哈(🏋)利(lì )是一(🎁)个作家和(🚁)一个女人结(jié )婚,她的(🍱)(de )丈夫知道(💭)她是不忠(🏖)。由于(yú )他(tā )的工(✴)(gōng )作(🚀)原因,哈利(❌)产生幻想(🉐)和现(xiàn )实(shí )之间(🐲)(jiān )，他(😡)怀疑这件(🔦)事是(shì )真(🏺)实还(hái )是(shì )他的(🕐)幻想呢？百度(🐎)搜索(suǒ )墓(🎭)地影(yǐng )视(shì )
片 (🐦)名 Les.Chiennes
1972年完成的《守(❗)节(jiē )》以汉(🚜)(hàn )四(sì )郡时代的(🚘)战争时期为社(🎓)(shè )会大背(🍻)(bèi )景(jǐng )，描(🈁)写一对(✂)等待从军丈(zhà(🍉)ng )夫归来(lá(👋)i )的母女惨(👤)遭轮奸的不幸故(gù )事(👧)。由(yóu )于影(🤓)片强烈的(😭)社会批判色(sè )彩(💒)，送(sò(🗜)ng )审后不得(🤖)不减去了(🤷)近20分钟(zhōng )的(de )段落(⏳)(luò )。
仕(💨)事に嫌気(⛴)がさして(🎗)いた銀行(háng )員の(♒)井上則夫は、(🔫)SMプレイの(👮)最中に相手の女(🚮)性が死(sǐ )亡し(🎌)たため、(🚋)怖くなって北陸(🔫)の雪国へ逃(tá(🧀)o )走。行くあ(🖲)てもなく(🔤)列(liè )車(🎒)に乗(chéng )るが、(🎳)そこで女(🎰)子校生・(⏯)田中幸(xìng )子と出会う(🈷)。彼女に惹(🏰)かれ、後(😾)(hòu )を追うように(📷)駅を(🏯)降りた井(🍕)(jǐng )上は、(🥇)ポン引きの鈴木(📡)に声(📷)をかけら(🗳)れ、雪山(🔆)にある一軒家へ(🌺)。そこは女子校(😥)生の売春(📱)(chūn )宿だった。この(🚴)家で幸子と再(🐹)会(huì )した(🔕)井(jǐng )上(shàng )は、ポ(🌮)ン引きとして(🎅)の生活を(🛬)始(shǐ )めるが…。
讲(🕥)述了两个(gè )孩(🦆)子在(zài )寻(☕)(xún )找风筝(🐺)时所经(🧜)历的冒险(xiǎn )。
"What began as a documentary on sculptress Niki de St. Phalle finished up as a fantasy about a woman's attempts to exorcise the influence of her sexually domineering father. It provides an excuse for a whole ragbag of Freudian neuroses, six-foot phalluses in coffins, nubile girls in nun's habits stripping in front of altars, masturbation, some obvious jokes, pretty photography, abysmal acting, and a commentary that reads and sounds like a Home Service children's story for adults" (Chris Petit, Time Out)
...I'll take this almost intolerably nasty 1972 Italian drive-in movie, which features Mark Lester (of OLIVER! fame) as a kidnap victim who gets into scrapes that, in their uncut version, would probably get this movie in Federal chickenhawk-busting trouble today. Franco Nero and Telly Savalas are the two conscienceless galoots who are the movie's anti-heroes; Savalas re-ups his giggling hillbilly cretin from THE DIRTY DOZEN, here caricatured to beyond a fare-thee-well. Savalas is the cherry on the cake of what may be the most remarkable set piece in all seventies Italian exploitation: calming a tourist family, packing them in their mobile home, then untethering the trailer and singing a gospel hymn as the terrified Germans plunge into the drink. If I'm not misremembering, there may be a little jig involved here as well.