李东海演过的电视剧

美(🏧)国钢琴(qín )家理查(🗜)德（保(🕤)(bǎo )罗(😰)·里斯 Paul Rhys 饰）年届(jiè )四十(🦒)，和经(🥞)(jīng )纪(jì )人约瑟夫（艾伦(🥑)·科(😛)德勒 Allan Corduner 饰）长期暧昧不(bú(📓) )清(qī(🕊)ng )。在一次表演中，理查德认(🎧)识(shí(👕) )并喜欢上了(le )为(wéi )他翻页(🤯)的十(🥢)八岁少(shǎo )年保罗（凯(kǎ(🚑)i )文·(🐾)毕(👂)肖普 Kevin Bishop 饰(shì )）。因为父亲(📮)外遇(yù(🍡) )，保罗(🚍)陪母(mǔ )亲(qīn )到巴(🔚)塞罗那(🏄)(nà )散(😸)心，从而与理查(chá(🙇) )德再次(🐴)邂逅(🍙)(hòu )。一个是仰慕者(🐩)一个(gè(🏅) )是引(😚)诱者，从灵魂到肉(ròu )体(tǐ(🕵) )，钢琴(😆)家彻底虏获(huò )了翻页少(🍢)年(niá(🔺)n )。然而天才横(héng )溢的理查(🥥)德从(🕣)不为(wéi )感情停留，而(ér )情(🛵)窦初(✔)开的保罗对(duì )人生有太(🦅)多(duō(😹) )困惑。两人(rén )在(zài )喷泉与(⤵)鲜花(🚪)盛(🦉)放的(de )巴塞罗那街(jiē )头(😂)拥吻分(😦)手，留(🏮)下的振荡却经久(😶)(jiǔ )不息(🛃)，一直(🍼)(zhí )扩(kuò )散到大洋(⚓)彼(bǐ )岸(🔔)...... 这是(🏒)一部典型的(de )90年代(🗾)怪诞喜(😮)(xǐ )剧(✈)(jù )风格的恐怖电影。本片(🗺)讲述(🏓)了(le )一个叫做格(gé )雷(léi )戈(🎱)里的(🥦)男人从许愿(yuàn )井疗养院(🎚)被(bè(💈)i )释放后，他希(xī )望能够让(🍖)小孩(🏇)子们(men )高兴，因此(cǐ )他(tā )重(📮)新打(💝)开了陈旧的(de )冰淇淋工厂(🈲)(chǎng )的(🙄)大(🎮)门，然(rán )而(ér )，总有一些(📢)小孩子(💗)(zǐ )不(⏯)领情，所(suǒ )以格雷(➗)戈里(lǐ(🔛) )就(jiù(🍏) )把这些小孩都做(🌬)成(chéng )了(🍏)“独特(📭)的(de )”冰淇淋..... 剧情(qí(🥔)ng )简介：(🚷) Julian and Jeremy, two brothers known as the "Lewis Twins", prefer to spend their time on drugs and joyriding. When their father, Fatty Lewis, breaks his leg working for local bigwig Bryn Cartwright, they show up demanding compensation. Underestimating the vicious humour of the twins Bryn brusquely refuses to pay for the un-insured Fatty and unleashes a ferocious feud. Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’(🔫)s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 在(zài )一栋即将重(chó(🦄)ng )建(jià(🔸)n )的公寓里，杰美的(de )祖母离(🧓)奇失(🐳)(shī )踪。杰美循(xún )迹(jì )搜索(💙)，发现(🖐)多年前(qián )在这公寓的(de )一(🕝)次邪(🈺)教组织(zhī )自杀性火灾中(👸)，祖(zǔ(📩) )母居然是唯(wéi )一(yī )的幸(🌞)存者。与(🈂)此同时，一群古(gǔ )怪的(🔙)小孩子(💇)(zǐ )也(💂)(yě )像幽灵般缠绕(🤺)着杰(jié(🏽) )美...