An impoverished jeweller's assistant places an unlikely bet in an effort to raise the funds to buy the perfect gift for his secret love. If a famous jockey finishes first in all his races at Goodwood, he will win a fortune. But when the first three races go according to plan, the young man faints and a series of slapstick misunderstandings ensues. Norman works in a jewellers workshop and fantasises (in the nicest way) about meeting the window dresser across the road from his workshop. He wants to buy her a diamond pendant but calculates it will take him over 100 years to save up for it. He is talked into betting a pound on a six horse accumulator at the Goodwood races with a slightly shady bookmaker. When he has won on the first five races, the bookie owes him over 16,000 pounds and everyone begins to worry. Everyone's future depends on a single race ... what can be done?
1932年(niá(🕌)n )，新(xīn )婚(🌭)的(de )年轻(qīng )灯塔员有泽四郎带着妻子清(⛎)子到东(🈶)京湾(wā(🐍)n )的观(guā(🗂)n )音崎(qí(📈) )灯塔(tǎ(👕) )赴任。不(🤠)(bú )久后(🀄)他们转(🧢)到北海道的石狩灯(dēng )塔，清子(zǐ )在那(nà )里诞下(🐀)了(le )长女(⚾)雪野和(📳)长子光(😵)太郎。1937年，一家人(💡)来(lái )到(👘)荒(huāng )岛(♓)上(shàng )的女(nǚ )岛灯塔，夫妻间的争吵渐渐多了起(🌰)来。年轻(🤭)(qīng )的灯(😻)(dēng )塔员(🛳)(yuán )野津(💺)爱上(shà(😪)ng )了灯塔(💁)长的女(🐋)儿真砂(📹)子，而对方却(què )不愿(yuàn )嫁给(gěi )灯塔(tǎ )员(🔽)。1941年，一家(🖕)搬到弹(🛂)崎灯塔(🍈)，有泽升(💩)任副灯(🏆)(dēng )塔长(➰)(zhǎng )。1945年(niá(📯)n )，他(tā )们(🛷)来到前(qián )崎灯塔，结识了到此避难的名取夫(fū(👢) )人。野津(🔓)(jīn )偕妻(🛷)子真(zhē(❎)n )砂子也来此赴(🙁)任。许多(🐞)灯塔员(⤴)在轰炸中(zhōng )死去(qù )。数(shù )年后(hòu )，一家人(rén )迁至(📎)三重县(💞)灯塔，雪(💁)野去东(🦈)京(jīng )读(🎛)书(shū )。1953年(➗)(nián )，他(tā(📙) )们来到(💲)木(mù )岛(🕡)灯塔，考大学失败的光太郎不幸(xìng )身亡(🎽)(wáng )。岁(suì(🚶) )月流(liú(🐰) )失，有泽(🏋)成了(le )御(🖊)前崎灯塔的灯(❌)塔长，雪(🖨)野和(hé(🏹) )名取(qǔ )家的(de )长子(zǐ )结婚，小(xiǎo )夫妇坐船前往开(🚧)罗。四郎(📄)和清子(😥)点(diǎn )亮(🏩)了(le )灯塔(tǎ )，为女(🔺)儿(ér )祝(🌸)福……(🏖)
八仙遇观音，得知凡间民不聊(liáo )生，何仙(xiān )姑提(🥒)(tí )议下(🎽)凡一(yī(🤹) )行，其他(🛵)七仙均(👅)表赞同(⏺)。八仙(xiā(🌶)n )于凡(fá(🤸)n )间打(dǎ(🐬) )救李(lǐ )文华夫妇(fù )，施法术惩治权奸，又(🏔)助观音(🚼)筹款济(🕉)世(shì )扶(👒)贫(pín )。八(💤)(bā )仙与(yǔ )观音(🆓)普渡(dù(🐅) )众生后(👫)，同返天庭向南极仙翁(wēng )贺寿(shòu )。
In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema)
人(rén )間性(xìng )の(🍹)本能で(👧)ある色(🈁)と欲の(🆙)生態を(🐈)徹底的(🌿)にえぐ(📩)る!
Masahiko Koseki, a judo master, gets in several fights as a result of protecting a young woman. Despite his success, Koseki is expelled from his judo school because of his propensity for street fighting. He goes to work for a gangster named Joji, but when he realizes that Joji is mixed up in the slave trade, Koseki helps the police in their attempts to foil Joji.