试图(🔔)千方百(bǎi )计(jì )想(🏒)(xiǎng )帮父亲报仇。邦(🐟)(bāng )德(👱)(dé )说服了美(🌕)琳娜(🔏)协助他潜入海底(😞)(dǐ )从沉船里取出(🛒)了(le )发(fā )射机。不幸(🔁)的(de )是(shì )，两人浮出(🍭)水面(miàn )被敌人抓(🌔)住了…… 张冠李(🎛)戴，让(ràng )你(nǐ )笑爆(🧑)肚 辛亥年(nián )间(jiā(🔪)n )，日本(🌽)逼袁世凯(kǎi )（英(👙)若诚 饰）签订卖(🙆)国“二十一(yī )”条，袁(🐣)世凯(kǎi )不(bú )顾(gù(😈) )国(guó )人反对，屈从(🏗)(cóng )签约。由此引发(🔙)全国抗日风潮，袁(🙂)派兵血腥镇(zhèn )压(💊)(yā )。云(👺)南起义将领(🕥)(lǐng )蔡(🍾)(cài )锷(è )（王心刚(🐠) 饰）目睹袁世凯(🔅)倒行逆施，准备进(🖨)行(háng )讨(tǎo )袁起义(🐈)。名妓(jì )小(xiǎo )凤(fè(🥋)ng )仙（张瑜 饰）倾(➗)心蔡锷威名，却始(🍨)终走不进蔡(cài )锷(👫)内心(🏠)。一曲“高(gāo )山(shān )流(🐮)水”琴曲，终吐自己(🍑)凄惨身世和除贼(🎺)心愿，彼此览对方(📕)为(wéi )知(zhī )音(yīn )。起(♍)义前夕，小(xiǎo )凤(fè(✊)ng )仙为掩护蔡锷不(🥣)幸入狱。蔡锷(è )在(😈)云南(🏧)打响讨(tǎo )袁(💈)(yuán )第(🦁)(dì )一枪，各省联(liá(🆎)n )袂(mèi )而(ér )起，窃国(😏)大盗袁世凯郁病(📺)而亡，随着讨袁护(👺)国(guó )战(zhàn )事结束(💳)，劳尽(jìn )心(xīn )力(lì(🎱) )的蔡锷也客死(sǐ(🍠) )异乡。正在抚琴的(🗣)小凤(📠)仙望着突(tū )然崩(🛷)断的琴弦，猛(měng )然(👅)(rán )意识到什么...... Anna and Tom lives in a remote place while Anna suffers from depression after an abortion, and are afraid of losing Tom's affection. An admirer of Tom's writing, Ellinor, adds to the problem, when she occurs with a tame wolf. 很(🚑)(hěn )久很久以后的(⏱)一天，在我国一座(💈)(zuò )现代化的城市(🤔)(shì )里(lǐ )，一辆敞蓬(🚽)的红色(sè )小(xiǎo )汽(🦁)车奔(🌛)驰在立体公(🍣)路上(👛)。驾驶(shǐ )汽车的是(🕥)顽皮(pí )的(de )孩(hái )子(🚌)小力，他要(yào )到(dà(🌺)o )机(jī )器人医院去(👌)观看爷爷研制出(📖)来的一种能治癌(🤯)的(de )小(xiǎo )小机器人(🗽)。小(xiǎo )力(lì )来(lái )到(📒)机器(🐴)人医院(yuàn )洁净明(🔉)亮的门厅,，对候诊(🐷)室门口(kǒu )站着的(🔏)一个高大(dà )的(de )机(🚲)(jī )器守门人说他(🐯)(tā )要去找爷爷，可(💖)是守门人却把他(🎉)(tā )送进了初诊室(💗)(shì )。在(🐱)(zài )初诊室里(💼)，一张(🏽)(zhāng )电(diàn )脑屏幕上(📌)立即映出了“无病(🔥)”二字，接着小(xiǎo )力(🌲)(lì )很(hěn )快又被传(🎸)送带(dài )送(sòng )了(le )出(🛎)来。一番周折后，小(📲)力终于到了激光(🐩)手术室(shì )外(wài )，他(🐍)想象(🗞)激光(guāng )把(bǎ )人(ré(😬)n )肚皮切开害怕(pà(🛤) )的不行，过了一会(🤖)儿一位刚刚动(dò(💄)ng )完手术的叔叔出(🍄)(chū )来(lái )，他看到叔(🏴)叔的(de )肚皮上没有(🎞)任何刀口，十分惊(😁)讶(yà(📌) )，还给叔叔吃(🏍)(chī )了(🍡)(le )一(yī )块糖。之后小(🥈)力(lì )误(wù )食了医(🍭)院的“糖豆”，开始觉(🔗)(jiào )得肚子疼。另(lì(🕣)ng )一(yī )边(biān )，小力的(⛴)爷爷(yé )在(zài )医(yī(✡) )院里焦急地来回(📏)走，原来他有个病(🍾)人一(🐖)会儿还(hái )要(yào )去(💰)演出，可是(shì )为(wé(👪)i )她(tā )治病的5号机(🏿)器(qì )人不见了。小(🕷)力看到那个病人(💴)，想：“这不是电(dià(🏣)n )影(yǐng )演(yǎn )员李英(🧑)阿姨吗(ma )？”爷爷终(⏩)于发(🍭)现5号机器人在小(🏇)(xiǎo )力肚子里，就(jiù(📸) )让(ràng )他(tā )吃了另(💬)一个“糖(táng )豆(dòu )”，两(📊)个机器人在小力(🆒)体内大(dà )战了一(🐱)番，小(xiǎo )力(lì )张(zhā(🤗)ng )开嘴，5号机器(qì )人(💣)(rén )被(bèi )另一个机(🕜)器人(🍄)抱了出来。小力说(🗽)：“他真坏！” 爷爷说(🏷)：“谁(shuí )叫(jiào )你(nǐ(🏢) )把它当糖豆吃(chī(✋) )呢 ？”然后5号机器(💁)人给女演员杀(shā(🌛) )死了癌细胞，治(zhì(🚶) )好(hǎo )了(le )鼻窦癌，女(🍺)演(yǎ(🔳)n )员说：”我怎么什(😅)么感觉也没有(yǒ(🈸)u )啊 ？”小力捧(pěng )着(🤲)(zhe )5号(hào )机器人：“小(♌)小(xiǎo )机(jī )器人，你(〽)们真了不起！”5号机(🥜)(jī )器人回答说：(💽)”了(le )不起的是你爷(⛳)(yé )爷(⏸)(yé )和(hé )发明(🖤)我们(🛁)的科学家！” Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. Framed for a serious crime, a man attempts to escape from a maximum security satellite prison...