情陷巴塞罗那演员表

本(📠)片(🚦)从一个宫(🥃)廷乐师(🏀)(shī )萨里埃(āi )利(🈶)的角(jiǎ(🉐)o )度，为(wéi )我们(🧜)呈(chéng )现了(👮)天才莫扎特(tè )的一生(⛵)。萨里埃(🕖)利（F·莫里·亚(yà )伯(🥔)拉罕(hǎn ) F. Murray Abraham饰(🔠)）是(shì )维也(⤵)纳(nà )音(🥈)乐界(jiè )里有名的(de )人物(🌃)，自视甚高(🌤)(gā(🍉)o )的他自从(🈂)遇到了(le )莫扎特(tè )（汤(🙁)姆(mǔ )·(🍚)休斯(sī )克 Tom Hulce饰(🚨)），心里的(🚄)妒嫉之火便熊熊(xióng )燃(😵)烧不能(🤾)平息。莫扎特(tè )总能以(🚠)(yǐ )他超乎(📫)(hū(🦌) )常人的(de )音(🚘)乐作品(🖨)赢得全(quán )场惊(😜)叹，他的(⛏)《费加罗的(de )婚(🍪)礼》等歌剧(😳)(jù )，都成(chéng )了传颂(sòng )千(🕰)古的经(❤)典。 鲁(lǔ )狄从事的不算(💕)是正当的(❄)行业，但(dàn )总(👭)能轻(qī(🌄)ng )轻松松(sōng )地达成(chéng )目(📯)的。但是，谁(🍁)(shuí(🍔) )会料到，他(🦆)的生(shēng )活因为父亲奥(💟)斯(sī )华(💌)的关(guān )系而(🕯)发(fā )生了(🏥)重(chóng )大转变(biàn )。奥斯华(🐃)是一位(😠)颇有名气(qì )的考古学(🎧)家，与(yǔ )鲁(🚨)狄(🚲)大(dà )吵一(🕙)架(jià )后(🤐)，他(tā )突然离(lí(🚰) )开了以(🚻)色列。一(yī(🗓) )晚(⏱)，纽约警局(😁)电话鲁狄，询问有(yǒu )关(🍒)法萨(sà(🔌) )博物馆(guǎn )一本无(wú )价(🏹)宗教手稿(🍌)《命(mìng )令》，此事(⏸)似乎与(📈)其父亲有关。 When her grave is disturbed by modern-day land developers, a 300-year-old witch is accidentally resurrected and terrorizes an English village. After a childhood of playing cantinas and honky tonks from Texas to Tennessee, this band of brothers... 史提芬(fē(😶)n )周（周(zhō(♋)u )星(🆙)驰 饰(shì )）(🕘)在饮食界是享(xiǎng )誉盛(⛳)名的食(🥟)神，但一直骄(🚳)傲自大(dà(🎣) )，惟利(lì )是图。被身边(biā(🌧)n )得力助(🗯)(zhù )手陷害，一夜间一无(🐌)所有(yǒu )。他(🚻)在庙街认识(🌯)(shí )了早(🔘)已(yǐ )对他倾(qī(🍝)ng )心的大(📎)(dà )姐大火(🚭)(huǒ(🚎) )鸡（莫文(💯)蔚 饰）及一众老大，靠(🎹)着史提(🐻)芬(fēn )周的商(shāng )业头脑(🛴)(nǎo )，他们(men )决定推(tuī )出“爆(🏆)浆癞尿(📢)牛(niú )丸”，史提芬周重出(🎀)江湖的道(🈶)路(👘)(lù )也越来(🚅)(lái )越顺利(lì )。为了(le )重新(⏰)夺得食(⏫)神的(de )位置，他(🌱)回到大(dà(🚰) )陆寻找“中国厨(chú )艺学(🎋)院(yuàn )”受(💃)训(xùn )。火鸡(jī )一路跟(gē(🐾)n )着他想对(🏊)(duì )他表白，史(🚱)提芬(fē(🐣)n )被对手追杀，火(huǒ )鸡不(🌎)顾(gù )生命(✔)为(🕘)(wéi )他档了(🖱)(le )一枪，生死未卜。学成(ché(🤬)ng )归来的(🥝)史提芬如期到达食(shí(🏋) )神的比(bǐ )赛场地(dì )，没(🗡)想(xiǎng )到(❗)评判(pàn )却被对手收买(🌊)了(le )…… This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.