女巨人复仇记

自殺し(🚁)、死者と(🈴)なった人々がそれ(🌘)ぞれの(🤫)死に至(🎆)る経緯と方法(fǎ )を語り始め(🚧)るが…(⭐)。山内大(🕟)輔が監督・企画(huà(🐩) )・脚本を(🏌)務めた(🔻)エロテ(☔)ィック・ドラマ。 根(💔)(gēn )据鲁迅(⛔)同(tóng )名(🦃)小说改(🕵)编(biān )。 A Greek Fisherman brings an Atlantean Princess back to her homeland which is the mythical city of Atlantis. He is enslaved for his trouble. The King is being manipulated by an evil sorcerer who is bent on using a natural resource of Atlantis to take over the world. The Atlanteans, or rather the slaves of Atlantis, are forced to mine a crystalline material which absorbs the suns rays. These crystals can then be used for warmth. The misuse of science has created weapons out of the crystals that can fire a heat ray to destroy whatever it touches. Written by {harold.lind@airtouch.com} 一座被外(wài )国军(🍝)队占领(🥅)(lǐng )的城(😨)市，由于粮食短(duǎn )缺，人民生(shē(🌺)ng )活艰难(📛)困苦，一(🙏)位(wèi )年(niá(🛠)n )轻妇女只好(hǎo )带着(🚋)双胞胎(🔕)(tāi )儿子(👪)们投(tóu )靠住在乡间(jiān )的母亲(🏻)。这(zhè )位(🌂)“外婆”不(🏄)仅不识(shí )字、骯脏、吝啬、(♐)凶恶(è(📿) )，甚至是(🤦)一名凶手(shǒu )。两兄弟(🍼)在艰(jiān )困(⏪)的环境(🗳)中(zhōng )成(🔩)长，为了让自己变(bià(🚪)n )得坚强，两(😳)(liǎng )人每(😵)日以互(〽)(hù )相打骂对(duì )方、绝(😓)食等(dě(🚰)ng )各种方(🏥)式锻(duàn )炼生存本领(lǐng )。他们将(🚌)(jiāng )每天(🐿)发生的(😺)(de )事情仔细(👸)记(jì )载在一本大笔(👙)记本(bě(🌻)n )中(zhōng )。随(🤵)着日记(jì )一页页被翻(fān )开，一(💋)场(chǎng )冷(🚊)酷的梦(🎴)魇(yǎn )式寓言也逐(zhú )步呈现。 法(🚢)(fǎ )国南(✔)部某(mǒ(🎪)u )个海滨小镇(zhèn )，默默(🕵)无闻(wén )的(🤤)粉刷工(✊)加斯帕(😡)（Gregoire Leprince-Ringuet 饰(shì )）与同龄女(🤖)(nǚ )孩马丽(🥉)安（Pauline Etienne 饰(😽)）相恋(🐗)。某天，他(tā )们偶然拾到(🎅)(dào )一部(👊)手机，手(🚚)机里面(mià(🈚)n )的奇怪短信(xìn )令他(🧐)们颇为(🕖)(wéi )好奇(📽)，而桌(zhuō )面(🐨)上那个(gè )颓废女孩(🥘)的(de )相片(💰)似乎也(🌾)(yě )紧紧抓住了加斯帕(pà )的(de )眼(🗯)球。数日(😕)(rì )后，他(📠)们按(àn )照短信的内容跟踪了(😢)(le )两名当(🌊)事人(ré(🚼)n )——消瘦的(de )青年龙(🍽)（Swann Arlaud 饰）和(☔)颓废(fè(🕕)i )女孩山(🕙)姆（Moon Daily 饰），结果这两(🦏)人竟(jìng )相(🚩)约在山(👔)中(zhōng )自(🧗)杀。加斯(sī )帕和马丽安(🛅)匆忙营(♎)救(jiù )，龙(🤵)气绝身(shē(🐼)n )亡，山姆则(zé )捡回一(💌)条(tiáo )命(🔅)。 Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important piece of evidence. However, before they can get an arrest warrant, they hear the news of the hitman being hired to kill Meyers. This Italian produced, NYC lensed heist picture is actually quite entertaining with a few nice twists. Retired safe cracker Chris Gretchko (Lee Van Cleef) is lured to a job by the son (Edward Albert) of an ex-buddy. He flies to NYC and finds out he will be lifting $1 million in diamonds for a shady German group. It all goes smoothly until he learns that the group has plans to kill the second he has the safe open. Directed by Antonio Margheriti (as Anthony Dawson), this flick benefits from a clever script, great performances and evocative locations in New York. Van Cleef is his usual gruff self and he plays most scenes off Albert or hippie chick/life saver Karen Black. Lionel Stander appears as Gretchko's old-time fence. Supporting roles include Peter Carsten as the German mob boss, Ron Van Clief as some karate chopping muscle and soon to be character actor Roy Brocksmith (the bald, fat guy from TOTAL RECALL) as the guy who gets ripped off. Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.