以人民的名义

故事(shì )发生在一(🏅)所专门培(péi )养歌舞(✝)(wǔ )人(🕛)才的学府(🕚)(fǔ )里(🌽)，林(lín )凤和(👮)张英(🔢)才(cá(🛄)i )是这所(suǒ )学校(🕓)(xiào )的高材(cái )生，本(běn )来他(tā )们是一(yī )对情(🍆)侣，可(📏)(kě )是由于(🕋)(yú )各(🎹)自都有自(🏵)(zì )命(😐)不凡(🕞)(fán )的性格(🍖)，在(zà(🛶)i )一次歌(gē )舞剧(jù )排练中(zhōng )，为了(le )一点小误(👸)会(huì )，互相用歌(Ⓜ)舞剧(🔺)里(lǐ )的歌(👁)词来(🏔)讥讽(🚆)对方(⌛)(fāng )，一(👼)对情(🕥)侣变成了(le )冤家，后来，他们(men )虽也经常一(🍾)起排练，但却貌似神(🤱)(shén )离(🌪)，校长看在(👮)眼里(📓)(lǐ )，急在(zà(🎤)i )心上(🐝)，因为(📐)(wéi )演出临(lín )近(⛽)，这样下(xià )去会影(yǐng )响歌舞演出(chū )，他想(xiǎ(🚂)ng )替林(🕜)(lín )凤和张(🍿)(zhāng )英(🎮)才做个和(😾)(hé )事(🐖)佬，解(➿)开心结，但(✴)是双(🐘)(shuāng )方都年少气(qì )盛，不(bú )愿意向对方(fāng )示(🛄)弱，于是校长想(😄)(xiǎng )出(🤢)一条妙计(🐳)……(🚻) Kusum Rai lives a wealthy lifestyle in scenic Kashmir with her widowed dad, Basant. Her dad had helped his friend's widow, her son, Sushil Verma, and daughter, Munni, overcome many financial challenges, and had also paid for his medical education so that he can grow up to not only support his family, but also marry Kusum. Kusum and Sushil do get married and re-locate back to Sushil's house which is attached to Malhotra Hospital where he works. Shortly thereafter disagreements begin when Kusum is not allowed to have her way, and also when she feels that Sushil is not being attentive towards her. Things escalate to such an extent that Kusum returns to live with her dad. Several months later, she is informed that Sushil is seriously ill, she returns - only to find that Sushil is in love with a nurse named Karuna. Watch what an angered Kusum does to keep Sushil all to himself. 剧(jù )情简(🚴)介：(🍀) 富家(👉)女华(huá )晓卿计划与男友何(hé )建群结(😚)婚，卿父嫌(xián )群家贫(🌆)反对(👋)婚事。卿祖(🌽)父遂(📟)假装(zhuāng )发(⏸)病，逼(💍)儿子(👟)应允(yǔn )。群父(fù(🔏) )往华家探访(fǎng )，与卿(qīng )父发生误会(huì )，不欢(🌾)(huān )而(🚗)散。祖父(fù(🌿) )巧施(🎛)妙(miào )计，教(🖊)卿投(🍑)(tóu )其(🍭)所好，终(zhō(🍘)ng )令准(👂)家(jiā )翁回心转意(yì )。婚礼(lǐ )前一天，卿(qīng )误(🗃)会和(hé )表妹菲(📘)菲有(🌮)(yǒu )染，怒(nù(🌎) )掴群(🐧)(qún )，群羞(xiū(😀) )愤下(💻)决定(🛋)离开。祖(zǔ )父查明实是菲从中(zhōng )作梗(🍗)，与卿追至轮(lún )船上(✴)，群、(🚨)卿前嫌(xiá(🛒)n )尽释(🙆)。婚礼终于(🅰)举行(🎻)，怎知(🖊)礼未(wèi )成，男女(🤠)两家客人(rén )已大打(dǎ )出手，祖父(fù )惟有把(🛺)(bǎ )新郎、新娘(🐧)(niáng )拉(♏)回家(jiā )里(😤)，再举(🌽)行(há(📪)ng )一个甜(tiá(🃏)n )蜜而(⏬)(ér )宁静的(de )婚礼。 雪瑩(yíng )傾慕梅(méi )生才名，且(qiě )豐姿俊(jun4 )朗，由(🏮)兄文(🕓)(wén )亮作線(⏰)(xiàn )人(🔔)，兩人成(ché(〽)ng )親；(👲)一(yī(🎠) )個是(shì )風流有(yǒu )名，一個是刁蠻多(duō )疑，總算兩人真心(xī(👓)n )相愛(🏢)，三年來並(🛫)無(wú(🍷) )事故。梅生(🐬)收到(🛡)好(hǎ(📀)o )友新霞及賀良(🌾)信件約見，雪瑩見(jiàn )梅生行動可疑，不(bú )讓(🚈)梅生(shēng )出門，梅(🏴)生(shē(🈺)ng )灌醉雪(xuě(〽) )瑩後(🏑)偷溜(😀)出(chū )去，梅(🎞)(méi )母(🐿)隨後。梅(méi )母抱走(zǒu )新霞(xiá )嬰兒，以為是梅生(shēng )所出，新霞(🐱)不知(🌍)去(qù )向。梅(🕟)(méi )生(👭)囑賀良扮(🍺)(bàn )女(🔯)裝見(🐢)(jiàn )雪瑩，認作(zuò )梅生"外(wài )遇"，希望可(kě )從雪瑩處借得金錢(😩)(qián )濟(📂)急，雪瑩念(🚱)“外(wà(👀)i )遇”有後，讓(😉)“外(wà(🧞)i )遇”入(🔔)門，梅生和(hé )“外(😑)遇”心急如焚。兄文亮聞訊(xùn )帶走雪瑩，梅生(👎)追(zhuī )至，慘(cǎn )被(♎)棒打(🦀)，賀(hè )良與(🚦)新(xī(🕺)n )霞出(🍕)現解釋(shì(🔓) )，其實(💐)(shí )梅生對雪瑩(yíng )痴心一(yī )片，但怕雪(🥙)(xuě )瑩吃醋及多(duō )疑(💶)才出(🤺)(chū )此下策(💼)。誤(wù(🔀) )會冰釋(shì(👹) )，梅生(🛺)和雪(🌹)(xuě )瑩比前(qián )更相親相愛(ài )。 Musically speaking,this flick contains what is probably Joselito's best rendering:Franz Schubert's "Ave Maria" .But you've got to sit through the whole film because this wonderful rendition happens in the last minutes.He also sings a snatch of Mozart,but it's obvious he likes flamenco best. 易卜(bo )生的(de )《群鬼(guǐ )》，內容涉及亂(🏎)倫(lú(⏹)n )(母子、兄(🥜)妹)、(🕦)性病(bìng ) (梅(⏲)毒) 和(🌩)上流(🥜)社會的(de )偽善面(🐷)貌，在1882年首(shǒu )演，震撼當年整個歐洲劇壇。左(🌴)(zuǒ )几的改編，除(🍬)了把(🗳)(bǎ )牧師一(🏢)角改(😁)成是(💾)女(nǚ )主角(🏟)的(de )哥(🌫)哥（相信(xìn )是因為(wéi )不符中國社(shè(🈸) )會的狀(zhuàng )況）、和(🐢)把(bǎ(💔) )開放曖昧(👹)的(de )草(👵)草收(shōu )場(🏺)改成(🉑)雨過(👎)(guò )天青的(de )完滿結局外(wài )（證明(míng )左几依然大(dà )膽有餘(⌛)(yú )，勇(🦁)(yǒng )氣不足(🌱)(zú )）(🔪)，基本上保(🦃)留了(💮)(le )原著(📬)的精華。高潮(chá(🧡)o )揭露兒子（張瑛）發現一直活在父、母(⏲)親（黃曼梨）(😉)給自(🤴)己編造的(🥊)謊(huǎ(🍞)ng )言世(🌲)界中、和(🗣)無可(👦)(kě )救藥地愛上同父異(yì )母的妹(mèi )妹(😤)，還有母(mǔ )親獲悉(xī(🥩) )兒子(🥜)遺傳了(le )她(😌)深痛(🗝)(tòng )惡絕(jué(🚘) )的丈(😻)夫(fū(📥) )的性病，劇(jù )力一瀉(xiè )千里，其飽(bǎo )滿及奔(bēn )放程度，直(zhí(🚒) )逼他(🍁)的(de )另一傑(🧛)作《魂(🍡)歸離(lí )恨(🐀)天(tiā(🧖)n )》(1957)。影(yǐ(🚛)ng )片又再次見證(✝)了左(zuǒ )几的穩健運鏡與場(chǎng )面調度（開(🚊)場介紹(shào )鍾家(😪)大宅(💺)的一段蒙(🧢)(méng )太(🛩)奇教(🔢)人想起《大(🏙)國民(✖)》(1941)），看(kàn )官不容錯過。 Shirley Anne Field gives a fiery performance as a young designer on the brink of starting an affair with a married male supervisor (Robert Stephens) at the wallpaper factory where she works. Based on the play by acclaimed writer John Mortimer (Rumpole of the Bailey), Lunch Hour is directed by James Hill (Black Beauty, Born Free). With its tightly-focused plot and real-time narrative this stylish examination of an illicit lunch-hour rendezvous features an underlying sexual radicalism that tells us much about the time in which it was made.