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Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown. Diego Gardini (Ruffini) is a highly successful entrepreneur, a major wheeler and dealer who knows just about everyone in show-business. He is also an extremely obnoxious, selfish, egotistical lout who doesn’t care about anyone but himself. One day, he loses his cell phone in a public washroom just before an overseas flight. Two janitors find the phone and, to avenge Gardini’s mistreatment of them, choose to flood Gardini’s social media accounts with scandalous messages and pictures. Given Gardini’(⏬)s fame as a socialite, the messages go viral, jeopardizing Gardini’s job and future. Modalità Aereo is a high-concept film filled with slapstick moments, embarrassing scenes, misunderstandings and humiliation, in the tradition of classic Italian comedies. Guests at an old English manor house are stalked by a mysterious killer known only as 'The Terror.' When his long suffering girlfriend disappears suddenly, leaving a cryptic note as her only explanation, Hank's comfortable life and his sanity begin to crack. Then, from the woods surrounding his house, something terrible starts trying to break in. 该片通(🚂)过一个代(🐲)驾(jià )司机李渤的眼(yǎ(🏺)n )睛，展(zhǎn )现(🔐)人生百态，社(👰)会热(rè )点(🔡)，虽然故事(shì )发生在(zà(🔏)i )夜晚，只是(🔘)一(yī )段或长(🈲)(zhǎng )或短的(🥉)车程，却让代(dài )驾司机(😟)李渤一(yī(🧤) )次次生(shēng )出(🐭)念头，相对(🌙)(duì )醉倒在(🎶)(zài )眼前或哭(🐆)或笑(xiào )的(🌃)人说(shuō )一句(🈚)，你这样(yà(♈)ng )做，不(bú )会(♈)后悔吗……(🧦)…… 本(bě(😨)n )片以兩段落(🐅)呈(chéng )現，一(🏹)(yī )是「日(🥄)安午夜(yè )」(🐦)，在五0年代(😯)台北，阿寶與一群稱之(🏽)為「穿褲(😜)的」的換(huà(😻)n )帖結拜(bà(🧔)i )為「橋頭十三(sān )太妹(⏯)」。夜晚，在(📰)大(dà )稻埕酒(🦒)(jiǔ )家，歌舞(👒)與歡(huān )樂，儘(jǐn )情展演(🤚)自我。白天(🏗)，他們回到自(🐜)己(jǐ )的生(⚡)活(huó )，扮演女兒，妻子，或(🛷)母親。另一(⛑)(yī )是「再(zà(💻)i )會彼時」(🤪)，當(dāng )兩個(🗓)女(nǚ )人間的(🐨)愛情沒(mé(🍰)i )法繼續(xù )，一(🍎)個人選擇(📯)(zé )離世，她(😢)的魂魄化為(🦂)(wéi )蝴蝶伴(💮)隨，為了延續(🔡)(xù )愛情…(🔹)。