僵尸先生

Prata Palomares is a product of the "Cinema Novo" movement in Brazil, which sought to create a truly Brazilian approach to filmmaking. In this hallucinogenic, violent film, two guerilla warriors (Itala Nandi and Renato Borghi) appear in the middle of an unknown military skirmish. Their quest is to return to military headquarters. Along the way, they see a young man drinking blood gathered from the shrine of the Bleeding Virgin; he then shoots and attempts to eat a buzzard, and then meets an incarnation of the Bleeding Virgin who is being tortured and disfigured. When they see a priest killed, one of the twosome seeks to take his place and meets the same fate. The survivor then boards a boat which will probably take him to his destination. あ(🎡)る(🧔)日DM発送(sòng )会社(shè )に勤める林徹(chè )のマ(🏭)ン(😃)シ(⚫)ョ(☝)ン(👜)に女の子(zǐ )が引っ越してきた。彼女は加藤留美というフリーのスタイリストだが(💹)、(🕓)本(⏪)(bě(🕶)n )当(👞)は(❕)ル(⏳)ビイという名の快盗(dào )だった。徹はさ(🎂)っ(🎹)そ(📞)く(🔼)相(⛏)(xià(⭐)ng )棒として犯罪(zuì )を手伝わされる。まずは巧(qiǎo )妙な手口(kǒu )で食料品屋の親父から売(📉)上(🆎)げ(🕔)金(㊗)を(🔇)盗(🕙)んだが、中味は大金とは程遠(yuǎn )くて経(📿)費(⛹)(fè(🐈)i )を(🏘)差(🏠)(chà )し引くと赤字だった。頭の切れるルビイと頼りない徹だったか、二人(rén )は次(cì(⚡) )に(📳)銀(🏬)行(🔟)襲(🍮)(xí(🌝) )撃(😢)を計画した。しかし、これも徹が脅迫(⛅)(pò(🥨) )の(🏃)手(💊)紙(😜)と(🌰)買物メモを間違(wéi )えて失敗。ルビイは凝(níng )りずに宝石店(diàn )詐欺(qī )を試るが、あ(🦋)っ(✡)さ(🌽)り(🚓)店(🔬)(dià(🏯)n )主(🍎)に見抜かれてしまう。犯罪計画を楽(lè )し(🥫)む(🍟)よ(🕘)う(🏭)な(💨)二(èr )人は豪華(huá )マンションに忍び込むが、管理が厳しくて脱出するのに精一杯(⛷)で(🤬)物(🌕)を(🍖)盗(📗)む(🆒)ど(🎉)ころではなかった。徹はルビイが好き(💰)だ(👛)が(💶)、(📧)彼(📗)女(🚋)には恋人がいた。ルビイが喧嘩した恋人(rén )に宛てた手紙(zhǐ )を取り戻(tì )してほし(♍)い(🏚)と(🎞)い(🕦)う(✴)。徹(🐉)は(🚈)気(qì )やすく引き受けるが、運悪く警察(🏼)に(🛏)捕(💜)(bǔ(📨) )ま(🎭)ってしまう。気のいい刑(xíng )事の計らいで徹はすぐに釈放されたが、ルビイはそん(🏗)な(🧦)自(🛍)分(🕡)(fè(🎁)n )の(🏖)ワ(🏸)ガママを聞き入れてくれた彼を暖か(📿)く(🔳)迎(🏵)え(🐿)た(🦉)。そ(🧛)して今度(dù )は徹のほうが、新しい犯(fàn )罪計画をルビイに持ちかけるのだった(🆒)。 Don Salvatore Savastano, a boss involved in the smuggling of contraband cigarettes, is forced to watch four masked robbers kill his wife and his only son in a restaurant where he and his family are celebrating the young boy's first Holy Communion. From that moment on Don Salvatore has no other purpose in life but to get his revenge on the four assassins. FEARLESS (as the US video of this is known) is an exciting Italian police film, largely shot in Austria (which looks beautiful!), with Merli as a low-rent private investigator and former cop who is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence. But at the forty-minute point, the film enters a new sphere with the arrival of JOAN COLLINS, looking incredibly sexy, doing a striptease in a club, and giving the film a wonderful shot in the arm. This film was made right before her "comeback" with the films THE STUD and THE BITCH, based on literary works by her sister Jackie. I've always admired Ms. Collins and the way she took charge of her career and showed the world how sexy an over-35 lady can be. The crime elements of the film work well, Merli is exciting and witty (as he usually was), and Joan Collins is a seductive femme-fat ale in a role that her fans simply must see. I've watched this film a number of times over the years, and I can't recommend it highly enough...an exciting 70's Italian crime film with the added attraction of Joan Collins at the height of her powers is a dream come true for this viewer! Alternate language version of Parisian Life (1936) The "Jack Squad” is the urban tale of three women who have nothing but money on their minds after each one has a loss of financial in***e. Childhood best friends Kennedy, Mona, and Dawn embark on a plan to seduce and rob wealthy men. Using cunning acts of seduction and betrayal, the girls go full speed ahead with charm and sex as their weapons to be***e financially independent. Soon, however, everything backfires when they get involved with a vicious Under-Lord and a murder counters their actions. The women be***e enveloped in a world of deceit and murder, as they discover that what ***es around goes around. It is now up to them to figure out what the next step is and how to get out of this vicious cycle of death before it is too late. French version of celebrated crime movie., 5 November 2009 自(🚎)殺(👤)し(🏺)、(🍓)死(🔌)者(📨)となった人々がそれぞれの死に至る経(🐂)緯(🔬)と(🗼)方(⛳)(fā(🚈)ng )法を語り始めるが…。山内(nèi )大輔が監(jiān )督・企画・脚(jiǎo )本を務めたエロティック(🦃)・(😾)ド(⏬)ラ(👿)マ(🐽)。 Opening with a funky 70's concert presumably in Italy, DEATH RAGE is an obscure Italian knockoff of the American action flick starring Yul Brynner in one of his final film performances. Brynner is really the only good reason to watch this movie, as there is very little special about it beyond that. Barbara Bouchet, Brynner's leading lady, is very sexy and does show a lot of skin, so there is some eye candy. Unfortunately, Brynner and Bouchet, in terms of acting, have almost no chemistry together (according to the trivia section at IMDb, they did not get along on the set--it shows). For those not familiar with Italian cinema during the 70's and 80's, keep in mind that the dubbing is never well done in these kinds of movies. The main focus is watching Brynner being a badass (which he does exceptionally well), watching Bouchet's body, and seeing lots of gunfights, car chases, and explosions. The plot is nothing new, and some of the dialogue is out-and-out stolen from other films. The special effects are standard for the time, and there is some animation featured during Brynner's flashback sequences (the "Death Rage" from the title). The movie follows retired hit-man Peter Marciani (Brynner), whose brother was, once upon a time, killed by the Mafia. He is lured out of retirement to hunt the man responsible for his brother's death, and travels to Italy, where he meets a goofy young wannabe named Angelo (Massimo Ranieri). Angelo shows him to his method for manipulating horse races, then takes him to a nightclub where Marciani is introduced to exotic dancer Anny (Bouchet). With his companions by his side, Marciani avoids death and struggles with his eye condition while trying to bring down the mob. This is 1971. A gang of robbers takes possession of a load of diamonds.. Only one of them, Mark Lemmon, is arrested and sentenced to life imprisonment. But before being captured, the gangster had managed to hide the loot in a sewer. Five years later, Mackenzie, an insurer, pretending to be a mafia boss, assigns three petty criminals to arrange his escape. Once free, Lemmon finds the booty but now he has to deal with his new 'partners'.